New Books In East Asian Studies

The second of three volumes of essays that engage Japanese philosophers as intercultural thinkers, this collection critically probes seminal works for their historical significance and contemporary relevance. Japanese Philosophy in the Making 2: Borderline Interrogations (Chisokudo, 2019) shows how the relational ethics of Watsuji Tetsurō serves as a resource for new conceptions of trust, dignity, and human rights; how forgiveness empowers the repentance and the sense of responsibility advocated by Tanabe Hajime, and how Kuki Shūzō's philosophy of contingency puts a fortuitous twist on normative ethics. The author also re-examines the controversy about Kyoto School wartime writings so as to uncover the covert side of today's empires, and reflects on the hidden consequences of seeing nature as the non-human world. Underlying these investigations is a consistent style that interrogates philosophers for what lies undisclosed and that exposes decisive questions that arise between us and them. Jingyi Li is a PhD C

Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender formally ended the war in the Pacific and brought to a close one of the most cataclysmic engagements in history, one that had cost the lives of millions. VJ―Victory over Japan―Day had taken place two weeks or so earlier, in the wake of the dropping of the atomic bombs on Hiroshima and Nagasaki and the entrance of the Soviet Union into the war. In the end, the surrender itself fulfilled the commitment that Franklin Roosevelt had made that it be "unconditional," as had been the case with Nazi Germany in May, 1945.  Though readily accepted as war policy at the time, after Roosevelt's death in April 1945, popular support for unconditional surrender wavered, particularly when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. The ending of the war in Europe spurred calls in Congress, particularly among anti-New Deal Republi

When faced with some of the complex identity questions which often arise in borderlands, Koreans in China – known as Chosonjok in Korean, Chaoxianzu in Chinese – have long seemed adept at navigating the shifting demands of being both Chinese and Korean. Sunhee Koo’s new book, Sound of the Border: Music and Identity of Korean Minority Nationality in China (U Hawaii Press, 2021), makes a strong case for Chaoxianzu music being a clear index of this, reflecting as it does the layered cultural worlds of this community living in Yanbian prefecture where China, North and South Korea, and the wider world collide. Offering an in-depth account of the shifting styles, genres and themes present in Chaoxianzu musical output across the decades, Koo examines the form and content of Korean folksongs and traditional instrumentation, Chinese- and North Korean-inflected socialist propaganda tunes, and more recent commercialised blends of essentialised ‘ethnic’ music and South Korean pop. Woven into the book’s close musical anal

“The Europeans raise all the cattle, but the Chinese get all the milk.” This joke, told in colonial Singapore, was indicative of the importance of the Chinese diaspora throughout Southeast Asia. Chinese migrants were miners, laborers, merchants and traders: the foundation of many colonial cities throughout Asia--while also making sure that their own communities back home benefited. Distant Shores: Colonial Encounters on China's Maritime Frontier (Princeton University Press: 2021), written by Professor Melissa Macauley, looks at one particular community within the Chinese diaspora: the Chaozhou people--also known as the “Chiu Chow” people--hailing from the Shantou--also known as Swatou--area in Eastern Guangdong Province. The Chouzhouese traveled far and wide, engaging in trade, commerce and business--a history that survives to this day, with many Southern Chinese and Southeast Asian business tycoons having ties to this migrant community. Professor Melissa Macauley is a Professor at Northwestern University, wh

Indigenous Cultural Translation: A Thick Description of Seediq Bale (Routledge, 2020) is about the process that made it possible to film the 2011 Taiwanese blockbuster Seediq Bale in Seediq, an endangered indigenous language. Seediq Bale celebrates the headhunters who rebelled against or collaborated with the Japanese colonizers at or around a hill station called Musha starting on October 27, 1930, while this book celebrates the grandchildren of headhunters, rebels, and collaborators who translated the Mandarin-language screenplay into Seediq in central Taiwan nearly eighty years later. As a “thick description” of Seediq Bale, this book describes the translation process in detail, showing how the screenwriter included Mandarin translations of Seediq texts recorded during the Japanese era in his screenplay, and then how the Seediq translators backtranslated these texts into Seediq, changing them significantly. It argues that the translators made significant changes to these texts according to the consensus abo

What is digital vigilantism? How do Chinese citizens seek justice online? How does digital vigilantism reflect contemporary Chinese technological and socio-political development? In a conversation with Joanne Kuai, a visiting PhD Candidate at the Nordic Institute of Asian Studies, Qian Huang, lecturer and PhD Candidate at Erasmus University Rotterdam, explains the growing phenomenon of online collective action against an individual to protect a shared value and the consequences of it. Digital vigilantism refers to citizens’ practice of weaponising online visibility for retaliation when collectively offended. Qian Huang speaks to the Nordic Asia Podcast about her research on Chinese digital vigilantism, a part of the research project funded by the Netherlands Organisation for Scientific Research (NWO) entitled Digital Vigilantism: Mapping the terrain and assessing societal impacts. Qian Huang is also the co-editor of the book Introducing Vigilant Audiences (Open Book Publishers, 2020) The Nordic Asia Podcast i

Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy by James Garrison (SUNY Press 2021), argues that the tradition of Confucian philosophy can provide resources for theorists like Judith Butler and Michel Foucault in understanding what it is to be a subject in the social world. Garrison’s interlocutors are intercultural, from Confucius to Kant, Arendt to Butler, Hegel to Nietzsche. His book argues that Confucianism offers a relational, discursive, bodily, and ritualistic conception of the self. Through philosophers like Mencius, Xún Zǐ, and Lǐ Zéhòu, Confucianism’s emphasis on embodied aesthetic experiences presents new ways of thinking about how human beings can resist passivity in the face of society and instead learn how to consciously and bodily gain purposeful self-awareness. Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning,

Many Western entrepreneurs and businesses have foundered in trying to set up shop in China. Different expectations, different ways of doing business, different institutions and platforms—all come together to remove any pretensions that one can easily transplant a foreign business model into the Chinese market. One of these entrepreneurs was Xavier Naville, who moved to China in 1997 where he built Creative Food. Unlike many others, his venture was a success. It's now a key supplier to major restaurant chains across the country including McDonald's, KFC and Starbucks. The Lettuce Diaries: How A Frenchman Found Gold Growing Vegetables In China tells Xavier’s story growing Creative Foods: managing a Chinese team as a foreign manager, trying to work with farmers to improve how they conducted agriculture, and navigating investor demands.  In this interview, Xavier and I talk about his time in China, what he learned about starting a business, and whether things are different in a more developed, more advanced econo

In the wake of labor market deregulation during the 2000s, online content sharing and social networking platforms were promoted in Japan as new sites of work that were accessible to anyone. Enticed by the chance to build personally fulfilling careers, many young women entered Japan's digital economy by performing unpaid labor as photographers, net idols, bloggers, online traders, and cell phone novelists. While some women leveraged digital technology to create successful careers, most did not. In Invisibility by Design: Women and Labor in Japan's Digital Economy (Duke UP, 2020), Gabriella Lukács traces how these women's unpaid labor became the engine of Japan's digital economy. Drawing on interviews with young women who strove to sculpt careers in the digital economy, Lukács shows how platform owners tapped unpaid labor to create innovative profit-generating practices without employing workers, thereby rendering women's labor invisible. By drawing out the ways in which labor precarity generates a demand for f

What happened to the Buddhist scholars who stayed behind in Tibet and China after the Fourteenth Dalai Lama and thousands of Tibetans fled from the People’s Liberation Army in 1959? In Lineages of the Literary: Tibetan Buddhist Polymaths of Socialist China (Columbia University Press 2021), Nicole Willock discovers through the stories and writings of the “Three Polymaths” (Tib. mkhas pa mi gsum) of socialist China that contrary to common assumptions, Tibetan Buddhist leaders active in the People’s Republic of China were not mere political “collaborators.” Willocks reveals in the book that the three Buddhist polymaths, Tséten Zhabdrung (1910 – 1985), Mugé Samten (1914 – 1993), and Dungkar Rinpoché (1927 – 1997) alternately safeguarded, taught, adapted, celebrated, and discarded religious epistemes, practices, and institutions in a post-Cultural Revolution PRC. The title of the “Three Polymaths” is often used to refer to Mar Shakyamuni, Yo Géjung, and Tsang Rabsel, who according to Tibetan Buddhist historiograph

Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents (Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II. With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, gov

Japan's nationalist right have used the internet to organize offline activism in increasingly visible ways. Jeffrey J. Hall, investigates the role of internet-mediated activism in Japan's ongoing historical and territorial disputes. He explores the emergence of two right-wing activist organizations, Nihon Bunka Channel Sakura and Ganbare Nippon, which have played a significant role in pressure campaigns against Japanese media outlets, campaigns to influence historical memorials, and campaigns to assert Japan's territorial claim to the Senkaku/Diaoyu Islands.  In Japan's Nationalist Right in the Internet Age: Online Media and Grassroots Conservative Activism (Routledge, 2021), Hall analyses how activists maintained cohesion, raised funds, held protests that regularly drew hundreds to thousands of participants, and used fishing boats to land activists on disputed islands. Detailing events that took place between 2004 and 2020, he demonstrates how skilled social actors built cohesive grassroots protest organizat

