Stinker Madness - The Bad Movie Podcast

Thrill as J-Lo complains in a chair in front of green screen for 45 minutes. That butt, tho.... "Atlas," starring Jennifer Lopez, aims to be a thrilling sci-fi adventure but ultimately lands in the realm of forgettable mediocrity. The plot, which revolves around a dystopian future and a battle for humanity's survival, is riddled with flaws and holes that make suspension of disbelief a constant struggle. The storyline feels hastily stitched together, with plot twists that are more confusing than surprising. Lopez's portrayal of Atlas, the protagonist, is another sticking point. The character is meant to be a strong, determined leader, but instead comes across as overly whiny and frustratingly indecisive. This makes it difficult to root for her, as her constant complaints overshadow any moments of genuine heroism or strength. The dialogue in "Atlas" doesn't help matters. It often feels stilted and unnatural, almost as if it was generated by an AI—mechanical and devoid of real human touch. Characters spout li

Less people get sat on by robots in war, I guess. So Robot Jox is a conglomeration of many other staples in 1989. You've got a post-apocalyptic setting thanks to the Cold War. You've got a sports related global event ala Rollerball, Deathrace 2000, Running Man, et. al. And you've got robots fighting ala Rock 'Em Sock 'Em Robots. Ok, maybe the last one was a stretch but you get the picture. Lastly, you've got a critical factor. George Lucas.  Yes, Lucas made all the money when he kept the licensing rights to the Star Wars franchise and then became the richest man in the galaxy when the toy line was released. Well, Charles Band hoped for no less. With the meteoric rise of The Transformers and subsequent collapse when the killed Optimus Prime within the first 10 seconds of the movie, Charlie say an opportunity to sell giant robots IF the movie Robot Jox was successful.  Narrator: It was not. Oh well. But it does add a very interesting connection to another film that wanted to make all the toys - Me

The Highlander theatrical cannon comes to a close...by making all the same mistakes as the first two movies and we can't thank them enough for it. Highlander: Final Dimensions is a rollercoaster of absurdity that somehow manages to entertain despite its sheer ridiculousness. From the mind-boggling plot that's as convoluted as a tangled ball of yarn to the laughably bad acting that makes you wonder if the cast drew straws to see who would overact the most, this movie truly embraces its own brand of campiness. Let's talk about those special effects. Cheesy doesn't even begin to cover it. It's like someone raided the bargain bin at a 90s CGI outlet store and said, 'Yep, this'll do.' But you know what? It adds to the charm. You can't help but chuckle at the sight of the so-called 'epic battles' that look like they were choreographed by toddlers with foam swords. And then there's Mario Van Peebles. Bless his heart, he goes all-in with a portrayal that can only be described as unhinged. It's like he read the scr

Its that time of year where we celebrate another year of reviewing and loving bad movies. Each year we count down our individual favorite movies we saw in the last 12 months. If you want to find out exactly which bad movies you should watch right now, this is the episode you'll want to listen to. Can we finally all agree on a #1? Plus we also countdown our favorite 3 movies released in 2023.

Are you enough of a tough guy verbally to handle how much of a tough guy everyone is in this movie when even the ladies are tough guys? No chance. "The Rage" is a rollercoaster of a movie, and not necessarily in a good way. Strap in for some truly crazy stunts that will have you gripping the edge of your seat... or maybe just scratching your head in confusion. Lorenzo Lamas, Gary Busey, and Roy Scheider lead the charge in this adrenaline-fueled thriller, but even their combined star power can't salvage the wreckage of a script that seems to have been cobbled together in a hurry. The dialogue is so melodramatic it borders on unintentional comedy, and not even Busey's trademark wild-eyed intensity can save it. Sure, there are moments where the action ramps up to heart-pounding levels, with stunts that defy logic and gravity alike. But every time you start to feel the adrenaline kick in, you're rudely yanked back to reality by yet another cringe-worthy set of dialogue. In the end, "The Rage" is like a souped

