New Books In Literary Studies

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gende

The Jātaka tales, or stories of the Buddha’s previous lives as a bodhisatta, are included in the Pāli Canon and have for centuries been a rich source of inspiration in Theravada Buddhism. In addition to these classical Jātaka, a number of other non-canonical Jātaka tales emerged in Southeast Asia and were widely circulated throughout the region. Collections of these tales are conventionally referred to as the Paññāsa Jātaka, or the “Fifty Jātaka”. Once considered minor and apocryphal, the Paññāsa Jātaka are now recognized as the lifeblood of the region’s literature and an important source of traditional culture. Chris Baker and Pasuk Pongpaichit have translated twenty-one of the best-known tales from the Thai collection of the Paññāsa Jātaka in their recently published book From the Fifty Jātaka: Selections from the Thai Paññāsa Jātaka (Silkworm Books, 2019). In addition to the elegant and approachable translations, Baker and Phongpaichit have included an insightful introduction on the Paññāsa Jātaka and have

The fact that secrecy and the concealment of information is important in today’s China is hardly a secret in itself, yet the ways that this secrecy is structured and sustained in such a vast society is not especially well understood. A lot more must be at play than simply the PRC state’s vast censorship apparatus when it comes to obscuring everything from the leadership’s private lives to dark chapters of country’s recent history. Margaret Hillenbrand’s Negative Exposures: Knowing What Not to Know in Contemporary China (Duke University Press, 2020) sheds unique light on the operation of what she calls China’s culture of ‘public secrecy’. Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know. The book’s highly original and at times haunting

Paul Celan's poetry marks the end of European modernism: he is the last poet of the era where the poetic "I" could center a subjective vision of the world through language. Celan bears witness to the Holocaust as the irredeemable rupture in European civilization, but he does so in German, the language of the perpetrators who murdered his parents along with millions of others. How do you bear witness to suffering, murder and loss in the language of the murderers? How can poetry account for the inhumanity of the Holocaust without aestheticizing it? How can language prevail when words fail to express what really happened to millions upon millions at the hands of a people who claimed to be the height of civilization? I spoke with Amir Eshel, a critic and poet who is also Edward Clark Crossett Professor of Humanistic Studies and Professor of German Studies and Comparative Literature at Stanford University. His books include: Poetic Thinking Today (forthcoming with Stanford University Press in 2019); Futurity: Cont

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its diffe

Mary Wollstonecraft Godwin Shelley wrote Frankenstein, or The Modern Prometheus when she was nineteen years old on a bet. The novel spawned two centuries of creatures that turn against their makers. It examines the limits of scientific innovation, whether the quest for knowledge must be tempered by morality, and why human beings tend to ostracize, persecute and sometimes kill anything that does not look like them. I spoke with Julie Carlson, a professor at the University of California, Santa Barbara and the author of a gripping biography of Mary Shelley's family, England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley (among other books). Shelley's mother was Mary Wollstonecraft, the first modern feminist and a free thinker vilified for her ideas of equality. Her father was a philosopher. In some ways, Mary Shelley was an experiment herself. We also discussed what it means that a woman wrote the first science fiction novel, and why the book and the "daemon" Shelley imagined still

Throughout her new book, HandiLand: The Crippest Place on Earth (University of Michigan Press 2019), Elizabeth A. Wheeler uses a fictional place called HandiLand as a yardstick for measuring how far American society has progressed toward social justice and how much remains to be done. In a rich array of chapters, Wheeler considers the new prominence of youth with disabilities in contemporary young adult and children’s literature. From these and other sources, she derives principles for understanding social justice from the everyday experiences of adults and families with disabilities, including her own. Wheeler intersperses literary analysis with personal memoir in an effort to fashion tool kits for those whose “work, ideas, and hands touch young people with disabilities,” which is all of us. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the

Throughout her new book, HandiLand: The Crippest Place on Earth (University of Michigan Press 2019), Elizabeth A. Wheeler uses a fictional place called HandiLand as a yardstick for measuring how far American society has progressed toward social justice and how much remains to be done. In a rich array of chapters, Wheeler considers the new prominence of youth with disabilities in contemporary young adult and children’s literature. From these and other sources, she derives principles for understanding social justice from the everyday experiences of adults and families with disabilities, including her own. Wheeler intersperses literary analysis with personal memoir in an effort to fashion tool kits for those whose “work, ideas, and hands touch young people with disabilities,” which is all of us. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the

While there are still occasional uses of it today, the term "Central Europe" carries little of the charge that it did in the 1980s and early 1990s, and as a political and intellectual project it has receded from the horizon. Proponents of a distinct cultural profile of these countries―all involved now in the process of Transatlantic integration―used "Central European", as a contestation with the geo-political label of Eastern Europe. In Transatlantic Central Europe: Contesting Geography and Redefining Culture beyond the Nation (Central European University Press, 2019), Jessie Labov discusses the transnational set of practices connecting journals with other media in the mid-1980s, disseminating the idea of Central Europe simultaneously in East and West. A range of new methodologies, including GIS-mapping visualization, is used, repositing the political-cultural journal as one central node of a much larger cultural system. What has happened to the liberal humanist philosophy that "Central Europe" once evoked? I

Nicholas R. Jones’s book, Staging Habla de Negros: Radical Performance of the African Diaspora in Early Modern Spain (Penn State University Press, 2019), analyzes white appropriations of black African voices in Spanish theater in the sixteenth through eighteenth centuries, when performing habla de negros—how Africanized Castilian was commonly referred to—was in fashion. Jones problematizes long-held beliefs among literary critics and linguists that habla de negros as represented in dominant Spanish literature was exclusively racist stereotypes, and instead seeks to theorize habla de negros as a radical performance that “allow[s] black expression and black sensibilities to emerge whether there are black bodies present or not.” This elegant book demonstrates that black voices, speakers, bodies, subjects, were visible, present, and constitutive parts of the early modern Castilian soundscape and society and succeeds in drawing modern readers’ attention to their importance. By centering black historical and litera

Andrew Ollett, Neubauer Family Assistant Professor of South Asian Languages and Civilizations at the University of Chicago, argues in his book, Language of the Snakes: (University of California Press, 2017), that Prakrit is “the most important Indian language you’ve never heard of.” In this book, subtitled "Prakrit, Sanskrit, and the Language Order of Premodern India," Ollett writes a biography of Prakrit from the perspective of cultural history, arguing that it is a language which challenges modern theorizing about language as a natural human development grounded in speech. Rather, he claims, Prakrit was "invented" and theorized as a self-consciously literary language, opposed to Sanskrit, but yet still part of the Sanskrit cosmopolis and not a vernacular. His book draws on unpublished manuscripts, royal inscriptions, poetry, as well as literary and grammatical texts. Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemo

Indonesia is home to one of the world’s largest Chinese-descended populations. Their historical impact is often measured in economic terms but was equally important in the realm of language and literature. The majority of Chinese-Indonesians originally spoke Southern Min dialects, better known in Southeast Asia as “Hokkien”. They also quickly gained knowledge of Malay, the lingua franca of Indonesia and beyond. It was in Java’s vernacular Malay variety that most Chinese-Indonesians acquired literacy. Through their transregional connections and plurilingual competencies, they pioneered in the printing industry of romanized Malay newspapers and books. This foray into print capitalism served the group’s commercial and political interests, but also gave rise to fascinating expressions of a hybrid (Chinese-Indonesian-European) culture. Dr Tom Hoogervorst spoke to Mr Jarrah Sastrawan about the Sino-Malay literary tradition in the late 19th and early 20th centuries. Tom Hoogervorst is a researcher at the Royal Nethe

Ralph Waldo Ellison's masterpiece Invisible Man tells the story of an African-American man who insists on his visibility, agency, and humanity in a country dead-set on not seeing him. Barring him from most opportunities, and denying his humanity. The book charts this young man's course from the segregated South into 1950's New York where the choices seem to be; militant resistance or assimilation, war or acceptance on an unacceptable status quo. The book deals with racism and inequality in ways that remain wholly timely, but its continued relevance rests possibly most on the narrator's unflinching introspection and self-interrogation. What does it mean to be a man? What does it mean to be black? What does it mean to be human? What is an American? By interlocking these questions Ellison writes a book as tightly constructed as a great jazz performance, where many voices and perspectives compete for priority but ultimately must find a way to gel. Ellison's gripping novel is as timely today as when first publishe

