Why Is This Good?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Teenage Wasteland” by Anne Tyler. What can we learn from this story? How can we think about the structure of a story in terms of a Greek tragedy? What’s up with JC’s image of a skipping stone as a story structure? How can we handle universal or timeless stories?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Necklace” by Guy de Maupassant. (French version here.)  What can we learn from this exemplar story? How can we fit characters to their stories? How can the shape of dialogue on the page help us guide the flow of the story? What did de Maupassant learn from Flaubert, and how has he guided the style of short fiction since? How does the ending of the story work? Where does the emotion come from?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Wedding Party” by Taylor Koekkoek. What can we learn from this simple story elevated by literary effects? How can a writer’s eye make a story feel important? How can a non-point-of-view character become the center of a story? How can we use dialogue to show who is controlling a conversation? How can we characterize a non-POV character?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Eveline” by James Joyce. What can we learn from this famous story? How does Joyce structure the epiphany? Can we use that structure in our own stories? Are there hidden symbolic depths to the details of the story? How can a writer characterize a mood by word choice? How can we distinguish between a plot of events and a plot of choices?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “A Millionaire’s Girl” by Zelda Fitzgerald. What can we learn from this story written by the less-famous Fitzgerald? How would we describe the point of view of this story? How does the narrator mediate the story and depiction of Caroline? How good a writer was Zelda Fitzgerald?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Catbird Seat” by James Thurber. What can we learn from this funny little story? How does point of view function in this story? How can an objective point of view allow us to balance what the character knows with what the reader needs to know? How does simple but elegant prose help guide the reader swiftly through the story?

Interested in our novel mentorship program or have any other questions? Email us at napleswritersworkshop@gmail.com If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Grasshopper and the Bell Cricket” by Yasunari Kawabata. What can we learn from this Japanese short story? What is the role of the narrator in this story? How does the narrator offer literal perspective on the story? How can we capture the emotional core of a story?

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim. What can we learn from this story that plays off another classic story? How can a clear voice set the tone for a story? What distinguishes fantasy from realist storytelling that wants to comment on real-world issues? How can we shape our own voices for different stories? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Nine Billion Names of God” by Arthur C. Clarke. What can we learn from this classic story? What guides the length and development of a short story? […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Hollow” by Breece D’J Pancake. What can we learn from this early success from a young writer? What does it mean for a writer to find their voice? […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Enormous Radio” by John Cheever (alternate version). What can we learn from this 1947 New Yorker story? How does the distinction between public and private life drive […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Conversation with My Father” by Grace Paley. What can we learn from this semi-autobiographical story? How can we develop stories from our own experiences? How can an […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Manual for Cleaning Women” by Lucia Berlin. What can we learn from this story? How can we use a repeating structure in a story? How can the […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Everything That Rises Must Converge” by Flannery O’Connor. What can we learn from one of O’Connor’s best parables? How do details make a story richer? What does it […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Wood Sorrel House” by Zach Williams. What can we learn from this story? Do we need to interpret what the story means? Is there a metaphor? How can […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Garden of Forking Paths” by Jorge Luis Borges. What can we learn from this seminal work? How does the Garden of Forking Paths function in the story? […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Found Objects” by Jennifer Egan (second story in this PDF). What can we learn from this story? How can plot serve character and character serve plot? How can […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Two Words” by Isabel Allende, originally “Dos Palabras”. What can we learn from this story translated from Spanish? How can we use our writing eye in descriptions? How […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Piano Teacher’s Pupil” by William Trevor. What can we learn from this short, well-crafted story? How can backstory help build the present moment? How can we establish […]

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Nine Lives” by Ursula K. Le Guin. What can we learn from another great story from a master of speculative fiction? How can we portray unusual experiences that […]