Hot coeds go to a bowling alley and unlock a poop monster and find death and love in the process. "Sorority Babes in the Slimeball Bowl-O-Rama" is a delightful romp through the absurd and the outrageous, delivering a unique blend of horror, comedy, and pure camp that is sure to entertain audiences of all tastes. Released in 1987, this cult classic is a testament to the creativity and ingenuity of low-budget filmmaking. First and foremost, the film's title alone sets the tone for the wild ride viewers are about to embark upon. It promises a mix of sorority shenanigans, grody antics, and the unlikeliest of settings—a bowling alley. And boy, does it deliver! From the moment the opening credits roll, audiences are thrust into a world where anything goes and no joke is too outrageous. What truly sets "Sorority Babes" apart is its commitment to embracing its B-movie roots with open arms. The practical effects may be cheesy by today's standards, but they're executed with such infectious enthusiasm that it's impos

Its bad. I mean, so, so, so very bad. Like "worst movie of all time discussion" bad. "Rollerball" (2002) is a cinematic catastrophe of epic proportions. This abomination of a film is a perfect storm of incompetence, delivering an experience so profoundly dreadful that it defies all reason and logic. From its mind-numbingly idiotic plot to its nauseatingly abysmal editing, every aspect of this cinematic disaster screams of ineptitude. Let's start with the plot—or rather, the lack thereof. Attempting to discern any semblance of coherence or intelligence from the narrative of "Rollerball" is an exercise in futility. It's as if the writers threw darts at a board covered in clichés and assembled whatever they hit. The result is a plot so insanely stupid that it effectively nullifies its own existence. Characters flail about in a sea of nonsensical motivations and contrived conflicts, leaving audiences scratching their heads in bewilderment and frustration. But the plot is only the tip of the iceberg of inc

 Dalton hasn't calmed down much in 35 years but he's gotten a lot more polite when he's punching your nose into your face. "Roadhouse" (2024) starring Jake Gyllenhaal offers a lukewarm viewing experience that leaves much to be desired. While the action direction from Doug Liman is undeniably thrilling, it's unfortunately overshadowed by a frustratingly lackluster script that feels like a missed opportunity at every turn. Gyllenhaal steps into the iconic role with commendable effort, bringing his own spin to the character, but ultimately, the script fails to fully utilize his talents. The plot feels disjointed and often veers into the realm of the absurd, leaving audiences scratching their heads rather than fully immersed in the action. One can't help but compare this rendition to the beloved original, which continues to draw annual viewings from dedicated movie lovers. While the 2024 version has its moments of excitement, it lacks the timeless appeal and depth of its predecessor. Overall, "Roadhouse"

Rosie O'Donnell does the thing Robert Downey Jr. said never to do and earns all of the internet's hatred...but is it deserved? "Riding the Bus with My Sister" is a film that falls squarely in the realm of made-for-TV movies, a genre often associated with mediocrity. Yet, within this sea of forgettable productions, this 2005 offering manages to stand out—not necessarily as a shining gem, but certainly as a passable diversion. On the surface, it's easy to dismiss "Riding the Bus with My Sister" as just another Hallmark Channel movie, known for their often formulaic and saccharine narratives. And while this film does share some of those traits, it also manages to offer moments of genuine warmth and sincerity that elevate it slightly above the typical Hallmark fare. One of the most notable aspects of the film is Rosie O'Donnell's portrayal of a neuro-divergent character—a choice that has garnered both criticism and praise. It's undeniable that in today's landscape, casting decisions like this would be scrutini

A cavalcade of terrible decisions that 3 Oscar winners and an Emmy winner decided was good for them, gave us a movie that's good for us but no one else. "Tiptoes" is a cinematic trainwreck that defies all expectations of quality filmmaking. From its cringe-inducing dialogue to its baffling plot twists, this movie is a prime example of how NOT to make a film. Despite boasting not one, not two, but THREE Oscar-winning actors in its cast, "Tiptoes" is a catastrophic failure that leaves audiences scratching their heads in disbelief. The film clumsily attempts to tackle serious themes, masquerading as Oscar bait with its contrived drama and heavy-handed messages. However, instead of delivering poignant moments, it delivers unintentional hilarity. You'll find yourself laughing at scenes that were clearly meant to evoke tears. But the real kicker? Gary Oldman, a supremely talented actor, is somehow stuffed into a couch for a significant portion of the movie, both literally and metaphorically. Yes, you read that r

