New Books In Literary Studies

While the mainstream discourses on global warming characterize it as an unprecedented catastrophe that unites the globe in a common challenge, Elizabeth DeLoughrey argues that this apparently cosmopolitan position is in truth a provincial one limited to privileged circles in the Global North. In Allegories of the Anthropocene (Duke University Press, 2019), she instead elucidates how among post-colonial peoples of the Pacific and Caribbean, who are among the first to suffer the uncompromising rise of sea levels, global warming is not so much a rupture of stability as an impending cataclysm that follows a long history of others. With an eclectic array of allegorical artworks -- including sculptures by Dominican artist Tony Capellán, novels by Keri Hulme and Erna Brodber, and poems from Kathy Jetñil-Kijiner and Kamau Brathwaite -- DeLoughrey traces how island artists make sense of anthropogenic climate change while continuing to critique the legacies of militarism, capitalism, and imperialism. DeLoughrey also hi

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and era

Differently than existing accounts that concentrate on Israeli and Palestinian nationalism, Kfir Cohen Lustig's Makers of Worlds, Readers of Signs: Israeli and Palestinian Literature of the Global Contemporary (Verso, 2019) suggests a new theoretical and historical approach to Israeli and Palestinian literature as well as to the contemporary system of world literature by accounting for the consequences of neoliberal globalization to literary form and its political import. The book proposes that until the neoliberal moment the difference in the socio-poetic form between Western Europe and Israel and Palestine lay in the concepts of autonomy and temporality: if in Western European societies autonomy is defined as an a-priori, ready-made property of the self-legislating subject, in Israel and Palestine, between the 1940s and the 1990s, autonomy was a collective product to be made in time. Autonomy here was the result of a social struggle with nature and with the “enemy” that subordinated the private to the publi

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death.Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also

In Allegories of Encounter: Colonial Literacy and Indian Captivities (University of North Carolina Press—Chapel Hill & The Omohundro Institute of Early American History and Culture, 2019), Andrew Newman, Professor of English at Stony Brook University, analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial

How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.Learn more about your ad choices. Visit megaphone.fm/adchoices

"What I feel most moved to write, that is banned―it will not pay. Yet, altogether, write the otherway I cannot." Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write "the other way," working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man.In Herman Melville: Among the Magazines (University of Massachusetts Press 2018), Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno," alongside lesser-known work. Using a concept he calls "embedded authorship," Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing w

What is the relationship between the form of writing and what can be thought? How is a writer’s thinking shaped by form? How is a reader’s? Does this matter for philosophy? In Philosophy, Writing, and the Character of Thought (University of Chicago Press, 2018), John T. Lysaker explores the importance of the praxis of writing for philosophy. Essaying a variety of forms, the book invites the reader to investigate the volume in their hands as a performance. It engages with, among others, the work of Plato, Emerson, Wittgenstein, Benjamin, and Cavell, not only to show how form matters for thought, but also how thought is always made possible by what has come before. The book argues for philosophy to reconsider academic articles as the dominant mode of writing in the profession and offers an example of the creative ways in which philosophy can unfold.Learn more about your ad choices. Visit megaphone.fm/adchoices

Cars promise freedom, autonomy, and above all, movement but leave whole cities stuck in traffic, breathing polluted air, exposed of deadly crashes, and dependent on vast the vast infrastructures of road networks, and oil production. Postcolonial Automobility: Car Culture in West Africa (University of Minnesota Press, 2019) examines the paradoxes and ambivalences of automobility through the lens of West African films, novels, plays, and poems. From the melodramas of Nollywood to the socialist realism of Ousmane Semebene, African artists have delved into the pleasures and anxieties of the road to theorize capitalist development, globalization, patriarchy, and the ethics of accumulation. In this episode of New Books in Anthropology, Lindsey Green-Simms joins host Jacob Doherty to discuss how West African entrepreneurs appropriated colonial technologies, how stalled cars embodied the crises of structural adjustment, and what new, feminist, mobilities and imaginaries emerge from the pages, screens, and stages of W

How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture.Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bhagavad Gītā remains to this day a mainstay of Hinduism and Hindu Studies alike, despite the profusion of books written on it over the centuries. While the Gītā’s profundity is evident, its meaning most certainly is not. Is there a unity within the Bhagavad Gītā? Ithamar Theodor’s Exploring the Bhagavad Gītā: Philosophy, Structure and Meaning (Routledge, 2016) proposes a unifying structure which of this seminal Hindu work, identifying multiple layers of meaning at play. Theodor provides a new translation of the full text of the Bhagavad Gita, divided into sections, and accompanied by in-depth commentary, rendering this ancient Indian classic accessible to scholars and aspirants alike.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

Lenora Warren about her book, Fire on the Water: Sailors, Slaves, and Insurrection in Early American Literature, 1789-1886, published by Rutgers University Press in 2019. Fire on the Water looks at the history of abolition and slave violence by looking at the representation of shipboard mutiny and insurrection in late 18th and early 19th century literature. By examining the intersection of both real and fictional stories, Warren explains how mutiny and insurrection were critical to the development of the abolitionist movement, even as the connection between slave violence and the abolitionist movement was a complex and fraught relationship.Warren is a lecturer in the English department at Ithaca College. She specializes in Early African American and American literature, and maritime 18th and 19th century British and American literature.Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.Learn more about your ad choices. Visit megaphone.fm/adchoices

With the Ta-Nehisi Coates–authored Black Panther comic book series (2016),  recent films Django Unchained (2012), The Birth of a Nation (2016), Nate Parker’s cinematic imagining of the Nat Turner rebellion, and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018), violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries.The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values―honor, loyalty, love―reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body

Jessica Vantine Birkenholtz's Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal (Oxford University, 2018) represents the very first study of a fascinating Hindu phenomenon: the Svasthanivratakatha (SVK), a sixteenth-century narrative textual tradition native to Nepal surrounding the Goddess, Svasthānī. This work explores Himalayan Hindu religious tradition in the making during the very self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the early modern period.  Touching on the pan-Hindu goddess tradition, regional ideals of Hindu womanhood, linguistic culture, identity formation and placemaking, Reciting the Goddess makes for a rich read.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

In Migrant Futures: Decolonizing Speculation in Financial Times (Duke UP, 2018), Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures