New Books In Literary Studies

In German-Jewish Thought and Its Afterlife: A Tenuous Legacy (Indiana University Press, 2016), Vivian Liska, Professor of German Literature and Director of the Institute of Jewish Studies at the University of Antwerp in Belgium as well as a Distinguished Visiting Professor in the Faculty of the Humanities at the Hebrew University in Jerusalem, focuses on the changing form, fate, and function of messianism, law, exile, election and remembrance in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism and the current period. Liska’s book challenges and historicizes postmodern and contemporary takes on German-Jewish thinkers. She leaves us with a set of new and unanswered questions in this very interesting and provocative book. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Free Flame: Australian Women Writers and Vocation in the Twentieth Century (UWA Publishing, 2018), Ann-Marie Priest, a lecturer at Central Queensland University, explores the literary lives of four Australian women—Gwen Harwood, Dorothy Hewett, Christina Stead, and Ruth Park—who challenged the 20th-century notion of artist as distinctly male. Priest offers biographical and cultural insights into these pioneering women whose urgency to write (their “vocation”) would not be denied. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Autodidacticism, Artistry, Media Practice (Autodidaktik, Artistik, Medienpraktik [Vandenhoeck and Ruprecht, 2016]), Julia Kerscher, postdoc at the University of Tubingen examines the historical development of appearances of dilettantism by analyzing works of Karl Philipp Moritz, Carl Einstein and Thomas Bernhard. She uncovers how the discussion about dilettantism is linked with the question of what is considered to be art and what should be excluded. Moreover, she shows how in the 20th-century dilettantism has turned from a negative into a positive concept and how the arrival of the electronic media in our age can be debated against the backdrop of the dilettantism discourse. Altogether, the book deals with historically changing designs of anthropology, aesthetics and writing styles.Learn more about your ad choices. Visit megaphone.fm/adchoices

My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time. It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, Jet Lag

In this special episode of New Books in Australian and New Zealand Studies, we are joined by two fantastic Australian poets. In her new poetic narrative, Walking with Camels: The Story of Bertha Strehlow (UWA Publishing, 2018), poet Leni Shilton takes us back to Central Australia of the 1930s to tell the story of Bertha Strehlow, one of very few white women living among Aboriginal people at the time. In her new collection, The Sky Runs Right Through Us: Poems from the Edge of the Indian Ocean (UWA Publishing, 2018), poet Renee Pettitt-Schipp recounts her time working with asylum seeker and islander students on Christmas Island and the Cocos (Keeling) Islands, an experience that can never be forgotten, even after her return to the Australian mainland.Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists

In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As

Harrod Suarez‘s new book The Work of Mothering: Globalization and the Filipino Diaspora (University of Illinois Press, 2017) focuses on the domestic workers that make up around a third of all overseas Filipino/a workers, and whose remittances back to the Philippines contribute to about 9% of its GDP or around twenty billion dollars. These migrants circulate through the world serving in positions of nurture, care, and service. Suarez examines literary, film, and cultural representations of these figures as part and parcel of a broader historical movement that structures the Philippines under globalization. To understand the multiple sites and histories of these figures, Suarez employs a framework that he calls “the diasporic maternal,” which focuses on the various forms of care and service that these migrants occupy throughout the world. Through a reading method that Suarez calls “archipelagic reading,” Suarez attempts to trace the undercurrents of these narratives that expose the

In The Irony of the Ideal: Paradoxes of Russian Literature (Academic Studies Press, 2018), Mikhail Epstein offers strategies on how to engage with texts in the current continuum. Based on the subversion of linearity as a principle component of chronological construction of literary phenomena, Epstein’s new book emphasizes the idea of text as a node or cluster that includes and incorporates multiple elements which intersect and collaborate, producing a diversity of cultural/literary echoes. To proceed with these lines, Mikhail Epstein re-visits Russian literature from the perspectives of paradoxes that arise when multiple views and points are considered. Starting with the exploration of Pushkin’s works, this book, at first glance, may give the impression that the author undertakes a chronological approach. However, Pushkin is situated alongside Goethe: Epstein does not simply offer comparative explorations; he seeks to outline matrixes that contribute to the illumination of paradoxes that shape the

How can reading change the world? In Reading as Collective Action: Texts as Tactics (University of Iowa Press, 2017), Nicholas Hengen Fox, who teaches literature, writing and social justice courses at Portland Community College, explores how literature can make a public impact. A timely book that speaks directly to our current political moment, Reading as Collective Action calls for a move beyond the text in itself to understand how texts are used to imagine and create another world. The potential of a world transformed is seen in the analysis of poetry’s importance after September 11th; The Grapes of Wrath, practical organizing, and the politics of redistribution in response to the great recession; along with how efforts to make texts public might transform academic institutions. The book closes by contextualizing the analysis with Habermas’ theories, offering a note of optimism. At present the book is an essential read for anyone thinking through how best to make a social, political, and aesthet

