New Books In East Asian Studies

When did the Cold War in East Asia really begin? According to ADI-NIAS researcher Kuan-Jen Chen, the answer is 1945 – if we view the Cold War through a maritime lens. In conversation with NIAS Director Duncan McCargo, KJ explains how he is using Japanese and Taiwanese sources to gain a more nuanced perspective on East Asian Cold War maritime history, which is far from a simple narrative of American naval dominance. KJ also discusses the relevance of the Cold War context to understanding recent geostrategic developments in the region, and why he is trying to put international historians into a more fruitful dialogue with scholars of international relations. Kuan-Jen Chen (https://kjchen.net/) is the Asian Dynamics Initiative-Nordic Institute of Asian Studies Postdoctoral Fellow in Asian Studies at the University of Copenhagen. He has published articles in various journals including Cold War History and the Journal of American-East Asian Relations. KJ is currently completing a book based on his Cambridge PhD, e

Diaspora’s Homeland: Modern China in the Age of Global Migration (Duke University Press, 2018) by Shelly Chan provides a broad historical study of how the mass migration of more than twenty million Chinese overseas influenced China’s politics, economics, and culture. Chan develops the concept of “diaspora moments” – a series of recurring disjunctions in which migrant temporalities come into tension with local, national, and global ones – to map the multiple historical geographies in which the Chinese homeland and diaspora emerge. Chan describes several distinct moments, including the lifting of the Qing emigration ban in 1893 and the legacy of indentured Chinese migration to the Americas, intellectual debates in the 1920s and 1930s about whether Chinese emigration in the South China Seas (Nanyang) and Southeast Asia constituted colonization and whether Confucianism should be the basis for a modern Chinese identity. She also looks at the intersection of gender, returns to China of displaced Chinese from Southe

Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons: Natsume Soseki and the Properties of Modern Literature (Duke UP, 2021), Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theo

Ian Reader and John Shultz's Pilgrims Until We Die: Unending Pilgrimage in Shikoku (Oxford University Press, 2021)" explores the Shikoku pilgrimage by focusing on the themes of repetition and perpetual pilgrimage. Reader and Shultz employ a wide array of methods to portray how these itinerant pilgrims view their unending life on the trails. Some spend most of their life walking the pilgrimage, while others use cars and other methods of modern transportation, allowing them to complete the circuit hundreds of times. The Shikokubyō or the Shikoku illness is a common term that people use to describe a sense of addiction to the pilgrimage, revealing how the pilgrimage has become a part of their life. Based in extensive fieldwork this book shows that unending pilgrimage is the dominant theme of the Shikoku pilgrimage, and argues that this is not specific to Shikoku but found widely in global contexts, although it has barely been examined in studies of pilgrimage. It counteracts normative portrayals of pilgrimage as

Once you understand that markets require public institutions of governance and regulation in order to function well, and further, you accept that nations may have different preferences over the shape that those institutions and regulations should take, you have started to tell a story that leads you to radically different endings. – Dani Rodrik, The Globalization Paradox (2011) Influenced by Dani Rodrik’s research and teaching at Harvard’s Kennedy School, Yeling Tan, Assistant Professor of Political Science at the University of Oregon, and non-resident scholar at UCSD’s 21st Century China Center, has written a book that brings together her interest and expertise in China’s political economy: Disaggregrating China, Inc.: State Strategies in the Liberal Economic Order (Cornell University Press, 2021). As you will hear, Professor Tan is interested in the dynamics of international and domestic politics with a focus on the tensions involving policy change within political economies. The development and the role of

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and

What sequence of events led Hong Kong to lose its long-held status as a liberal enclave of China? What drove its population to rise up against its government and confront Beijing? And why did China’s rulers decide to effectively put an end to the freedoms guaranteed under the One-Country-Two-Systems arrangement by imposing in June 2020 a draconian National Security Law designed to eliminate any political opposition that has already led to hundreds of arrests? In Defying the Dragon: Hong Kong and the World’s Largest Dictatorship (Hurst, 2021), the prominent Hong Kong journalist and broadcaster Stephen Vines offers a blow-by-blow account of the 2019-2020 protest movement. The books details the emergence of an increasingly assertive and defiant Hong Kong political identity, the collapse of trust in the Beijing-anointed government, the PRC’s increasingly hands-on assertion of its sovereignty over the territory, and the deteriorating relationship between the West and an overly confident but inwardly insecure Chine

