New Books In Literary Studies

In Broken Tablets: Levinas, Derrida, and the Literary Afterlife of Religion (Columbia University Press, 2016), Sarah Hammerschlag, Associate Professor of Religion and Literature at the University of Chicago Divinity School, explores the admiring and at times oppositional philosophical kinship between Emmanuel Levinas and Jacques Derrida, two of the France’s greatest 20th century philosophers. One fundamental aspect of the Levinas-Derrida relationship is each man’s relationship to his Jewish identity and to Jewish text and tradition. Professor Hammerschlag delves into the resonances and far-reaching effects this relationship has for religion writ large, as well as for philosophy, literature, ethics, and political theology. David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of rabbinic midrash on the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.Learn more about you

There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best. In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop cultureR

Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach to illuminate some aspects of the USSR history, which have been previously disregarded. Describing leisure activities that were popular in the Soviet Union, Tsipursky contributes to the discussion concerning the shaping of Soviet mentality and consciousness. Briefly describing traditions that the Soviet Union was referring to when devising cultural programs, Socialist Fun focuses on the post-War period and offers a detailed analysis of leisure time activities during the Khrushchev and Brezhnev eras. Considering the developments of cultural programs devised and maintained by Stalin, Khrushchev, and Brezhnev, Tsipursky outlines his theory regarding the development of the Soviet society. Sponsored by the state, the cultural sphere in the USSR appears a part of garde

Meredith K. Ray’s new book contextualizes and translates a range of seventeenth-century letters, mostly between Margherita Sarrocchi (1560-1617) and Galileo Galilei (1564-1642), that collectively offer a fascinating window into the correspondence of two brilliant early modern writers and intellectuals. Margherita Sarrocchi’s Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy (Palgrave Macmillan, 2016) traces the relationship between Sarrocchi, a Naples-born writer, famous for her salons and for writing an epic poem that emphasized the significance of women as knowers of the natural world, with Galileo. The letters feature three major themes: Sarrocchi consulting Galileo for writerly advice as she revised her epic poem, Sarrocchi’s efforts to defend Galileo’s discoveries to the scientific community in Italy, and Sarrocchi and Galileo’s shared interest in judicial astrology and natal charts or nativities. The slim volume will be a resource not just f

The BBC radio program “Caribbean Voices” aired for fifteen years and introduced writers like George Lamming, Louise Bennett, Sam Selvon and others to listeners on both sides of the Atlantic. Glyne Griffith’s The BBC and the Development of Anglophone Caribbean Literature, 1943-1958 (Palgrave MacMillan, 2016) is one of a few detailed studies of this program and the people and institutions that made it possible. Griffith makes important arguments about the combined force of letters, texts and broadcasts, and the ways they contributed to emerging nationalisms and territorial identities as the British Caribbean considered its postcolonial future.Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the do

In Literature, Exile, Alterity: The New York Group of Ukrainian Poets (Academic Studies Press, 2014), Maria G. Rewakowicz explores a unique collaboration of the poets residing in the United States and writing poetry in the Ukrainian language. This research offers a systematized and chronologically organized vision of the group, which, in spite of the geographical limitations implied by its name, appeared to invite artists from a variety of geographical loci and aesthetic backgrounds. Literature, Exile, Alterity focuses on seven founding members of the New York Group: Bohdan Boychuk, Yuriy Tarnawsky, Bohdan Rubchak, Zhenia Vasylkivska, Patricia Kylyna, Emma Andijevska, and Vira Vovk. Acquiring its shape during the 1950s and 1960s and actively participating in the cultural, social, and political dialogues during the subsequent decades, the New York Group expanded and eventually went rather far beyond its original core. Over the decades, the group also dispersed geographically; however, as Rewakowicz argues, it

“Surveillance and literature, as kindred practices, have light to shed on each other.” When David Rosen and Aaron Santesso considered the discipline of surveillance studies in the wake of the attacks on September 11, 2001, they saw contributions from political scientists, sociologists, legal scholars, and engineers, but found that “the distinctive and necessary contribution of the humanities as such to this conversation” had “largely gone unarticulated” (5). The Watchman in Pieces: Surveillance, Literature, and Liberal Personhood (Yale University Press, 2013) is a wide ranging, deeply researched, and compellingly argued corrective to that lacuna that places humanistic thought, and in particular literary history, in complex and satisfying conversation with the disciplines working to theorize surveillance for our moment. Arguing that “the ultimate target of all surveillance activity: the individual self” is best approached as a knot of questions rather than a stab

Randy Olson, author of Houston, We Have a Narrative: Why Science Needs Story (University of Chicago Press, 2015), has an unusual background. He is a Harvard-trained biologist and former tenured professor who resigned from his academic post to earn a degree from the world-renowned University of Southern California film school. As a documentary filmmaker, Olson has sought to fuse critical thinking and Hollywood storytelling. And as the author or co-author of three books, Olson has shown how scientists and academics in general can improve their communication skills and harness the power of narrative to improve their writing and presentations. Narrative is an indispensable tool that geographers and others can use to communicate with our students and the general public. Yet Olson also shows how we can hone our narrative intuition and use our story sense to write better abstracts, articles, and grant applications. Houston, We Have a Narrative has gems of wisdom for physical geographers, human geographers, and acad

Stephen Brockmann’s The Writers’ State: Constructing East German Literature, 1945-1959 (Camden House, 2015) introduces readers to a specific atmosphere–political, cultural, and historical–that accompanied the emergence of East German literature from 1945-1959. Covering almost fifteen years, the research presents insightful observations of the literary process that happened to be intricately connected with the political turbulence. As Stephen Brockmann puts it, literature in East Germany was never about “just” literature: “It was always also about collective identity and the path toward a better future–however imaginary and illusive that future may be (7).” In the post-war Germany that happened to go through a division process, literature, culture affairs in general, appeared to be involved in the state making and identity construction. In the GDR in particular, literature was employed as a tool to re-direct national identity and memory. In this process, po

Richard Jean So’s new book studies a group of American and Chinese writers in the three decades after WWI to propose a conceptual framework for understanding intellectual and cultural relations between China and America in the twentieth century and beyond. The period that So focuses on was crucial for a number of reasons, including a transformation in US-China relations, transformations in the world economy and international politics, the rise of a new era in media technologies (including the formation of a massive technological infrastructure between the US and East Asia, due in part to radio and telegraph technology and a transpacific transportation system) and the related emergence of a discourse of communications. In Transpacific Community: America, China, and the Rise and Fall of a Cultural Network (Columbia University Press, 2016), So argues that literary histories of U.S.-China cultural encounter in the twentieth century must also, in part, be histories of media. So recasts the Pacific in the twe

How was the ‘Book’ of Psalms formed, and why? The first question relates to the diachronic growth of the collection, while the second relates to issues of purpose–to what end are psalms being juxtaposed in a collection? On this show, David Willgren explains his surprising answers to these two fundamental questions as we talk about his recent book, The Formation of the ‘Book ‘of Psalms (Mohr Siebeck, 2016). By conceptualizing the ‘Book’ of Psalms as an anthology, and by inquiring into its poetics by means of paratextuality, David Willgren provides a fresh reconstruction of the formation of the ‘Book’ of Psalms and concludes, in contrast to the canonical approach, that it does not primarily provide a literary context for individual psalms. Rather, it preserves a dynamic selection of psalms that is best seen not as a ‘book’ of psalms, but as a canon of psalms. David Willgren received a ThD in Old Testament Exegesis from Lund University in 2016, a

In this episode of the H-Law Legal History Podcast I talk with Associate Professor of English at The Ohio State University at Marion, Sara L. Crosby about her new book, Poisonous Muse: The Female Poisoner and the Framing of Popular Authorship in Jacksonian America (University of Iowa Press, 2016). Crosby discusses how the trope of the female poisoner permeated popular literature in the mid-nineteenth century. In her analysis of the 1840 murder trial of Hannah Kinney, we see how the partisan press used the accused as a vessel through which to fight-out central political battles of the day. We then see how jury decisions may serve as a metric for determining which metaphors and cultural frames are prevailing at a point in time. Following a popular metaphor enables Crosby to track the cultural tides influencing law and politics in Jacksonian America.Learn more about your ad choices. Visit megaphone.fm/adchoices

Readers of all ages know E. B. White’s work. Charlotte’s Web is the first book many children are read aloud. Elements of Style remains an essential reference book. Almost everyone has a favorite writing by White: his legendary essays; his humorous New Yorker captions and columns; his short stories about New York City; Stuart Little; The Trumpet of the Swan. Some Writer! The Story of E.B. White (Houghton Mifflin Harcourt, 2016) is the first illustrated biography of this great American literary icon. Using her signature collage technique and in prose worthy of White himself, award-winning children’s book creator Melissa Sweet brings to life the writer, reporter, poet, animal lover, and doting father. His personal letters, photographs, and family memorabilia, all beautifully woven together with Sweet’s detailed artwork, help capture the essence of the man himself, not just his accomplishments. Melissa Sweet has illustrated nearly 100 children’s books from board books to picture book

“Artaud lived with his neck placed firmly in the noose.” -Bauhaus* David Shafer’s new biography, Antonin Artaud (Reaktion Books and the University of Chicago Press, 2016), situates the life of this enigmatic and fascinating figure in historical context. From his bourgeois family background, through a life that included a variety of physical and mental health challenges, drug use, and institutionalization, Shafer traces the ways that Artaud’s intellectual and artistic development was shaped by broader historical and political events and forces. An actor of stage and screen, a poet, and theatre director, Artaud emerges in these chapters as the embodiment of the French revolutionary tradition in the cultural realm. Shafer traces his subjects geographic movements from his Mediterranean origins to the streets of Paris, and on to other destinations, Mexico and Ireland among these. In addition to these sites, Artaud held in his imagination a number of other locales, including the physical and

In The Making and Breaking of Soviet Lithuania: Memory and Modernity in the Wake of War, published by Routledge, Violeta Davoliute calls Lithuania an improbably successful and paradoxically representative case study of 20th century modernization and nation-building? As she traces the rushed and often violent process of modernization in post-World War II Lithuania, Davoliute demonstrates how cultural elites wove together nationalist and communist ideologies to shape the emerging Soviet Lithuania. She argues that writers Petras Vaiciunas and Justis Paleckis used a poetics of reconstruction to integrate Lithuania’s medieval past into a broader Soviet narrative of the future and that this engagement the development of indigenous pro-Soviet cultural elites. Davoliute then looks at the rustic turn in the 1970s and makes the case that cultural conservatives were able to provide an alternative aesthetic of authentic identity, not based on Soviet Lithuanian modernity but on a discourse of trauma and deracination

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings reveale

Culinary Shakespeare: Staging Food and Drink in Early Modern England (Duquesne University Press, 2016) is a collection of essays that offers new dimensions for reading and understanding Shakespeare’s plays. Responding to a rich scholarship on Shakespeare, the authors shift the centers and margins of literary discourse to illuminate aspects that were previously dismissed as insignificant. In Culinary Shakespeare, food is theorized as a territory where multiple dimensions intersect and overlap: aesthetic, social, national, political, etc. As the authors of the introduction section state, “This culinary Shakespearean moment, by crystalizing question about knowledge, power, ethics, colonialism, labor, and desire, introduces us to the grave importance of food in the early modern period and to the dangers of ignoring eating as an ontological and epistemological phenomenon” (1). A part of everyday life, food reflects the individuals engagements with the world and others, revealing intricacies of co

Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century