New Books In Literary Studies

This is a book of encounters. Part memoir, part essay, and partly a guide to maximizing your capacity for fulfillment and expression, The Poetry of Everyday Life: Storytelling and the Art of Awareness (Cornell University Press, 2016) taps into the artistic side of what we often take for granted: the stories we tell, the people we love, the metaphors used by scientists, even our sex lives. A folklorist, writer, and cultural activist, Steve Zeitlin explores how poems serve us in daily life and how they are used in times of personal and national crisis. In the first book to bring together the perspectives of folklore and creative writing, Zeitlin explores meaning and experience, covering topics ranging from poetry in the life cycle to the contemporary uses of ancient myths." This convergence of poetry and folklore," he suggests, "gives birth to something new: a new way of seeing ourselves, and a new way of being in the world." Written with humor and insight, the book introduces readers to the many eccentric and

Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. In The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018), Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to de

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic St

On this episode, Lee Pierce (she/they interviews John R. Gallagher of University of Illinois about Update Culture and the Afterlife of Digital Writing (Utah State University Press, 2020) a dynamic look at the life of a text in the 21st century. Looking at wealth of case studies among Amazon reviewers, redditors, and established journals, Update Culture is a deep diver into the many factors that contribute to the circulation of a digital text. The key three themes Gallagher explores include timing, attention, and management and they provide rhetorical points of access to understand the ever-evolving conditions of digital writing across genres and mediums. I hope you enjoy listening as I much as I enjoyed chatting with John about this instructive book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee Learn more about your ad choices. Visit m

In Vyāsa Redux: Narrative in Epic Mahābhārata (Anthem Press, 2019), Kevin McGrath examines the complex and enigmatic Vyāsa, both the primary creative poet of the Sanskrit epic Mahābhārata and a key character in the very epic he composes. In doing so McGrath focuses on what he considers the late Bronze Age portions of the epic feature prioritizing the concerns if the warrior class. In his discussion, McGrath distinguishes between plot and story and how this distinction comes to bear on the differences between preliterate and literate phases of the epic’s compositional history. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.” In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear the

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner’s wide-ranging literary output to assess the author’s life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family’s tales and the larger history of the region to which it was tied. Yet it took Faulkner’s journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels an

Brian Collins' book The Other Rāma Matricide and Genocide in the Mythology of Paraśurāma (SUNY Press, 2020) examines a fascinating, understudied figure appearing in Sanskrit narrative texts: Paraśurāma, i.e., “Rāma with the Axe”. Though he is counted as among the ten avatāras of Viṣṇu, his biography is quite grisly: Paraśurāma is best known for decapitating his own mother and launching a genocidal campaign to annihilate twenty-one generations of the warrior caste. Why do ancient Sanskrit mythmakers elevate such an arguably transgressive and antisocial figure to so exalted a religious status? The Other Rāma explores this question by undertaking analysis of the Paraśurāma myth cycle using the methods of comparative mythology and psychoanalysis. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a life lived in obscurity, Emily Dickinson emerged after death as one of the greatest poets of her time. In These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson (W. W. Norton, 2020), Martha Ackermann traces her evolution as a poet by focusing on some of the key moments in her life that defined and shaped her as a writer. The daughter of a prosperous attorney, Dickinson did not have the concerns of work or marriage that defined the lives of the women of her era. Without them she was able to focus on composing poems, a task to which she dedicated herself at an early age. While the vast majority of her poems remained unpublished during her lifetime, this did not reflect her desire to be distinguished. In response to an article by Thomas Wentworth Higginson, she sent him four of her poems, inaugurating what would become a lifelong correspondence between the two of them. Though Higginson was instrumental in the posthumous publication of Dickinson’s poems, it took Dickinson’s death in 1886

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as P

"Man is born free, and everywhere he is in chains." The opening sentence of 18th century philosopher Jean-Jacques Roussau's The Social Contract poses a central question for all of us. Why do we live under conditions of inequality, violence, dependency and general unhappiness (just look on twitter!) if society is made by us and for us? Why does it seem that modern human beings are not liberated but in fact subjugate themselves voluntarily to a system that robs them off their freedom? Rousseau's thought has informed much of modern political theory and philosophy and inspired people everywhere to think about the balance between individual liberty and collective existence. In order to understand better the lasting influence of Rousseau and his current significance, I spoke with Melissa Schwartzberg, who is Silver Professor of Politics at New York University and a specialist in political theory. Melissa's research is in the historical origins and normative logic of democratic institutions. This means she examines

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly re

Robert Elmer, who is a communications specialist at Seattle Pacific University, a prolific writer of historical fiction, and the author of over fifty published titles, has published a ground-breaking anthology of prayers that he has collected from English and American puritans. The value of Piercing Heaven: Prayers of the Puritans (Lexham Press, 2020) is that it provides access into a world of religious practice that is otherwise lost – many puritans refusing on principle to put their prayers to paper. Trawling through published sermons and other sources, Elmer discovered prayers reflecting a huge range of contexts, situations, and geographical and denominational background. Piercing heaven: Prayers of the puritans organises these prayers in thematic sections. Tune in to find out why these prayers are so surprising – and what they tell us about the interior life of the hotter sort of English and American protestants. Crawford Gribben is a professor of history at Queen’s University Belfast. His research intere

In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic. In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep unde

“In the game of thrones you either win or you die”––with over 10 million viewers per episode of Game of Thrones, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s A Song of Ice and Fire, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, George R. R. Martin and the Fantasy Form (Routledge, 2019) Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fi

“Another heavenly day” is the opening line of Samuel Beckett’s play Happy Days (1961), where Winnie sits buried to her waist in sand, with her husband Willie stuck a few feet away from her … but language, memory, and consciousness are not all she has. Beckett’s plays, novels, poetry, radio plays, and prose reveal our deepest humanity by stripping language to its bare essentials. Beckett wrote much of his work after 1945 in French, a language he learned mostly as an adult, and then translated it back into his native English to purge it of clichés and stock phrases. In the resulting works he reveals how our bodies moving through space are far more than vessels for a roving consciousness. They contain a hint of transcendence which manifests itself as the human need for self-expression through which we locate ourselves — in time, in relation to others, and in relation to ourselves. I spoke with Beckett expert, scholar, and theater director Nicholas Johnson at the Samuel Beckett Theatre at Trinity College Dublin,