New Books In Literary Studies

More than anything else, Psychoanalysis, Intersubjective Writing, and a Postmaterialist Model of Mind: I Woke Up Dead (Routledge, 2019) bears witness to what’s possible when the raw pain and heartbreak of life and death are worked with in Psychoanalysis. It tells the moving story of an analyst and his patient’s relationship as they discover the uncanny and often eerie aspects of their connected lives, and their deaths. And, yet, the book is much more. Since its invention, Psychoanalysis has worked with phenomena such as telepathy, thought transference, shared dream and trance states, mass hallucination, dissociated identities, premonitions from the future, doppelgängers, doubles, parallel lives, somnambulism, visitations from the deceased, and other paranormal phenomena. Dan Gilhooley and Frank Toich’s book is a considerable contribution to this history in Psychoanalysis that is still very much in the making. Rather than approaching these phenomena and Psychoanalysis through a biological model, as Freud did,

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston’s masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston’s posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book’s renewed popularity starting in the mid-1970s. "Their Eye

Nella Larsen's gripping 1929 novel Passing recounts the fateful encounter, first on a fancy Chicago hotel rooftop restaurant on a sweltering August afternoon and later in New York City, of two women who grew up together and then lost touch, and who can pass from being black to white, and back again -- with devastating moral and social consequences. The book examines the American mythology of race, and its real-world effects, at the height of the Harlem Renaissance and during a time when racial segregation regulated the lives of all Americans and severely disadvantaged African-Americans in nearly all aspects of existence. Many people chose to escape this injustice by 'passing' for white, which gave Larsen the idea to examine race and racism in a powerful work of fiction. I spoke with Professor Emily Bernard, Julian Lindsay Green & Gold Professor at the University of Vermont and the author of many award-winning books, including: Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten; Some of

Why did early modern people change their religious affiliation? And how did they represent that change in writing? In this outstanding new book, Conversion Narratives in Early Modern England: Tales of Turning (Palgrave, 2018), Abigail Shinn, who teaches in the department of English and Comparative Literature at Goldsmiths, University of London, opens up a broader range of conversion narratives than literary or historical scholars have previously discussed. By expanding the chronological and geographical range of her sources, and so expanding their religious affiliation of her authors and drawing into discussion larger numbers of women, she shows how the representation of conversion changed from the late sixteenth to the mid-seventeenth century, and how disparate narratives relating experiences of Protestant, Catholic and Islamic conversion nevertheless continued to show similar rhetorical characteristics. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on

The Wollstonecraftian Mind (Routledge, 2019) is an extensive compendium of Mary Wollstonecraft as a writer, as an interlocutor, as a philosopher and political theorist, and as a feminist thinker. The text, which is impressive in its reach, breath, and considerations, will be of use to any reader or scholar who may want to learn more about Mary Wollstonecraft, her thought, and her influence. But it is much more extensive than that, since it provides deep scholarly examination of all of Wollstonecraft’s works, as well as considering the context for Wollstonecraft’s work, and those with whom she was in intellectual encounters, and those with whom she had contemporary engagement as well. In this wide-ranging survey of Mary Wollstonecraft, Sandrine Bergès, Eileen Hunt Botting, Alan Coffee have done an exceptional job of bringing together experts from a diversity of disciplines and perspectives. The Wollstonecraftian Mind projects both backwards and forwards, positioning Wollstonecraft’s thinking within the philoso

Starting in the early 1930s, a small group of academics and writers met weekly in a pub in Oxford, England to discuss literature, religion, and ideas. Known as the Inklings, it was in part from their companionship that some of the greatest works of twentieth-century literature were produced. In their book The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams (Farrar, Straus, and Giroux, 2016), Philip Zaleski and Carol Zaleski focus on four key members of the group to show how their interactions shaped the development of their thinking and of the writings they produced. As Carol Zaleski explains, the four men came to Oxford from different backgrounds and professing different ideas, all of which were at play in their wide-ranging conversations. In gatherings in Lewis’s rooms at Magdalen College they read aloud drafts of their works, with their subsequent suggestions helping such works as Tolkein’s Lord of the Rings and Lewis’s Out of the Silent Planet t