“I am the Real,” is the ecstatic statement often associated with the early Sufi poet Mansur al-Hallaj. In popular narratives about Hallaj this declaration of absolute unity with God is what led to his execution in Abbasid Baghdad. Other accounts attribute it to Hallaj’s directive to build a symbolic Ka’ba in one’s home if they are not able to perform the hajj pilgrimage in Mecca. While Hallaj’s biographical details are often wrapped in myth what is clear is the polarizing position he played within the Islamic tradition. Hallaj wrote prodigiously but it was his poetry that drew particular reservations even among his peers. Carl W. Ernst, Kenan Distinguished Professor of Islamic Studies at the University of North Carolina, makes this poetry available to the contemporary reader in his new volume of translations, Hallaj: Poems of a Sufi Martyr (Northwestern University Press, 2018). Ernst contextualizes Hallaj’s poetry within various intellectual and social contexts and renders them in clear beautiful language. Wh

Professors Melissa Walker of Converse College and Giselle Roberts of Australia’s La Trobe University, editors of the Women’s Diaries and Letters of the South series, discuss the field of documentary editing and how the personal writings of southern women reveal the broader history of life in the U.S. South during the nineteenth and twentieth centuries. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Again, Dangerous Visions: Essays in Cultural Materialism (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction. Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Art Spiegelman's Maus is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust. It is also a cartoon, where the Jews are mice, the Nazis cats, the Poles dogs, and the French, well, you'll have to read it. It's a story of survival and also a story of silences, and how the next generation can find and make sense of stories that seem to defy representation in their sheer horror. It's also a triumph in story-telling and a serious meditation on good and evil; on the nature of Romantic; familiar and filial love; on America's legacy of absorbing immigrants who arrive with often unspeakable traumas in a past that finds little resonance in a culture obsessed with entertainment and fast news. Maus upended the conventions of representing the Holocaust and historical trauma for a far greater audience than the American Jewish communities. It broke several rules: it spoke about past suffering to outsiders, it used low-culture to represent catastrophes, and it r

Adrian Wisnicki talks about the British expeditionary literature of the late 1800s. Reading between the lines of Victorian travel accounts, Wisnicki sees outlines of a bigger story — local peoples, landscapes, and ways of life. Wisnicki is an Associate Professor of English at the University of Nebraska-Lincoln and Faculty Fellow of the Center for Digital Research in the Humanities. For the past ten years he has served as the director (along with co-director Megan Ward) of Livingstone Online a digital museum and library devoted to the written, visual, and material legacies of British explorer David Livingstone. Wisnicki is the author of Fieldwork of Empire, 1840-1900: Intercultural Dynamics in the Production of British Expeditionary Literature (Routledge, 2019). Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers

We want to be happy, we want to get what we want, we want to love and be loved. But life, even when our basic needs are met, often makes us unhappy. You can't always get what you want, Freud noted in his 1930 short book, Civilization and its Discontents. Our desires are foiled not by bad luck, our failures, or the environment -- but by the civilization meant to make life better. So why isn't civilization set up to maximize our happiness and pleasure? Why does more civilization also mean more psychological suffering? In his trenchant short book, Freud shows how culture is not the refinement of humanity but an effort to socialize everyone into a system that produces the types of "discontents" and "unease" which characterize modern existence. I spoke with Peter Brooks, an expert on Freud who has taught at Yale, Harvard, Oxford, Stanford, the University of Virginia and other universities. He's authored many books, including: Troubling Confessions: Speaking Guilt in Law and Literature (2000), Psychoanalysis and St

The discipline of folkloristics in the People’s Republic of China is robust and well-funded. With thousands of scholars across the country, it is surprising then that there is relatively little understanding of the research and contributions of Chinese folklorists to the discipline. This despite the fact that Chinese folklorists are well-acquainted with many of the latest advances in folkloristics research globally. As the first English language attempt to discuss the historical development, current situation, and theoretical contributions of Chinese Folklore studies to the discipline of folklore more broadly, Chinese Folklore Studies Today: Discourse and Practice (Indiana University Press, 2020), edited by Lijun Zhang and Ziying You, attempts to rectify this situation. The volume’s five essays point out different issues relevant to folklore studies, including urban folklore studies, studies of women’s folklore, folksong, myth and belief, and intangible cultural heritage. This unique contribution not only int