New Books In Literary Studies

In her new book, The Genocidal Gaze: From German Southwest Africa to the Third Reich (Wayne State University Press, 2017), Elizabeth R. Baer, professor of English at Gustavus Adolphus College examines the threads of shared ideology in the Herero and Nama genocide and the Holocaust. Using concepts such as, racial hierarchies, lebensraum (living space), Rassenschande (racial shame), and Endlösung (final solution) thatwere deployed by German authorities in 1904 and again in the 1930s and 1940s to justify genocide. The Genocidal Gaze is an original and challenging discussion of such contemporary issues as colonial practices, the Nazi concentration camp state, European and African race relations, definitions of genocide, and postcolonial theory. The book further demonstrates the power of literary and artistic works to condone, or even promote, genocide or to soundly condemn it. Her transnational analysis provides the groundwork for future studies of links between imperialism and genocide, links among genocides, an

Can science be seductive? According to Tita Chico, the answer is a resounding yes. In her new book, The Experimental Imagination: Literary Knowledge and Science in the British Enlightenment(Stanford University Press, 2018), Dr. Chico’s new book upends the traditional, modern dichotomies which enforce strict separations between literature and science. Rather than solely bound to rigorous, self-effacing protocols, scientific practice is instead revealed to be deeply tethered to imaginative, figurative, and aesthetic epistemologies. Much like science, literature produces its own forms of knowledge about the world – for, as Dr. Chico puts it, they are epistemological siblings. This is a book that will interest anyone seeking to question, historicize, and expand the meaning of scientific knowledge by way of recovering its early modern capaciousness. Not only did natural philosophers also write poetry, but natural philosophy could be poetic as well. Readers interested in exploring the possibilities of metaphor, fig

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lacan published his Écrits in 1966, a compilation of his written work up to that middle period in his teaching. Notoriously difficult to read, the editors of the book we’re discussing today describe the Écrits as “an unwieldy, conglomerate ‘urtext’ … not a book at all … but ‘the waste’ of his teaching: elements he didn’t discuss in public … and sensitive points to which his audience would have reacted with reluctance.” It wasn’t until 2007 that, thanks to work of translator Bruce Fink, the complete edition of the Écrits were finally published in English. Now, Stijn Vanheule, Derek Hook and Calum Neill have brought us the three volume work, Reading Lacan’s Écrits (Routledge, 2018), which features world renowned Lacanian scholars and clinicians explicating in detailed paragraph-by-paragraph commentary each of the essays in the Écrits. Thanks to this publication, coming to grips with the Écrits in all its complexity has suddenly become possible. Lacan’s cryptic pronouncements are miraculously, lucidly reformulat

In this this interview, Carrie Tippen talks with Catherine Keyser about early twentieth century fiction and the role that modern food plays in literature as a language for talking about race and racial categories. In Artificial Color: Modern Food and Racial Fictions, published in 2019 by Oxford University Press, Keyser explores the ways that modern fiction writers responded to the theories and anxieties about race in the early twentieth century through related anxieties about modern industrial food. In each chapter, Keyser focuses on a few closely related authors and texts, linked by their common use of food for plot, imagery, and metaphor, each one shedding some light on how that food carried meanings of racial identity. Keyser uncovers the historical context around each food to help today’s readers see what it might have meant to the writers and their contemporary readers. Keyser examines the use of soda pop and syrup or images of effervescence in Jean Toomer’s Cane as a metaphor for inevitable racial inter

Memory and truth are malleable and nowhere more so than in the Soviet Union.  To be a writer in that country was to face an ongoing dilemma: conform to State-mandated topics and themes, or consign oneself to obscurity, writing only for “the desk drawer” or “without permission.” Vasily Grossman challenged that binary choice, creating some of the most compelling and uncompromising fiction and journalism of the century, but also enduring heartbreaking censorship. Her excellent new biography, Vasily Grossman and the Soviet Century (Yale University Press, 2019) brings the life and work of this often-overlooked writer into brilliant focus. Biography of a writer — particularly one with Grossman’s output — can be tricky to pull off, but Popoff’s extensive research is elegantly arranged into a very readable narrative, in which we follow Grossman through the harrowing experiences of witnessing first hand, famine in the 1920s, the Terror of the 1930s, the carnage of World War II, and the dull ache of censorship in the p

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries: British Literature, Political Thought, and the Transatlantic Book Trade, 1731-1814 (Oxford University Press, 2019) bridges the study of these trades by demonstrating how Americans' profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. Drawing on recent scholarship that shows how participation in London cultural life was very expensive in the eighteenth century, as well as evidence that enslavers were therefore some of the few early Americans who could afford to import British cultural products, Seán Moore, Associate Professor of English at the University of New Hampshire as well as journal Editor for Eighteenth Century Studies, merges the fields of the history of the book, Atlantic studies, an

In Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas (Duke University Press, 2019), Jinah Kim explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics. Through a close analysis of seminal cultural works that range from theory, short stories, film noir, documentaries, plays, and novels, Kim makes legible how Korean and Japanese diasporic communities have experienced U.S. militarism and Japanese colonialism. The concept of melancholia, defined as an unending state of mourning, along with the notion of “dread forwarding,” in which a new trauma can trigger an older one, inducing both a flashback but also a flash forward, is crucial to her reading. This concise yet rich work addresses the question of collective pain brought on by postcolonial loss and trauma. Kim puts geographical, cultural, and temporal spaces in conversation with one another, illuminating the ways in which Asian diasporic communities have negotiated their colonial histories.Laura Ha Re

Is classical Japanese poetry something to be enjoyed in private, an object of study for scholars, or an item of public life teeming with hints about how to understand and deal with our past and our future? In Japanese Poetry and its Publics: From Colonial Taiwan to Fukushima (Routledge, 2018), Dean Anthony Brink, Associate Professor at the National Chiao Tung University in Hsinchu, Taiwan, argues that certain forms of Japanese classical poetry (especially tanka and senryū) have remained central to public life in both Japan and its former colony of Taiwan. Brink analyzes poems published in regular newspaper columns and various blogs, examining the way in which they reflect specific historical moments and exploring how they can be used for (and in) politics. Brink’s conclusion is that poetry has an ambivalent function, as it can serve on the one hand to justify and support colonialism and imperialism, and on the other hand to present a medium of resistance and protest.Roman Paşca is Assistant Professor at Kyoto

In Hundred Days’ Literature, Chinese Utopian Fiction at the End of Empire, 1902–1910 (Brill, 2019), Lorenzo Andolfatto explores the landscape of early modern Chinese fiction through the lens of the utopian novel, casting new light on some of its most peculiar yet often overshadowed literary specimens. The wutuobang or lixiang xiaoshuo, by virtue of its ideally totalizing perspective, provides a one-of-a-kind critical tool for the understanding of late imperial China’s fragmented Zeitgeist. Building upon rigorous close reading and solid theoretical foundations, Hundred Days’ Literature offers the reader a transcultural critical itinerary that links Edward Bellamy’s Looking Backward to Wu Jianren’s Xin Shitou ji via the writings of Liang Qichao, Chen Tianhua, Bihe Guanzhuren, and Lu Shi’e. The book also includes the first English translation of Cai Yuanpei’s short story “New Year’s Dream.”The completion of this book has benefitted from Lorenzo joining the collaborative research project “East Asian Uses of the E

Bhakti Shringarpure has written a fascinating, multidimensional analysis of the Cold War and decolonization and the often-under-explored connections between these events. In her book, Cold War Assemblages: Decolonization to Digital (Routledge, 2019), she integrates a variety of disciplinary perspectives while also weaving together the encounters and reverberations between the Cold War and decolonization and the post-colonial experience. This study takes on the political understandings of what transpired during the Cold War period in terms of the bipolar framework and what transpired in the Global South as the formerly occupying powers were leaving countries and areas they had colonized, only to be replaced by many a proxy war or occupation in these same spaces and nations. Shringarpure also makes the connection between the hard power, and hot and cold aspects of the Cold War, with the use of soft power by the western powers, especially the British and United States, to infiltrate aspects of the Anglophone wor

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection

Hoaxes! Jokes! Farces and fun! Cristopher Rea's China’s Chaplin (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a fat

When Amos Mac and Rocco Kayiatos first launch Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, OP was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance.Collecting the best of the magazine’s entire twenty-issue run, Original Plumbing: The Best Ten Years of Trans Male Culture (Amethyst Editions, 2019) is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; mediations on love, relationships, and family; political essays and personal reflections; and much, much more.Learn more about your ad choic

The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness.This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New Yor

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.Learn more about your ad choices. Visit megaphone.fm/adchoices

Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot.One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations ar

Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, “Trash,” Censorship, and National Identity in Early Twentieth-Century Germany (Cambridge University Press, 2016), Kara Ritzheimer explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these law

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Sharon Kirsch (she/hers)--Associate Prof. of English and rhetorical studies in the New College at Arizona State University--on the scintillating and beautifully written Gertrude Stein and the Reinvention of Rhetoric from University of Alabama Press (2014).This book is truly a must-read for lovers of language; through Stein, Kirsch redelivers the “rules” of language and persuasion (organization, clarity, grammar) as heuristics or starting points for thinking about what language might be made to do. Stein re-emerges as a major twentieth-century rhetorician, not a spin doctor, as the word might suggest to some, but as someone who follows as sure as she remakes the rules of writing, expression, and language.Readers are also encouraged to learn more about the important work that Kirsch is doing with Save Our Schools Arizona.Learn more about your ad choices. Visit megaphone.fm/adchoices