America’s “environmental prophet,” Henry David Thoreau, set out for a simpler, more mindful, and more deeply lived life on Walden Pond on July 4th, 1845. How to live deliberately, being mindful of the things that truly matter and not let ourselves be distracted by what everyone else seems to expect and want from us. The date of July 4th is important, for the book is another Declaration of Independence: an effort to unshackle America from the consumerism, competitiveness, and the profound and shameful dishonesty that created a new nation without reaching true freedom and equality. Thoreau’s Walden is as much about how to live a better, simpler life, as it is about the right way of settling a continent stolen from Native peoples and aided by the moral sin of slavery. Thoreau, after all, gave a word to the idea of “civil disobedience,” refused to pay his taxes to a state that supported slavery (he was jailed for it), and railed against the dishonesty that propped up what today we call white supremacy. Walden is

Mark Reese’s recent translation of Abdullah Qodiriy’s 1920s novel O’tkan Kunlar (Bygone Days) brings an exemplary piece of modern Uzbek literature to English-speaking audiences. The story, which simultaneously follows the personal story of a Muslim reformer and trader and the court struggles between the rulers of Central Asia, gives us a glimpse into early Soviet Central Asia, as well as the world of Central Asia on the eve of 19th-century Russian Imperial conquest. Yet, Qodiriy’s Bygone Days is much more than that; it addresses universal themes of cultural and political change, the place of tradition in societies, questions of reform and revolution, to name a few. Reese’s wonderful translation offers an opportunity to learn more about Uzbekistan past and present and offers something for anyone interested in Central Asia, literature, or the triumphs and tragedies of modernizing societies. Nicholas Seay is a PhD candidate at The Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoi

Revisionism, a form of literary criticism, is an integral part of scholarly research, and revisionists often find themselves challenging the orthodox views held by scholars before their time. In Arabo-Islamic writing, modern scholars often tend to neglect traditional scholarly commentary, such as from the Mamlūk and Ottoman periods—two critical periods in the history of Arabic literature. Dr Adam Talib, from Durham University, UK, explores these issues in his study titled “Al-Ṣafadī, His Critics, and the Drag of Philological Time”, published in Brill’s Phenomenogical Encounters. He focuses on the work and commentary of Al-Ṣafadī, a Turkic author, to show how modern scholarly agendas may have influenced the chronological plane of Arabic literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kahlil Gibran’s 1923 The Prophet is book that’s changed people’s lives. It is a deceptively simple book, but it contains a radical insight. “Of what can I speak save of that which is even now moving in your souls?” What can a book teach us that we cannot know ourselves? To detect this thing inside of us we must break through convention: our escape into social habits, religious and political doctrine, the comforting approval of others, and the truisms and clichés we take for wisdom. And even once we realize that something is “moving in our souls,” Gibran warns us, we tend to repress this insight by submitting to outside authorities to give it a name, a label, or a theory. By turning to religion or other people’s teachings, we dodging the challenge of taking charge of our own conditions, and thus of our freedom. I spoke with Glenn Wallis, a renowned scholar of Buddhism, translator and teacher who has published The Dhammapada, Basic Teachings of the Buddha, and a Critique of Western Buddhism, and who runs Incite

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you. Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague

Catherine A. Stewart is the author of Long Past Slavery: Representing Race in the Federal Writers’ Project, published by the University of North Carolina Press in 2016. Long Past Slavery examines the history behind the collection of more than 2,300 narratives from formerly enslaved people, as part of the New Deal’s Federal Writers’ Project. Stewart pays close attention to how the ex-slave narratives represented a site of contestation between many people who had competing visions of what America’s past looked like, and what the future could hold. From Black interviewers to members of the United Daughters of the Confederacy to the formerly enslaved themselves, Stewart illustrates how these narratives were a battleground over national memory, Black identity, and Black citizenship. Catherine A. Stewart is Professor of History at Cornell College. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Woman is not born but made." This is only one of the powerful sentences in Simone de Beauvoir’s magisterial The Second Sex (1949). It means that there’s nothing natural about the fact that 50% of humanity has been oppressed by the other half for millennia. There’s nothing natural about the secondary status of women as either inferior or as helpers, assistants, supporters, care-givers, or objects of reverence, fascination, desire, etc. I spoke with Kate Stimpson, one of the academics who was instrumental in establishing the field of women and gender studies in America. “It’s a total book that calls for total change,” Professor Stimpson explained to me. She talks about the impact of de Beauvoir’s masterful book: what it has done for what is today called gender studies, and what de Beauvoir does for thinking about the whole of the human condition. This is one of my all-time favorite books, and one that everyone should read. It’s also over 800 pages, so this conversation might be a good introduction. Uli Baer is