The nachos I ate during viewing were far more explosive. Blown Away (1994) has all the ingredients for a high-octane thriller, with an explosive premise centered around a former IRA terrorist, played by Jeff Bridges, who becomes a bomb disposal expert. However, the end result is an underwhelming movie that leaves audiences feeling like they've just sat through a 2-hour snooze fest. The film is full of promise, but it fails to deliver on its potential. One of the most glaring issues with Blown Away is its lack of pacing. Despite the promise of the plot, the film drags on for what feels like an eternity. The pacing is so sluggish that it becomes a struggle to stay engaged with the story. Additionally, the movie is filled with far too many scenes that seem to exist solely for the purpose of having "bomb" in the them. These scenes are repetitive and add little to the overall plot, making them feel like filler. Another major problem with Blown Away is its failure to establish any real stakes. The film never tru

Notorious for being one of the biggest flops of all time, can it be as bad as history has made it out to be?  The 1987 film "Ishtar" and let me just say, is...confusing. The movie seems to have garnered a reputation for being a colossal flop, and while I can understand why some might hold that opinion, I believe there's more to it than meets the eye. Let's start with the positives. It's clear that Warren Beatty and Dustin Hoffman, two respected actors, had a chemistry that worked on screen. Their comedic timing, though often misfired, had moments of genuine amusement. Moreover, I can't help but appreciate the audacity of the film's premise: two struggling musicians get caught up in a web of international intrigue while trying to make it big in North Africa. It's the sort of outlandish setup that could have resulted in a cult classic if executed differently. Think Romancing the Stone but executed like Condorman. Yet, execution is where the film struggles most. The jokes, while sometimes clever, often f

I fell in love with these murderous undead bastards and there's nothing wrong with our love!!! Lisa Frankenstein is a delightful film that takes classic Gothic horror elements and sprinkles them with an unparalleled whimsy. The movie hits all the right notes with precision and panache, creating a memorable viewing experience that leaves a lasting impression. This praise-worthy offering deserves applause for several reasons. First and foremost, the cast deserves immense credit for bringing their A-game to the table. Each actor fully embodies their respective characters, breathing life into the quirky, offbeat personalities we've come to love. Their chemistry on-screen is palpable, making their interactions feel genuine and heartfelt. From the leading roles to the supporting cast, every performance is delivered with impeccable timing and nuance. The art direction in Lisa Frankenstein is a feast for the eyes, blending the familiar with the fantastical. The sets are rich in detail, transporting viewers to a wo

Thirsty vamps get Ubered around town on a poorly thought out territory takeover only to find true love in....Benny? "Night Teeth," the latest Netflix Original Movie, is a cocktail of clichés served with a side of disappointment. While the premise promises a thrilling ride through the underworld of vampires, the execution falls flat, leaving viewers with a lukewarm taste in their mouths. One of the most glaring issues with "Night Teeth" is its lack of originality. From the very beginning, it feels like we've seen this story a thousand times before, just with different actors and slightly altered plot points. The predictable narrative unfolds at a snail's pace, failing to offer any surprises or twists to keep the audience engaged. Adding insult to injury, the characters in "Night Teeth" are as forgettable as they come. There's not a single likable soul among them, which makes it difficult to invest in their fates or care about their struggles. The vampires, in particular, are portrayed as nothing more than s

When a stuntman as prolific as John Stewart directs an action movie, you better believe you're gonna have a good time. If you're a fan of over-the-top action, jaw-dropping stunts, and a movie that never takes itself too seriously, look no further than "Action USA"! This adrenaline-fueled extravaganza is a rollercoaster of mayhem, delivering a cinematic experience that's equal parts thrilling and downright hilarious. From start to finish, "Action USA" boasts an impressive array of mind-blowing stunts that seem to defy the laws of physics. The film takes "go big or go home" to a whole new level, with each scene trying to outdo the last in a glorious display of cinematic excess. The stunt work is so over-the-top that you'll find yourself questioning if gravity even exists in this world, and that's what makes it so darn entertaining. What sets "Action USA" apart is its refusal to take itself too seriously. In a genre often marked by brooding heroes and intense drama, this film gleefully embraces its own sillin