Why did so many of South Korea’s senior citizens take to the streets between 2016 and 2019? What motivated their participation in rallies? And what do these rallies tell us about the state of South Korea’s democracy? Korea Foundation and Nordic Institute of Asian Studies postdoctoral researcher Myunghee Lee discusses these and other questions with Petra Desatova. Myunghee Lee is a Korea Foundation and Nordic Institute of Asian Studies postdoctoral researcher at the University of Copenhagen. Her research focuses on protest, social movement, authoritarianism, and democratization. Her work appears in journals such as International Security, International Studies Review, and Politics & Gender. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University

Revisiting Japan's Restoration: New Approaches to the Study of the Meiji Transformation (Routledge, 2021) presents the reader with thirty-one short chapters that capture an exciting new moment in the study of the Meiji Restoration. The chapters offer a kaleidoscope of approaches and interpretations of the Restoration that showcase the strengths of the most recent interpretative trends in history writing on Japan while simultaneously offering new research pathways. On a scale probably never before seen in the study of the Restoration outside Japan, the short chapters in this volume reveal unique aspects of the transformative event and process not previously explored in previous research. They do this in three core ways: through selecting and deploying different time frames in their historical analysis; by creative experimentation with different spatial units through which to ascertain historical experience; and by innovative selection of unique and highly original topics for analysis. The volume offers student

Timothy Yang’s A Medicated Empire: The Pharmaceutical Industry and Modern Japan (Cornell 2021) is a case study of Hoshi Pharmaceutical, a Japanese drug company that exemplified the push for a modern “culture of self-medication.” The history of Hoshi is tightly intertwined with state promotion of Western biomedicine beginning in the late nineteenth century, but also reveals tensions between pharmaceutical manufacturers’ self-promotion “as a humanitarian endeavor for greater social good” and their profit motive. As the title suggests, A Medicated Empire also expands our understanding of the production and consumption of drugs―licit and illicit―in the Japanese empire, exploring topics including how companies like Hoshi exploited national-defense concerns to secure lucrative government support in times of crisis on the one hand, and the differential marketing and regulation of pharmaceuticals such as opium to Japanese and colonial subjects. In the latter sections of the book, these elements are central to the sto

Rayna Denison’s Anime: A Critical Introduction (Bloomsbury, 2015) uses genre as a window into the evolving global phenomenon of Japanese animation. Denison’s wide-ranging analysis tackles the anime themselves – including classics such as Astro Boy, Akira, Urotsukidōji, Spirited Away, and Natsume’s Book of Friends – but also the mechanics behind anime production and distribution in Japan, the United States, and the United Kingdom. Tracking anime’s circulation through these locations over time reveals key differences in how generic terms such as horror, nichijōkei/slice-of-life, and even anime itself are understood. Examining production and distribution contexts like the industry and fan event, Tokyo International Anime Fair, further discloses how companies and fans contextualize and re-contextualize anime to encourage its popularization in new time periods and markets. Denison depicts anime as an intricate global phenomenon that is constantly metamorphosing even on the level of individual anime texts, which ar

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popul

Mediatized Taiwanese Mandarin: Popular Culture, Masculinity, and Social Perceptions (Springer, 2021) explores how language ideologies have emerged for gangtaiqiang through a combination of indexical and ideological processes in televised media. Gangtaiqiang (Hong Kong-Taiwan accent), a socially recognizable form of mediatized Taiwanese Mandarin, has become a stereotype for many Chinese mainlanders who have little real-life interaction with Taiwanese people. Using both qualitative and quantitative approaches, the author examines how Chinese millennials perceive gangtaiqiang by focusing on the following questions: 1) the role of televised media in the formation of language attitudes, and 2) how shifting gender ideologies are performed and embodied such attitudes. This book presents empirical evidence to argue that gangtaiqiang should, in fact, be conceptualized as a mediatized variety of Mandarin, rather than the actual speech of people in Hong Kong or Taiwan. The analyses in this book point to an emerging real

