New Books In Literary Studies

A series of stories ranging from two-page narrative excerpts to 90+ page novellas, The Handsome Monk and Other Stories (Columbia University Press, 2019), translated by Columbia PhD student Christopher Peacock, with a contribution from Lauran Hartley, masterfully introduces the work of contemporary Tibetan author Tsering Döndrup. One of the most popular and critically acclaimed figures of Modern Tibetan literature of the post-Mao period, Tsering Döndrup is known for his earthy humor and his unflinchingly satirical portrayals of Tibetan life. Resisting the urge to romanticize Tibetan life, Tsering Döndrup’s stories relentlessly satirize both those in power—including clerics and government officials—and those without. Stories describe emergent social problems like gambling and long-standing folk institutions of violent feuds alike. The narratives compiled in The Handsome Monk could only be written by someone intimately familiar with Tibetan life over the last fifty years, and by placing many of his stories toget

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s.Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also

When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insur

John Dryden is often regarded as one of the most conservative writers in later seventeenth-century England, a time-serving “trimmer” who abandoned his early commitments to the English Republic to become the poet laureate and historiographer royal of Charles II’s new regime. But, as this important new book demonstrates, Dryden never entirely left behind the ideas – and worries – about inspiration that shaped his early political and creative experiences. John West, who is assistant professor of English and comparative literature at the University of Warwick, has written a brilliant new book, Dryden and Enthusiasm: Literature, Religion and Politics in Restoration England (Oxford University Press, 2018), which opens up the sustained ambiguities of his subject’s interest in inspiration. With an agenda that promises to re-shape the literary history of the later seventeenth century, Dryden and enthusiasm is a defining study of a complex and contradictory literary figure.Crawford Gribben is a professor of history at

As they explored and struggled to establish settlements in what they called ‘new found lands’, the encounter with the peoples of those lands deeply affected how the British saw themselves. From the onset of colonisation, exotic visitors appeared in London. We recognise their names: Pocahontas, Manteo, Squanto. If you look carefully, they are a constant presence: in the decorative cartouches of 17th and 18th century maps; in the illustrated title pages of texts promoting colonisation; and present, though heavily filtered through the assumptions of British culture, in many other texts – poems, plays, treatises on political theory and philosophy, and in novels – a form that was new, which confronted a world that was ancient.The intensity of this cultural encounter, which is all too familiar to those who work on the history of colonial and federal America, has been overlooked in some circles of British studies. The multi-volume Oxford History of the British Empire, for example, devoted just 2 of 47 essays to the

For some two hundred years now, Pentateuchal scholarship has been dominated by the Documentary Hypothesis, a paradigm made popular by Julius Wellhausen. Recent decades, however, have seen mounting critiques of the old paradigm, from a variety of specializations, not only in Biblical Studies, but also in the fields of Assyriology, Legal History, and Linguistics. In a recent international meeting, scholars across these fields came together and presented papers, each one calling for a paradigm change in Pentateuchal research. Join us as we speak with one of those scholars, Richard Averbeck, about his contribution to Paradigm Change in Pentateuchal Research, edited by M. Armgardt, B. Kilchör, M. Zehnder (Harrassowitz Verlag, 2019)—his chapter is titled ‘Reading the Torah in a Better Way.’Richard Averbeck teaches at Trinity Evangelical Divinity School. His areas of expertise include Old Testament, especially the Pentateuch, ancient Near Eastern history and languages, Old Testament criticism, Hebrew, and biblical c

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particul

Is the New Testament text reliable? What do we do with textual variants? How do I use the Greek New Testament? This short book, An Introduction to the Greek New Testament, Produced at Tyndale House, Cambridge (Crossway, 2019) provides crucial information about the Tyndale House edition of the Greek New Testament in particular and the Greek New Testament in general. Dirk Jongkind, one of the principal scholars behind this groundbreaking project, answers critical questions for understanding the biblical text so that you can have clarity and confidence as you engage with the New Testament in the original Greek.Dirk Jongkind is the academic vice principal and senior research fellow in New Testament text and language at Tyndale House, Cambridge. He is one of the principal scholars behind The Greek New Testament, Produced at Tyndale House, Cambridge and serves on the editorial board of The Journal for the Study of the New Testament.Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological

Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As Lisa Rofel discusses in this podcast, and in her introduction to After the Post-Cold War: The Future of Chinese History (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays. In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well.Anne A. Cheng is Professor of English and Director of American Studies at Princeton University.Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate

With talk about birthright citizenship and border walls running rampant in Trump’s America, there are many scholars reaching back to antebellum America to historically ground today’s citizens in debates from the past that hold relevance now about both topics. Scholars like University of Illinois Urbana-Champaign Associate Professor of English Derrick Spires is one of those scholars weighing in. Today on New Books in African American Studies, your host, Adam McNeil will help guide the conversation with Professor Spires about his brand new book The Practice of Citizenship: Black Politics and Print Culture in the Early United States (University of Pennsylvania Press, 2019).Adam McNeil is a PhD Student in the Department of History at the University of Delaware.Learn more about your ad choices. Visit megaphone.fm/adchoices

Does publishing have a diversity problem? In Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom Dr Melanie Ramdarshan Bold, an associate professor at UCL’s Centre for Publishing lays bare the crisis of underrepresentation for British authors of colour. Focusing on the high profile, but also marginalised, Young Adult Fiction genre, Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom (Palgrave, 2019) explores the experiences of authors navigating the ‘diversity status quo’ of the publishing industry marked by significant inequalities. These inequalities, in turn, shape what is published and what is represented, to the exclusion of a wide range of individuals and communities. Along with companion work on children’s books, the book is essential reading for anyone interested in contemporary culture.Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries at the University of Edinburgh.Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In Star Wars after Lucas: A Critical Guide to the Future of the Galaxy(University of Minnesota Press, 2019), Dan Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation.Learn more about your ad choices. Visit megaphone.fm/adchoices

The book I’m bringing you today, The Bloomsbury Handbook of 21st-Century Feminist Theory (Bloomsbury, 2019) is the most comprehensive available survey of the state of the art of contemporary feminist thought. This is a collection of thirty-four chapters written by world-leading scholars representing a diverse range of voices from academia, exploring the latest thinking on key topics in current feminist discourse. Rather than talking about feminism in terms of its “waves,” it traces feminist history’s time through its constitutive vocabulary and, in looking toward the future, considers feminism as a theory that is vital and living. The first part explores the notion of feminist subjectivity, inquiring into identity, difference, and intersectionality, as well as topics like birth, body, and affect. The second examines feminist texts, covering writing, reading, genre, and critique. The third section looks at feminism and the world: from power, trauma, and value to technology, migration, and community. Including

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy’s Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens’ book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the

When we talk about stories of alien abduction in the United States, we often do so through a framework of belief vs. disbelief. Do I think this story is true, or do I think it’s false? Anthropologist Susan Lepselter asks what happens when we instead listen to “UFO talk” ethnographically, understanding it as a form of vernacular American poetics that must be made sense of within specific cultural and political contexts. In The Resonance of Unseen Things: Poetics, Power, and UFOs in the American Uncanny (University of Michigan Press, 2016), Lepselter draws on years of interviews with “experiencers,” those who tell of being abducted by aliens, and participant-observation at an experiencers support group in a southern US city. Her wide-ranging book considers abduction stories in relation to other narrative forms—captivity narratives, conspiracy theories, frontier tales—offering new and shifting frameworks for making sense of the weird, uncanny, random, and real.Carrie Lane is a Professor of American Studies at Ca

Ryan Hackenbracht, who is an associate professor of English at Texas Tech University, has just published one of the most innovative and stimulating discussions of the interplay between literature and religion in early modern England. National Reckonings: The Last Judgement and Literature in Milton’s England (Cornell University Press, 2019) opens up questions about how seventeenth-century writers understood the Christian doctrine of the last judgement, and how the thought of that final reckoning shaped new attitudes to church and to nation. With new readings of authors including John Milton, Thomas Hobbes, Henry Vaughan, Gerrard Winstanley and Abiezer Coppe, National Reckonings will become essential reading for anyone working in the expanding field of literature and religion during England’s revolution.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies.In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both pa

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself.Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016).Learn more about your ad choices. Visit megaphone.fm/adchoices

John Milton’s Paradise Lost (1667) is widely recognised as the greatest epic poem in the English language – and it is buried in the commentary of thousands of other texts. William Poole, who is John Galsworthy Fellow and Tutor in English at New College, Oxford, has written what will be recognised as one of the most important contributions to this formidable body of scholarship. Milton and the Making of Paradise Lost (Harvard University Press, 2017) offers a new account of the author and of his best-known work. Structured in two parts, and with short but determinedly focused chapters, Poole’s new book reconstructs the intellectual world within which Milton began to read towards his greatest project, and comments upon the poem to illustrate the variety and capacity of its author’s intellectual range. Pulling together biography and criticism, Poole’s new book is an outstanding and superbly resourceful achievement – and one that will help many new readers to discover this greatest of literary texts.Crawford Gribb