New Books In East Asian Studies

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day.  Examining the Catholic community’s interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian’ groups which survived in the Japanese countryside after the banning of Christianity.  Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 year

Is the Indo-Pacific already the most dominant in terms of global power, politics, and wealth? In his newest book, Michael R. Auslin considers the key issues facing the Indo-Pacific which have ramifications for the entire world. Geopolitical competition in the region threatens stability not just in Asia, but globally.  In a series of essays, Asia's New Geopolitics: Essays on Reshaping the Indo-Pacific (Hoover Institution Press, 2020) Auslin examines the key issues that are changing the balance of power in Indo-China and globally. He examines China's aggressive global policies and strategies, and its attempts to bend the world to its wishes.  He argues that the global focus on the Sino-US competition for power has obscured "Asia's other great game" - the rivalry between long-time foes, China and Japan. He questions whether Kim-Jong-un can control his nuclear weaponry and the implications for safety if he cannot.  Auslin examines the plight of women in India and asks whether its "missing women" are potentially h

The Films of Kore-eda Hirokazu: An Elemental Cinema (Palgrave MacMillan, 2019) draws readers into the first 13 feature films and 5 of the documentaries of award-winning Japanese film director Kore-eda Hirokazu. With his recent top prize at the Cannes Film Festival for Shoplifters, Kore-eda is arguably Japan’s greatest living director with an international viewership. He approaches difficult subjects (child abandonment, suicide, marginality) with a realistic and compassionate eye. The lyrical tone of the writing of Japanese film scholar Linda C. Ehrlich perfectly complements the understated, yet powerful, tone of the films. From An Elemental Cinema, readers will gain a special understanding of Kore-eda’s films through a novel connection to the natural elements as reflected in Japanese traditional aesthetics. An Elemental Cinema presents Kore-eda’s oeuvre as a connected whole with overarching thematic concerns, despite frequent generic experimentation. It also offers an example of how the poetics of cinema can

The Zhen’gao, or Declarations of the Perfected is one of the most important Daoist texts, and a literary classic in its own right. The Declarations of the Perfected collects fragmentary texts—poems, information on the realm of the dead, instructions for practice—revealed to Yang Xi (330—ca. 386) by celestial beings. These texts were assembled and annotated by Tao Hongjing (456–536), whose notes provide a window into textual and literary practices of medieval China. The fragments themselves are richly informative not only about divine beings and celestial realms but also about the social world in which these revelations were made, and the interactions between Daoism and Buddhism. In A Fourth-Century Daoist Family: The Zhen’gao, or Declarations of the Perfected, Volume 1 (University of California Press, 2020), these texts are translated and introduced by Stephen R. Bokenkamp, one of the world’s foremost scholars on early Daoist texts. Stephen R. Bokenkamp is Regents Professor of Chinese Religion at Arizona Sta

Though fascinated with the land of their tradition’s birth, virtually no Japanese Buddhists visited the Indian subcontinent before the nineteenth century. In the richly illustrated Seeking Śākyamuni: South Asia in the Formation of Modern Japanese Buddhism (U Chicago Press, 2019), Richard M. Jaffe reveals the experiences of the first Japanese Buddhists who traveled to South Asia in search of Buddhist knowledge beginning in 1873. Analyzing the impact of these voyages on Japanese conceptions of Buddhism, he argues that South Asia developed into a pivotal nexus for the development of twentieth-century Japanese Buddhism. Jaffe shows that Japan’s growing economic ties to the subcontinent following World War I fostered even more Japanese pilgrimage and study at Buddhism’s foundational sites. Tracking the Japanese travelers who returned home, as well as South Asians who visited Japan, Jaffe describes how the resulting flows of knowledge, personal connections, linguistic expertise, and material artifacts of South and

Medicine and Memory in Tibet: Amchi Physicians in an Age of Reform (University of Washington Press, 2018) is the first full-length ethnography of Tibetan medical practitioners (amchi) in central Tibet working outside of major Tibetan medical institutions in Lhasa. Departing from extant ethnographies and scholarship on Tibetan medicine in the twentieth-century that often focus on institutions such as the Mentsikhang, Tibetan Medical College, and TAR Tibetan Pharmaceutical Factory, Theresia Hofer follows and traces the medical work of local Tibetan doctors in rural settings in Tsang and in Shigatse Town. By centering on amchis who were not part of the Tibetan state-sponsored medical structures that were incorporated into the PRC socialist health care system in the 1950s, Hofer reveals perspectives and experiences that have been overlooked in national and institutional narratives. Drawing on literature addressing Tibetan amchis' memory and oral history in socialist and postsocialist contexts, Hofer also inquires

The drums beat, an old man in a grand robe mutters incantation and three brides on horseback led by their grooms on foot proceed to the Naxi Wedding Courtyard, accompanied, watched and photographed the whole way by tourists, who have bought tickets for the privilege. The traditional wedding ceremonies are performed for the ethnic tourism industry in Lijiang, a World Heritage town in southwest China.  Heritage and Romantic Consumption in China (Amsterdam UP, 2018) examines how heritage interacts with social-cultural changes and how individuals perform and negotiate their identities through daily practices that include tourism, on the one hand, and the performance of ethnicity on the other. The wedding performances in Lijiang not only serve as a heritage 'product' but show how the heritage and tourism industry helps to shape people's values, dreams and expectations. This book also explores the rise of 'romantic consumerism' in contemporary China. Chinese dissatisfaction with the urban mundane leads to romantici

Imagine this book was written in Comic Sans. Would this choice impact your image of me as an author, despite causing no literal change to the content within? Generally, discussions of how language variants influence interpretation of language acts/users have focused on variation in speech. But it is important to remember that specific ways of representing a language are also often perceived as linked to specific social actors. Nowhere is this fact more relevant than in written Japanese, where a complex history has created a situation where authors can represent any sentence element in three distinct scripts.  In Scripting Japan: Orthography, Variation, and the Creation of Meaning in Written Japanese (Routledge, 2020), Wesley Robertson provides the first investigation into the ways Japanese authors and their readers engage with this potential for script variation as a social language practice, looking at how purely script-based language choices reflect social ideologies, become linked to language users, and in

What happens to everyday-life in a city when it becomes subsumed into an empire? Who becomes responsible for the everyday building and management of the new imperial enclave? How do local residents and colonial settlers manage to live side-by-side in new imperial arrangements? In Constructing Empire: The Japanese in Changchun, 1905-45 (University of British Columbia Press 2019), Bill Sewell examines how Chinese, Japanese, Korean, Russian, and other civilians in northeast Asia sought to inscribe Manchuria as theirs, and how Japanese imperial architects and civilians in Changchun engaged in diverse empire-building efforts that transformed the city into a modern urban capital for the puppet state of Manchukuo. Sewell argues that "Constructing empire was a mundane and popularly imagined affair as well as a diplomatic, political, and military one." Although studies on empire tend to focus on elite decisions or actions, Sewell contends that "popular dimensions must also be considered to grasp fully empire's nature.

In The Chinese Revolution on the Tibetan Frontier (Cornell University Press, 2020) Benno Weiner provides an in-depth study of what happened when the Chinese Revolution came to Amdo, a Tibetan region in the Sino-Tibetan borderland. Focusing primarily on the 1950s, Weiner demonstrates that the Chinese Communist Party wasn't just trying to build a state during this period — it was trying to build a nation. Under the banner of the “United Front” the CCP attempted to gradually, voluntarily, and organically bring Amdo into the modern, Socialist, and multi-ethnic nation. In this meticulously researched book Weiner examines why and how this failed, and the violent and painful consequences of that failure. The Chinese Revolution on the Tibetan Frontier is an important read for those interested in the history of Amdo, the Sino-Tibetan borderland, and modern Chinese history more broadly. It is also crucial and timely reading for anyone looking to understand contemporary China, and in particular why the CCP continues to

As well as presenting practical challenges, addressing the question ‘what is it like in North Korea?’ raises ethical concerns around who is entitled to interpret life in a place so often discussed in luridly exoticizing terms. The awareness of authorial position and sensitivity to shared humanity which runs through Andray Abrahamian’s Being in North Korea (Shorenstein Asia-Pacific Research Center, 2019) is thus one of its real strengths. Weaving together a trove of insights into local society, politics and economics gleaned from years of visits to the country, including many trips as an organiser of local business workshops, Abrahamian offers a convincing and authoritative account of both lesser-known everyday North Korean affairs and clear-eyed interpretations of more familiar macro-level topics. Frank in its acknowledgement of the limits to what an outsider can know about a society that has made opacity the key to its very survival, this is a book which goes as far as anything by a Western outsider is likel

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a

Many of the millions of workers streaming in from rural China to jobs at urban factories soon find themselves in new kinds of poverty and oppression. Yet, their individual experiences are far more nuanced than popular narratives might suggest. Rural Origins, City Lives: Class and Place in Contemporary China (U Washington Press, 2016) probes long-held assumptions about migrant workers in China. Drawing on fieldwork in Nanjing, Roberta Zavoretti argues that many rural-born urban-dwellers are—contrary to state policy and media portrayals—diverse in their employment, lifestyle, and aspirations. Working and living in the cities, such workers change China’s urban landscape, becoming part of an increasingly diversified and stratified society. Zavoretti finds that—more than thirty years after the Open Door Reform—class formation, not residence status, is key to understanding inequality in contemporary China. Suvi Rautio is a part-time Course Lecturer at the Social & Cultural Anthropology discipline at University of H

What is the role of the intellectual? Is violence, not to mention radical change, necessary? Can there be a revolution without them? Realistic Revolution: Contesting Chinese History, Culture, and Politics after 1989 by Els van Dongen (Cambridge University Press, 2019) analyses a series of debates in the early 1990s between Chinese intellectuals as they discussed such questions. Grappling with China’s turbulent twentieth century, such intellectuals came to say goodbye to radicalism, and instead advocated for “realistic revolution” in the service of future modernization. Using journal articles, official newspapers, monographs, and edited volumes, as well as interviews conducted with the main scholars involved in the debates, this book unpacks these complex—often convoluted yet always fascinating—debates effortlessly. Shedding light on the transnational nature of these debates and tracing intellectual exchanges and the evolution of concepts and ideas borrowed from other thinkers, van Dongen has created an intima

The “diva” is a common trope when we talk about culture. We normally think of the diva as a Western construction: the opera singer, the Broadway actress, the movie star. A woman of outstanding talent, whose personality and ability are both larger-than-life. But the truth is throughout history, many cultures have featured spaces for strong female artists, whose talent allows them to break free of the gender roles that pervaded their societies. In Three Asian Divas: Women, Art and Culture in Shiraz, Delhi and Yangzhou (Abbreviated Press: 2020) David Chaffetz briefly explores how these “Asian divas” could be seen as some of the first recognizably “modern women''. In this interview, David and I talk about the three different cultures of Three Asian Divas: Shiraz, Delhi and Yangzhou. We discuss what it meant to be a diva in these historical contexts, and what they say about gender roles in these historic Asian societies. After studying Persian, Turkish and Arabic in college, David Chaffetz worked on the publicatio

Much is known about the Qing sartorial regulations and how the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. But what happened on the stage? What did Qing performers wear, not only when they performed as characters in the Han past, but also when they appeared as subjects in the Manchu present? Reading dramatic works against Qing sartorial regulations, Staging Personhood: Costuming in Early Qing Drama (Columbia University Press, 2020) explores a two-sided question: how did the Ming-Qing transition influence costuming as theatrical practices and how, in turn, did costuming enable the production of different types of personhood in early Qing China? With readings of several early Qing theatrical works, from the canonical Peach Blossom Fan (Taohua shan) to the lesser-known A Ten-Thousand-Li Reunion (Wanli yuan), combined with visual and performance records and historical documents, Staging Personhood provides a new and interdisciplinary perspective on the cultural dynamics of ear

In Creativity in Tokyo: Revitalizing a Mature City (Palgrave, 2020), Heide Imai and Matjaz Ursic focues on overlooked contextual factors that constitute the urban creative climate or innovative urban milieu in contemporary cities. Filled with reflections based on interviews with a diverse range of creative actors in various local neighborhoods in Tokyo, it offers a rare glimpse into the complex set of elements that provide long-term, physical, and sociocultural support to urban creativity. The authors highlight the interplay between physical and soft (social) factors in the process of place-making and explore how a city’s creativity is influenced by financial support and accessible infrastructure, as well as the sets of informal networks, services, and tacit, locally embedded knowledge that provide the basic layers of stimuli needed for creativity to fully develop. The authors show how the future development of creativity and the overall development of a city depend not only on the (top-down) planning strateg

Rachel Silberstein’s book A Fashionable Century: Textile Artistry and Commerce in the Late Qing (University of Washington Press, 2020) reveals how Qing fashion was produced at the intersection of commerce and culture. Drawing on a wide array of visual and textual sources, from pattern books and gazetteers to embroidered jackets and a sample book of ribbons, Silberstein both challenges the myth of the absence of fashion in China — perpetuated in large part, as is shown in the book, by museum narratives and collection practices — and presents women as active consumers, participants, and producers in Qing fashion. A Fashionable Century is not only deft in its writing and visual analysis, but this well-written book is itself a beautiful object itself. Woven throughout the chapters are numerous paintings, photographs, prints, and objects, all of which bring the vibrant world of Qing fashion into vibrant (and well-trimmed) relief. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard.

Intertwining autobiography and ethnography, Clara Han’s touching new book Seeing Like a Child: Inheriting the Korean War (Fordham University Press, 2020) asks how scholarship can be transformed from a child’s perspective. Through a critique of anthropological practices that assume fully formed “I” in its emphasis on self-reflexivity as well as the prioritization of pre-established epistemological categories in the scholarship on transgenerational trauma, Han shows how distinction between historical and ordinary events breaks down as the violence of war is seeped into everyday lives. The make-believe world interlocks with mundane details of the everyday as a child constructs the world around them through languages that are differently encoded with trauma and joy from the legacy of the war. Divided into four parts, “Part I: Loss and Awakenings” enters into how the trauma of father’s isan kajok (dispersed families) intersect with the memories of illness and affliction of Han’s mother. “Part II: A Future in Kinsh

One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. In The Cinema of Ozu Yasujiro: Histories of the Everyday (Edinburgh University Press, 2017), Woojeong Joo offers a new interpretation of Ozu's career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu's depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu's work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to post-war Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a ground-breaking new study of a master of cinema. In this interview, I asked Woojeong a series of questions