Why and how is fiction important to women? In Why Women Read Fiction: The Stories of Our Lives (Oxford University Press, 2020), Helen Taylor, Emeritus Professor of English at the University of Exeter, explores this question to give a detailed and engaging picture of fiction in women’s lives. The book presents women’s narratives about fiction, interpretations of key texts, and perspectives on writers and the publishing industry. As the book makes clear, reading is not just another hobby for women, as it occupies a crucial role in women’s lives. Full of examples and women’s stories of how reading matters, discussions of gender and genre, the role of women as authors, along with analysis of book clubs and literary festivals, the book is essential reading across the humanities, social sciences, and for anyone interested in reading! Learn more about your ad choices. Visit megaphone.fm/adchoices

Keri Holt is the author of Reading These United States: Federal Literacy in the Early Republic, 1776-1830, published by the University of Georgia Press in 2019. Reading These United States explores how Americans read, saw, and understood the federal structure of the country in its early years. Drawing on a wide array of sources, from almanacs to textbooks, magazines to novels, and much more, Holt illustrates how Americans imagined their country not necessarily as one homogeneous nation, but as a union of states. Forging national character through local differences, Holt’s work sheds new light on the ways in which U.S. nationalism was created, inversely, by drawing lines between and separating Americans from themselves. Keri Holt is Associate Professor of English and American Studies at Utah State University. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Colbert Cairns’ book, Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas (Palgrave Macmillan, 2017), traces the biblical figure of Esther, the secret Jewish Queen, as she is reinvented as the patron saint for the early modern Sephardic community. This hybrid globetrotter emerges repeatedly in dramatic texts, poetry, and even visual representation in the global Sephardic diaspora on the Iberian Peninsula, Amsterdam, and New Spain. Colbert Cairns argues that Esther’s female body emerges as a site for power struggles and symbolic territory for drawing constantly moving communal boundaries. While certain early modern representations of Esther mobilize this queen promote traditional values for proper female behavior (obedience, deference to male authority, beauty), Colbert Cairns shows that Esther’s identity exceeds facile notions of national, ethnic, or racial identity and instead opens out a sense of Sephardic difference beyond geographical boundaries. Elizabeth Spragins is as

"If we - and now I mean the relatively conscious whites and the relatively conscious blacks [...] do not falter in our duty now, we may be able [...] to end the racial nightmare, and achieve our country, and change the history of the world.” James Baldwin's appeal and admonition ring as true as they did in the 1960s, when the novelist became the nation's conscience - and also started to feel "like a broken record," repeating a message that white America refused to accept. The current revival of Baldwin in films, books, and documentaries such as Ta-Nehisi Coates's Between the World and Me (2015), Raoul Peck's documentary based on Baldwin’s writings, I Am Not Your Negro (2017), Jesmyn Ward's incisive collection of essays, The Fire This Time: A New Generation Speaks About Race"(2017), and Barry Jenkins's feature film, If Beale Street Could Talk (2018), and references by liberals and conservatives alike, signal that something is yet to be grasped in Baldwin's powerful words. Rich Blint is a scholar, writer and cu

Ebony Elizabeth Thomas has written a beautiful, captivating, and thoughtful book about the idea of our imaginations, especially our cultural imaginations, and the images and concepts that we all consume, especially as young readers and audience members. The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) dives into the question of, as Thomas explains, “why magical stories are written for some people and not for others.” Thomas explores the narratives of magical and fantastical stories, especially ones that currently dominate our Anglo-American cultural landscape, and discerns a kind of “imagination gap” in so many of these literary and visual artifacts. The Dark Fantastic provides a framework to consider this imagination gap, by braiding together scholarship from across a variety of disciplines to think about this space within literature and visual popular culture. Thomas theorizes a tool to examine many of these narratives, the cycle through which to contextua