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked a

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s

In her new book Der bewegende Blick: Literarische Blickinszenierungen der Moderne (Rombach Verlag, 2014)—The Moving View: The Gaze in the Modern German Literature—Margarete Fuchs, a postdoc at the Philipps University of Marburg, examines the role of gaze and looking within modern German literature. By studying various important authors, such as Heinrich Mann, Hugo von Hofmannsthal, Siegfried Kracauer and Walter Benjamin she uncovers several dimensions of the gaze. For example, she points at the modernist feelings of crisis— identity crisis, language crisis, crisis of anonymity, and loneliness and links all this with gaze. On the one hand, gazes might offer a solution by establishing social connectedness, but on the other hand, gazes can also be used for gaining power over other people. Interestingly, both of these dimensions and even further aspects can be found within modernist literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Brooks, Associate Professor of English and American Studies at Amherst College, recovers a complex picture of war, captivity, and Native resistance in Our Beloved Kin: A New History of King Philip’s War (Yale University Press, 2018). Brooks narrates the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. Brooks’s pathbreaking scholarship is grounded not just in extensive archival research, but in the land and communities of Native New England, illuminating the actions of actors during the seventeenth century alongside an analysis of the landscape and interpretations informed by tribal history. Readers can also participate in a remapping of the “Fir

How do individuals on national or societal peripheries make use of tradition and to what ends? How can narratives discursively construct a complex worldview? These are some of the questions Ray Cashman seeks to answer in his new book Packy Jim: Folklore and Worldview on the Irish Border (University of Wisconsin Press, 2016). Focusing on the singular character of Packy Jim McGrath and the narratives that feature in his repertoire—from personal experience narratives to stories about the supernatural—we are taken into a lifeworld in which Packy Jim struggles with and develops his own answer to questions of authority, power, sacrifice, place, belief, and more, in a world of limited good. As many people told Cashman during his fieldwork (though they mean something slightly different), “If you want real folklore, Packy Jim is your man.”Learn more about your ad choices. Visit megaphone.fm/adchoices

Lena Wetenkamp‘s Europe Narrated, Contextualized and Remembered: The Discourse of ‘Europe’ in Contemporary German Literature (Europa erzhalt, verortet, erinnert: Europa-Diskurse in der deutschsprachigen Gegenwartsliteratur (Koenigshausen and Neumann, 2017)) is an analysis of the idea of “Europe” in modern German literature. It not only deals with important issues such as spaces, borders, multilingualism and European identity, but also states that there is in fact something like a European poetic. Based on a division into two major parts, this study looks on the one side at essays and pamphlets and on the other side at contemporary German literature from Terezia Mora and Ilma Rakusa. In this way, the book convincingly achieves new literary perspectives on current European questions.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Gregory Laski approaches the concept of democracy in his text, Untimely Democracy: The Politics of Progress after Slavery (Oxford University Press, 2018) from a variety of dimensions and perspectives, integrating the concept of temporality to considerations of liberty and justice within an analysis of American political thought and history, especially in the period following the Civil War. Laski’s complex and sophisticated text will have great appeal to political theorists and political philosophers as well as scholars of American political development and American letters and literature. Laski explores the idea of temporality in context of American democracy, and democracy generally, and the concept of progress as we often consider it in relation to post-slavery America. Untimely Democracy highlights an often-under-explored area of American politics, in the post-bellum writers and their discourse that examines a period of stasis as Reconstruction comes to an end and African-American liberty does not, i

In The National Body in Mexican Literature: Collective Challenges to Biopolitical Control (Palgrave MacMillan, 2015), Rebecca Janzen explores the complex interaction between the national body created by the rhetoric of the 1910 Mexican revolution and those bodies that did not find a space in the new national project. Through the literary fictional work of Jose Revueltas, Juan Rulfo, Rosario Castellanos, and Vicente Lenero, the book explores the contradictions of the state through the literary representations of people that lived at the margins of its ideology. Drawing on feminist and disability studies, Janzen explores unusual bodies—peasants, prostitutes, indigenous people, and garbage sorters, among others—and their intense relationship of control, resistance, and power with the government and its bureaucracy. In these literary works, illness, body fluids, or bodies reduced to their basic functions demonstrate the inconsistencies of a national project that failed to fulfill promises such as agra

In his most recent work, Trauma in First Person: Diary Writing during the Holocaust (Indiana University Press, 2017), Amos Goldberg examines Jewish diary writing during the Holocaust—a subject that is familiar to many within and without the academy—from bold, new angles. Rather than using the diary as a historical source, Goldberg’s book centers on the diary as its subject. In addition to closely analyzing the more well-known diaries of Victor Klemperer and Chaim Kaplan, Goldberg incorporates a wide variety of lesser-known first-person narratives into his work, showing the widespread nature of diary writing as a cultural phenomenon during the part. Combining the methods of history, literary studies, and psychology, this impressively interdisciplinary book asks: how did the unfolding of the Holocaust changed victims inner selves? His answers to this question expose the tensions between creation and destruction, and the duality of helplessness and agency, that characterize this genre. Amos Gol

The list is the origin of culture. At least, that’s according to Umberto Eco, whose words open Liam Cole Young‘s new book, List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed (Amsterdam University Press, 2017). Young follows shifting functions of the list through history, revealing a form that “mediates boundaries between administration and art, knowledge and poetics, sense and nonsense” (10). Where systems of order surround and enframe human society, the list is there. Lists shape and shift the social world as new uses for the list are discovered, adapted, modified, and abandoned. As a searching exploration of the way that our intellectual tools “simultaneously conceal and reveal, enforce and subvert social systems,” List Cultures proves to be a rewardingly vigorous and sweeping intellectual history. List Cultures restores formal analysis to a critical discourse divided between analyses of institutions, contexts, and particular historical uses of texts. Begin