New Books In Literary Studies

In Fifty Playwrights on their Craft (Bloomsbury, 2018), Caroline Jester and Caridad Svich talk to writers from the US, the UK, and countries around the world about what it means to be a playwright today. Playwrights range from avant-gardists like Erik Ehn and Sibyl Kempson to well-known playwrights like Willy Russell and Paula Vogel. Each playwright provides a definition of what a playwright is, as well as thoughts about the role of playwriting in our current age of digital storytelling. Taken together, these interviews provide evidence that the craft of playwriting has never been as diverse, as exciting, or as necessary as it is right now.     Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked T

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the

Jeremy Black, the prolific professor of history at Exeter University, has published a stunningly attractive volume entitled, Mapping Shakespeare: An Exploration of Shakespeare’s World through Maps (Bloomsbury, 2018). This lavishly illustrated volume compiles maps of the world, of Europe, of England, of English counties, and of English villages, to illustrate its author’s detailed description of the history of cartography and of the ways in which space and locality was represented in the medieval period and early modernity. In this podcast, Professor Black talks about the book’s preparation, and how illustrated works require different kinds of writing processes from conventional monographs, as well as highlighting those parts of the history of cartography that he finds most compelling. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxfo

Ahmed El-Shamsy’s Rediscovering the Islamic Classics: How Editors and Print Culture Transformed an Intellectual Tradition (Princeton University Press, 2020) is an astonishing scholarly feat that presents a detailed, sophisticated, and thoroughly enjoyable intellectual and social history of the modern publishing industry on what we today consider canonical books of Islamic thought. “Painstakingly researched” would be a description too mild for the depth and breadth of sources and analysis that El-Shamsy mobilizes in this book. Over the course of its 8 delightfully written chapters, readers meet some known and many less known book collectors, editors, Muslim reformers, early Salafis, and European Orientalists whose thought, outlook, normative agendas, and wide-ranging efforts produced a distinct corpus of classical Islamic texts. The canonization of what counted as “classical” was itself a markedly modern move and gesture, El-Shamsy argues. Populated with fascinating narratives of manuscript hunting, editorial

The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone' (Berghahn Books) engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflectio

Jennifer J. Davis speaks with Honorée Fanonne Jeffers, Professor of English at the University of Oklahoma, about The Age of Phillis (Wesleyan UP, 2020), Jeffers’s latest collection of poems centered on the remarkable life of America’s first poet of African descent, Phillis Wheatley Peters. The Society of Early Americanists recently selected The Age of Phillis as the subject for their Common Reading Initiative for 2021. Prof. Jeffers has published four additional volumes of poetry including The Glory Gets and The Gospel of Barbecue, and alongside fiction and critical essays. She lives in Norman, Oklahoma. In The Age of Phillis, Jeffers draws on fifteen years of research in archives and locations across America, Europe and Africa to envision the world of Phillis Wheatley Peters : from the daily rhythms of her childhood in Senegambia, the trauma of her capture and transatlantic transport, to the icy port of Boston where she was enslaved and educated. In our conversation, Jeffers speaks to the origins of this pro

The Hasidic leader R. Nachman of Braslav (1772–1810) has held a place in the Jewish popular imagination for more than two centuries. Some see him as the (self-proclaimed) Messiah, others as the forerunner of modern Jewish literature. Existing studies struggle between these dueling readings, largely ignoring questions of aesthetics and politics in his work. Permanent Beginning: R. Nachman of Braslav and Jewish Literary Modernity (SUNY Press, 2020) lays out a new paradigm for understanding R. Nachman’s thought and writing, and, with them, the beginnings of Jewish literary modernity. Yitzhak Lewis examines the connections between imperial modernization processes in Eastern Europe at the turn of the eighteenth century and the emergence of “modern literature” in the storytelling of R. Nachman. Reading his tales and teachings alongside the social, legal, and intellectual history of the time, the book’s guiding question is literary: How does R. Nachman represent this changing environment in his writing? Lewis paints

What does it mean to be a Brahmin, and what could it mean to become one? The ancient Indian mythological figure Viśvāmitra accomplishes just this, transforming himself from a king into a Brahmin by cultivation of ascetic power. The book, Crossing the Lines of Caste, examines legends of the irascible Viśvāmitra as occurring in Sanskrit and vernacular texts, oral performances, and visual media to show how the "storyworlds" created by these various retellings have adapted and reinforced Brahmin social identity over the millennia. Adheesh Sathaye is Associate Professor, Sanskrit Literature And Folklore, University of British Columbia. You can check out his online class "Narrative Literature in Premodern India" here. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship Learn more about your ad choices. Visit megaphone.fm/adchoices

In Laughter After: Humor and the Holocaust (Wayne State University Press, 2020), Co-editors David Slucki, Loti Smorgon Associate Professor of Contemporary Jewish Life and Culture at the Australian Centre for Jewish Civilisation at Monash University, Gabriel N. Finder, professor in the department of German Languages and Literatures and former director of the Jewish Studies Program at the University of Virginia and Avinoam Patt, the Doris and Simon Konover Professor of Judaic Studies and director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to t

This book by renowned Professor of History Jeremy Black presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films. In The World of James Bond: The Lives and Times of 007 (Rowman and Littlefield, 2017), Jeremy Black offers a historian’s interpretation from the perspective of the 21st century, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Flemng books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on popular fears and anxieties in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 w

Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century. The translations in Bird Talk and Other Stories by Xu Xu: Modern Tales of a Chinese Romantic. (Stone Bridge Press, 2020)--spanning a period of some thirty years, from 1937 until 1965--bring to life some of Xu Xu’s most representative short fictions from prewar Shanghai and postwar Hong Kong and Taiwan. The Afterword illustrates that Xu Xu’s idealistic tendencies in defiance of the politicization of art exemplify his affinity with European romanticism and link his work to global literary modernity. Frederik H. Green is an associate professor of Chinese at San Francisco State University. He is the author of numerous articles and book chapters on the literature and culture of the Qing dynasty and the Republican Per

Do you have an active intellectual life? That is a question you may feel uncomfortable answering these days given that the very phrase “intellectual life” can strike some people as pretentious or self-indulgent, even irresponsible in a time of pandemic disease. But what better time could there be for an examination of the subject of the inner life? And what is “the intellectual life,” anyway? In her 2020 book, Lost in Thought: The Hidden Pleasures of an Intellectual Life (Princeton University Press, 2020), Zena Hitz explores the interior world and shows that intellectual endeavor is not simply a matter of reading by oneself but can encompass everything from a lifelong fascination with falcons to strategies for retaining one’s sanity and humanity in a gulag or producing ground-breaking political and sociological writings in a prison cell in Mussolini’s Italy. In the course of her book, Hitz deploys real-world examples from young Einstein in his day job in a Swiss patent office to Malcolm X’s encounter with the

Lara Harb’s Arabic Poetics: Aesthetic Experience in Classical Arabic Literature (Cambridge University Press, 2020) is a delightful and formidable study on the details and development of poetics and aesthetics in medieval Arabic literature. The central theme of this splendid book centers on the emergence of the evocation of wonder as a key aesthetic experience and criterion connected to the beauty and eloquence of speech in medieval Muslim intellectual thought. With breathtaking clarity and painstaking elaboration, Harb charts the key literary tropes, categories, and strategies, as well as the broader intellectual and theological stakes, such as the question of the Qur’an’s inimitability, invested in how poetry was imagined, experienced, and evaluated in this context. The strength of this book lies in the meticulous care with which it walks readers through a complex yet deeply fascinating discursive arcade of thinkers, texts, and poetic registers. While focused on the thought of the preeminent eleventh century

In his sixth thesis on the philosophy of history, Walter Benjamin wrote, “The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious.” Edgar Garcia is one such historian…and if you’re not yet convinced of Benjamin’s dictum, you should listen to this interview. In Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu (University of Chicago Press, 2019) Garcia sets sparks flying by inviting us to explore the literature and theory created by 20th and 21st century writers who deploy sign systems that, according to the creation myth of European hegemony, alphabetized thought supposedly superseded and destroyed. Akin to Paul Gilroy’s The Black Atlantic in ambition and originality, Signs of the Americas not only pries open a fascinating archive but also forces us to question the organizational principles that govern intellectual history and cultural criticism in

In Poetry as Prayer in the Sanskrit Hymns of Kashmir (Oxford University Press, 2019), Hamsa Stainton explores the relationship between 'poetry’ and ‘prayer’ in South Asia through close examination of the history of Sanskrit hymns of praise (stotras) in Kashmir from the eighth century onwards. Beyond charting the history and features of the stotra genre, Hamsa Stainton presents the first sustained study of the Stutikusumāñjali, an important work dedicated to the god Śiva, one bearing witness to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. Poetry as Prayer illumines how these Śaiva poets integrate poetics, theology and devotion in the production of usage of Sanskrit hymns, and more broadly expands our understanding Hindu bhakti itself. Hamsa Stainton is an Assistant Professor in the School of Religious Studies at McGill University. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

This book is a translation and study of The Subhedar's Son (Oxford University Press, 2019), an award-winning Marathi biographical novel written in 1895 by Rev. Dinkar Shankar Sawarkar, who writes about his own father, Rev.Shankar Nana (1819-1884). Nana, a Brahmin, was among the early Christian converts of the Church Missionary Society in Western India. The Subhedar's Son provides a fascinating insight into Brahmanical-Christian conversions of the era, along with attitudes surrounding such conversions. In this podcast, we interview Deepra Dandekar – author of this book, and Sawarkar’s own great-grand-daughter–about this text and its important context. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself: Blackness and the End of Man (Harvard University Press, 2020) delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure―the rat, the cock, the mule, the dog, and the shark―in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people―all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa's west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? In her new book, The Metamorphoses of Myth in Fiction since 1960, Professor Kathryn Hume examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. She argues that these artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least s

In Shakespeare for Snowflakes: On Slapstick and Sympathy (Zero Books, 2020), Ian Burrows examines the fraught meeting place of slapstick and tragedy, asking us under what literary and performative conditions we extend and withhold sympathy. Using source material as diverse as YouTube comments and the plays of Sarah Kane and William Shakespeare, Burrows forces us to confront the limits of our own empathy. This book also provides a useful entry point into the question of trigger warnings in academic lectures: after a trigger warning on one of Burrows’ lectures came to the attention of the British press, Burrows found himself the center of a controversy over the use of content warnings on material related to sexual assault. Burrows makes the case that such warnings are not an impediment to learning, and in fact may allow some students to more fruitfully engage with this topic. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard Un