Revenge is best served at the end of a katana sword that your wife bought for you at the mall. Time to make some floured eggs. Suit up, ninja enthusiasts, because "New York Ninja" is a wild ride that takes us back to the glory days of 80s action cinema. This 2021 hidden gem, rescued from obscurity, brings us a delightful mix of a ridiculous plot, unintentionally funny fight scenes, an incredibly awesome music score, and an insane villain known as "The Plutonium Killer." Let's start with the plot – it's so over-the-top and absurd that you can't help but be entertained. From a vigilante ninja patrolling the mean streets of New York City to thwarting a nefarious plot involving plutonium man, the movie embraces every ninja cliché with open arms. The narrative is a rollercoaster of unexpected twists and turns, making it a nostalgic joy for fans of the genre. Now, let's talk about the unintentionally funny fight scenes. The choreography might not be as polished as modern martial arts films, but that's part of th

A horror movie that thrills its audience with...uh....hmmm...sewing? Oh and a demon is summoned out of loneliness and a desire to have tea parties with dollies. This is so unbelievably bad. "Annabelle" (2014) is a cinematic catastrophe that makes you question the very fabric of horror filmmaking. From a plot that can only be summarized as "a cult summons a demon who likes to play with dolls," to characters so insipid and carelessly written that you'll find yourself wishing for their swift demise, this movie is a masterclass in how not to make a horror film. The narrative is so painfully dull that it makes you wonder if the filmmakers were even trying. The premise of a demonic entity toying with dolls could have been intriguing, but "Annabelle" manages to suck every ounce of excitement out of it. The scares are predictable, the tension is nonexistent, and the entire plot feels like a lazy rehash of every demon haunting movie ever made. Let's talk about Mia, the main character who single-handedly takes the c

Whether they are spacemen or from 1999 or from before the dinosaurs, The Immortals make some really stupid decisions and are pretty bad for Earth. How bout there can only be none? If you're a fan of mind-bending and utterly nonsensical movies, then "Highlander 2" is your ticket to an alternate reality where coherence takes a vacation and weirdness reigns supreme. The film kicks off with a bang, introducing us to the flying porcupine brothers. Yes, you read that right. These airborne creatures are an essential part of the movie's charm, leaving audiences scratching their heads and wondering if the scriptwriter had a secret petting zoo of mythical creatures hidden away or a crack addiction. Either is the only reason why you would include these two boneheads who look ridiculous and act even worse in your Highlander movie. One of the standout moments has to be the love scene against a dingy city wall. Forget romantic sunsets or candlelit dinners; "Highlander 2" throws you into the lovely ambiance of a dirty wa

The Paul Bros. bench-press their way into our hearts and into a crime caper where they have to put their backs together and look over their shoulders with expressions that say, "You did it?" and "No, I thought you did it?" In the vast landscape of '90s comedies, "Double Trouble" emerges as a hidden gem that not only stands the test of time but also showcases the surprisingly impeccable comedic timing of the Paul brothers, turning what could have been just another buddy comedy into a riotous joyride. First and foremost, what sets "Double Trouble" apart is the unforeseen comedic synergy between its stars, the dynamic duo of the Paul brothers. David and Peter Paul's on-screen chemistry is nothing short of infectious, with their banter and physical comedy elevating the film to unexpected heights. The brothers' ability to bounce off each other's energy showcases a natural comedic instinct that few could have predicted, making their performances a delightful revelation. What truly sets this film apart, however,

Bruce Willis says goodbye in the only way he knows how - by blasting fools with a shotgun. Merry Christmas - you're dead! If you're a fan of detective movies, you will want a thrilling plot with well-thought-out mysteries and a satisfying resolution. Unfortunately, "Detective Knight Redemption" failed on all fronts. But, honestly, you should care about any of that. Read on. The plot of the movie is nothing short of stupid and poorly laid out. It felt as if the filmmakers prioritized flashy action sequences and brooding characters over a coherent and engaging storyline. The narrative seemed to be in a hurry to move on to the big Bruce Willis shooting scene, sacrificing any semblance of a compelling detective mystery. What disappointed me the most was how the movie glossed over Detective Knight's crime-solving process. Instead of immersing the audience in the intricacies of the investigation, the film seemed more interested in showcasing Willis in his signature shoot-'em-up style. It's almost as if the filmm