Several high-profile cases of sexual harassment and assault have helped the #MeToo movement in China continue to make impacts on a society that is highly controlled and surveilled. Most recently, tennis star Peng Shuai’s saga has accused former top Chinese Communist Party leader, Zhang Gaoli of sexual assault. Although Peng did not say that she is part of the #MeToo movement, her speaking out has given fresh impetus to the campaign. Joining us to talk to Julie Chen about the #MeToo movement in China is Dusica Ristivojević, Kone Foundation Bold Initiatives Senior Researcher at the University of Helsinki. Dušica works in the areas of interdisciplinary Chinese studies, media studies, and international relations. Recently, she published a co-authored journal article on the #MeToo movement in China. See Jing Xiong and Dušica Ristivojević (2021) #MeToo in China: How do the Voiceless Rise Up in an Authoritarian State? in Politics & Gender. Julie Yu-Wen Chen is Professor of Chinese Studies at the Department of Cultur

China: Up Close and Personal is based on an in-depth filmed conversation between Howard Burton and Karl Gerth, Hwei-Chih and Julia Hsiu Chair in Chinese Studies and Professor of History at UC San Diego. This wide-ranging conversation covers the emerging American-style consumer culture of China which is revolutionizing the lives of hundreds of millions of Chinese, how it has transformed its economy and lifestyle and has the potential to reshape the world. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Alisa Freedman's book Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples sho

COP26 was billed as the make or break event in the fight against climate change. In conversation with Quynh Le Vo, Sharon Seah, coordinator of the ISEAS-Yusof Ishak Institute’s Climate Change in Southeast Asia Programme, discusses Southeast Asian countries’ key priorities going into the conference and the commitments they made in Glasgow, including climate finance, exit from coal and ending deforestation. She also reveals some insights from the annual Southeast Asia Climate Survey reports, such as perceptions in the region of the US as a climate leader and the (dis)connects between climate action and COVID-19 responses. Sharon Seah is Senior Fellow and Coordinator at the ASEAN Studies Centre and the Climate Change in Southeast Asia Programme at the ISEAS–Yusof Ishak Institute. She co-edited 50 Years of ASEAN and Singapore (World Scientific: 2017) and Building a New Legal Order for the Oceans (NUS Press: 2019). Prior to academia, Ms Seah worked at the Ministry of Foreign Affairs of Singapore and the National E

As the Covid-19 pandemic spread to Europe and other parts of the globe in spring of 2020, the Chinese government started reporting donations of Personal Protective Equipment as well as other medical supplies to areas experiencing severe shortage. Listen to Dr. Lauri Paltemaa and Dr. Hermann Aubié discuss their research on the exact nature of China's so-called Mask Diplomacy. How did the recent situation differ from past examples of Chinese humanitarian aid and disaster relief? What are the difficulties in obtaining hard data about the donations? Dr. Paltemaa and Dr. Aubié explain the multiple players that have participated in providing China's international humanitarian aid, as well as the symbolic significance of such aid. Dr. Lauri Paltemaa is professor and director of the Centre for East Asian Studies at the University of Turku, and Dr. Hermann Aubié is a senior researcher at CEAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic In

In Economic Thought in Modern China: Market and Consumption, c.1500–1937 (Cambridge University Press, 2020), Margherita Zanasi argues that basic notions of a free market economy emerged in China a century and half earlier than in Europe. In response to the commercial revolutions of the late 1500s, Chinese intellectuals and officials called for the end of state intervention in the market, recognizing its power to self-regulate. They also noted the elasticity of domestic demand and production, arguing in favour of ending long-standing rules against luxury consumption, an idea that emerged in Europe in the late seventeenth and early nineteenth centuries. Zanasi challenges Eurocentric theories of economic modernization as well as the assumption that European Enlightenment thought was unique in its ability to produce innovative economic ideas. She instead establishes a direct connection between observations of local economic conditions and the formulation of new theories, revealing the unexpected flexibility of th

Shao-yun Yang's The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China (University of Washington Press, 2019) challenges assumptions that the cultural and socioeconomic watershed of the Tang-Song transition (800–1127 CE) was marked by a xenophobic or nationalist hardening of ethnocultural boundaries in response to growing foreign threats. In that period, reinterpretations of Chineseness and its supposed antithesis, “barbarism,” were not straightforward products of political change but had their own developmental logic based in two interrelated intellectual shifts among the literati elite: the emergence of Confucian ideological and intellectual orthodoxy and the rise of neo-Confucian (daoxue) philosophy. New discourses emphasized the fluidity of the Chinese-barbarian dichotomy, subverting the centrality of cultural or ritual practices to Chinese identity and redefining the essence of Chinese civilization and its purported superiority. The key issues at stake concerned the acceptability o