New Books In Literary Studies

In Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock (University of Iowa Press, 2018), Ann K. McClellan explores fan fiction inspired by one of the most-watch BBC series in history. Even after 130 years, Sherlock Holmes is still one of the most popular detectives ever to appear in print and on the screen. The recent BBC series Sherlock, set in modern-day London, brings Sherlock, John Watson, and other characters and events from Sir Arthur Conan Doyle’s nineteenth century London to a new group of fans. The series has inspired a large fan following across the globe, and with it fan fiction that continues to reimagine the characters beyond their lives in London. McClellan examines the series through the lenses of fan fiction studies, genre studies, and world building. Grounding the recent series and fandom in the larger historical fandom culture of Sir Arthur Conan Doyle’s popular detective, McClellan deftly presents how fan culture has evolved throughout the past century. Focusing on fan ficti

In 1960, a poet and journalist named Lin Zhao was arrested by the Communist Party of China and sent to prison for re-education. Years before, she had –at approximately the same time– converted to both Christianity and to Maoism. In prison she lost the second faith but clung to the first. She is, judges her biographer Lian Xi, the only Chinese citizen to have openly and steadfastly opposed Mao and his regime–denouncing lies such as those conveyed in the “Great Leap Forward” poster, reproduced above. From her cell, Lin wrote long poems and essays, some written in her own blood, denouncing those who had brought China into such a condition of misery and oppression. Eventually she was judged incapable of re-education and executed. Her family was billed (as was typical) for the cost of the bullet that ended her life. But Lin Zhao’s writings survived: Totalitarian societies are also bureaucratic ones, strangely loath to destroy even the evidence of their own tyranny. When Lin Zhao’s sentence was commuted during the

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine re

Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than tobacco fields, a bluegrass bar, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive. Elizabeth Chiles Shelburne, the author of Holding Onto Nothing (Blair, 2019), grew up reading, writing, and shooting in East Tennessee. After graduating from Amherst College, she became a writer and a staff editor at the Atlantic Monthly. Her nonfiction work has been published in the Atla

Man’s best friend, domesticated since prehistoric times, a travelling companion for explorers and artists, thinkers and walkers, equally happy curled up by the fire and bounding through the great outdoors―dogs matter to us because we love them. But is that all there is to the canine’s good-natured voracity and affectionate dependency? In his new book Dogs (Polity, 2019), Mark Alizart dispenses with the well-worn clichés concerning dogs and their masters, seeing them not as submissive pets but rather as unexpected life coaches, ready to teach us the elusive recipes for contentment and joy. Dogs have faced their fate in life with a certain detachment that is not easy to understand. Unlike other animals in a similar situation, they have not become hardened, nor have they let themselves die a little inside. On the contrary, they seem to have softened. This book is devoted to understanding this miracle, the miracle of the joy of dogs – to understanding it and, if at all possible, to learning how it’s done. Weaving

What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in det

Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As Jim Clarke writes in Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odd

Paula McQuade, professor of English literature at DePaul University, is the author of a brilliant new account of Catechisms and Women’s Writing in Seventeenth-Century England (Cambridge University Press, 2017). This book opens up an entirely new field for the study of early modern women’s writing, but it also pushes beyond other scholarly conventions to prompt new discussions about the purpose and performance of catechising, the character of household religion and its relationship to education and particularly the teaching of literacy, as well as the capacity of women to create systems of doctrine, with sometimes surprising sources and results. But the book raises other questions as well, not least why it is that the recovery of early modern religion, and particularly the religion of early modern women, so often takes place within literature departments. Catechisms and Women’s Writing in Seventeenth-Century England is a major statement in early modern religious history, and a ground-breaking work in the recov

John Shelton Reed, William Rand Kenan Jr. Professor of sociology (emeritus) at the University of North Carolina, has been observing the South for decades. This week he and Al Zambone talk about New Orleans in the 1920s, the subject of his book Dixie Bohemia: A French Quarter Circle in the 1920s (LSU Press, 2012). In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Al Zambone is a historian and the host of the

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoreti

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home. In this fresh, authoritative version―the first English translation of The Odyssey by a woman―this stirring tale of shipwrecks, monsters, and magic comes alive in an entirely new way. Written in iambic pentameter verse and a vivid, contemporary idiom, this engrossing translation matches the number of lines in the Greek original, thus striding at Homer’s sprightly pace and singing with a voice that echoes Homer’s music. Wilson’s Odyssey (W. W. Norton, 2017) captures the beauty and enchantment of this ancient poem as well as the suspense and drama of its narrative. Its characters are unforgettable, from the cunning goddess Athena, whose interventions guide and protect the hero, to the awkward teenage son, Telemachus, who struggles to achieve adulthood and find his father; from the

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to

Tamara Hundorova’s The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s (Academic Studies Press, 2019) is a compelling study of the literary changes that mark Ukrainian literature at the end of the 20th century. As the title of the book prompts, a starting point—or rather a triggering moment for further metamorphoses—is the Chornobyl catastrophe. However, this trajectory is further complicated by the collapse of the Soviet Union. The two events—different in its nature and affects—produce a unique environment for literary, ideological, and political responses. Tamara Hundorova looks at the literary process from the perspective of postmodern dialogical shifts. But what are the premises of Ukrainian postmodernism? How does it develop vis-à-vis its numerous “foreign” counterparts? How does the Soviet past shape the specificities of Ukrainian postmodernism? In The Post-Chornobyl Library, postmodernism is discussed in terms of traumas. As Tamara Hundorova argues, in Ukrainian literature postmodernism, w

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017

The dominance of the London press in the British national media has long overshadowed the presence of local newspapers in Great Britain and the roles they played in their communities. As Andrew Hobbs demonstrates in his book A Fleet Street In Every Town: The Provincial Press in England, 1855-1900 (Open Book Publishers, 2018), this presence was extremely vibrant during the second half of the 19th century, when expanding literacy and the end of the “takes on knowledge in the 1850s and 1860s. Focusing on the local newspapers in the Lancashire town of Preston during this period, he explains how the reading of newspapers often was a different experience at that time, with public reading rooms giving people from the working classes access to the news. The local newspapers they read also were different, and embodied their communities in ways that were of great importance to their audience. Hobbs explains that most of these readers preferred these local newspapers, as they provided information that more accurately re

The Hindu great epic, Mahābhārata, exists today in hundreds of variant manuscripts across India. These manuscripts were painstakingly examined, sorted and reconstituted into the official Critical Edition of the Mahābhārata. Is the Critical Edition a viable means of studying India's great epic?  While several scholars critique this undertaking project, the authors of Philology and Criticism: A Guide to Mahābhārata Textual Criticism (Anthem Press, 2018), Vishwa Adluri and Joydeep Bagchee, present a rigorous defense of the Mahābhārata's Critical Edition. Listen in and hear how and why they've done so. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB. In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “funda

In the late Enlightenment, a new imperative began to inform theories of interpretation: all literary texts should be read in the same way that we read the Bible. However, this assumption concealed a problem—there was no coherent "we" who read the Bible in the same way. In Secularism and Hermeneutics (University of Pennsylvania Press, 2019), Yael Almog shows that several prominent thinkers of the era constituted readers as an imaginary "we" around which they could form their theories and practices of interpretation. She argues that this conception of interpreters as a universal community established biblical readers as a coherent collective. In the first part of the book, Almog focuses on the 1760s through the 1780s and examines these writers' works on biblical Hebrew and their reliance on the conception of the Old Testament as a cultural, rather than religious, asset. She reveals how the detachment of textual hermeneutics from confessional affiliation was stimulated by debates on the integration of Jews in En

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in