Today I spoke to Professor Andrew Kipnis about his book on social change in urban China from the perspective of funerals. In rural China funerals are conducted locally, on village land by village elders. But in urban areas, people have neither land for burials nor elder relatives to conduct funerals. Chinese urbanization, which has increased drastically in recent decades, involves the creation of cemeteries, state-run funeral homes, and small private funerary businesses. The Funeral of Mr. Wang: Life, Death, and Ghosts in Urbanizing China (U California Press, 2021) examines social change in urbanizing China through the lens of funerals, the funerary industry, and practices of memorialization. It analyzes changes in family life, patterns of urban sociality, transformations in economic relations, the politics of memorialization, and the echoes of these changes in beliefs about the dead and ghosts. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Suppo

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans On

In the past four hundred years, the cultural position of Taiwan has been undergoing a series of drastic changes due to constant political turmoil. From the early seventeenth century to the late twentieth century, the ruling power of Taiwan shifted from Spaniard and Dutch to the Late-Ming Zheng regime, then to the Qing court and imperial Japan, and finally to the Kuomintang (KMT) government from China. In this regard, Taiwan has long been regarded as a supplementary addition to its cultural Other: China, Japan, or imperial western powers, despite its rich Aboriginal cultures. To create a self-claimed subjectivity, the localist camp of the island has been promoting the Taiwanese consciousness via political movements and literary writings in a century-long campaign. Its focus on the native soil and experience is well connected with the Sinophone studies, which has been a prominent field across geographical and disciplinary barriers. As Taiwan’s community grows more diverse, Taiwan literature is enriched by a ser

In Affect, Narratives and Politics of Southeast Asian Migration (Routledge, 2021), Carlos M. Piocos explores the politics of gendered labor migration in Southeast Asia through the stories and perspectives of Indonesian and Filipina women presented in films, fiction, and performance to show how the emotionality of these texts contribute to the emergence and vitality of women's social movements in Southeast Asia. By placing literary and filmic narratives of Filipina and Indonesian domestic workers in Hong Kong and Singapore within existing conversations concerning migration policies, he offers an innovative approach towards examining contemporary issues of Asian migration. Furthermore, through rich ethnographic accounts, the book unpacks themes of belonging and displacement, shame and desire, victimhood and resistance, sacrifice, and grief to show that the stories of Filipina and Indonesian migrant women don't just depict their everyday lives and practices but also reveal how they mediate and make sense of the

In the early eighteenth century, the noblewoman Ōgimachi Machiko composed a memoir of Yanagisawa Yoshiyasu, the powerful samurai for whom she had served as a concubine for twenty years. Machiko assisted Yoshiyasu in his ascent to the rank of chief adjutant to the Tokugawa shogun. She kept him in good graces with the imperial court, enabled him to study poetry with aristocratic teachers and have his compositions read by the retired emperor, and gave birth to two of his sons. Writing after Yoshiyasu’s retirement, she recalled it all—from the glittering formal visits of the shogun and his entourage to the passage of the seasons as seen from her apartments in the Yanagisawa mansion. In the Shelter of the Pine is the most significant work of literature by a woman of Japan’s early modern era. Featuring Machiko’s keen eye for detail, strong narrative voice, and polished prose studded with allusions to Chinese and Japanese classics, this memoir sheds light on everything from the social world of the Tokugawa elite to

European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. Many contemporary scholars have sought to rehabilitate Chinese Decadence but have found it difficult to dissociate it from the negative connotations of tuifei. More importantly, few have reconnected Decadence with its steadfast pursuit of intellectual pleasure and unique paradoxes or explored the specific socio-historical conditions and cultural dynamics that gave rise to Decadence. Decadence in Modern Chinese Literature and Culture: A Comparative and Literary-Historical Reevaluation (Cambria Press, 2020) is the first comprehen

Alluring, nurturing, dangerous, and vulnerable, the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story “The Smile of the Mountain Witch” by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment.  Yamamba: In Search of the Japanese Mountain Witch (Stone Bridge Press, 2021) represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba. Matthew Hayes is the Japanese Studies and Asian American Studies Librarian at Duke University and a researcher in the area of early modern Japanese Buddhism. You can find him on Twitter

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong’s films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong’s filmmaking. The book also discusses Wong’s influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media