New Books In Literary Studies

In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu.Learn more about your ad choices. Visit megaphone.fm/adchoices

One often hears stories of World War II and Korean War veterans who came back from the war and refused to talk about what they had experienced in combat. They neither wanted folks at home to know what had happened nor did they want to relive it themselves. It was just too horrible to relate. The truth about combat in those conflicts, so we are told, was therefore suppressed. In Vietnam, the truth was also suppressed, but in a different way and for altogether different reasons. As Gary Kulik demonstrates in his remarkable book ‘War Stories’: False Atrocity Tales, Swift Boaters, and Winter Soldiers–What Really Happened in Vietnam (Potomac Books, 2009), some Vietnam veterans came back from the war and, far from hesitating to tell their “war stories,” exaggerated and even invented them. This was particularly true of atrocity tales, which were both numerous and well broadcast. As Kulik explains, the point of these false atrocity stories was not to portray the “grunts” in a

Michael Muhammed Knight writes this book from a first-person perspective, as a piece of creative non-fiction. The book includes a liberal amount of swearing and sexual references, and Knight’s writing style is raw, sometimes jarring, but smart and sophisticated. Indeed by pushing boundaries, it offers the reader an experience and angle that many authors prefer to avoid. Tripping with Allah: Islam, Drugs, and Writing (Soft Skull Press, 2013) includes personal, autobiographical reflections as well as detailed cultural and political histories of the many interactions between drugs and religion, specifically Islam. From the beginning of the book the reader expects the story to culminate in the author’s experiential encounter with a visionary plant brew called ayahuasca, indigenous to South America and now popular throughout the globe, as a portal into the spiritual world. The twists and turns leading up to this encounter give the book some amount of narrative suspense, but it’s a page-turner in

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguis

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of negl

“Boxing has always attracted writers because it issues a standing challenge to their powers of description and imagination, and also a warning–really a promise–that no matter how many layers of meaning you peel away there will always be others beneath them” (1). Over the past half-century boxing has endured a strange fate: a fall from cultural dominance simultaneous to a rise in payouts so enormous that top fighters are the most valuable athletes on the planet. A puzzle like this attracts the fighter, the fan, and the scholar; and boxing is full of such befuddlers. Expressive of a variety of injustices and imbalances of power, boxing offers careful analysts the chance to look beyond the perfectly pebbled abs and airbrushed promotional photos to see into the lives of the people cross-pressured by vast economic and cultural forces both at their command and beyond their control. Enter The Bittersweet Science: Fifteen Writers in the Gym, in the Corner, and at Ringside (University of Chicag

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received

Roy Bing Chan‘s new book explores twentieth-century Chinese literature that emphasizes sleeping and dreaming as a way to reckon with the trauma of modernity, from the early May Fourth period through the end of the Cultural Revolution in the late 1970s. Informed by theoretical engagements with Russian Formalism, semiotics, psychoanalysis, Marxism, affect studies, and more, The Edge of Knowing: Dreams, History, and Realism in Modern Chinese Literature (University of Washington Press, 2017) considers how time was transformed with the rise of capitalist modernity, and illustrates the significance of a language of dreams and dreaming as writers sought to cope with this transformation and its consequences. Chan offers careful readings of the work of several writers as a way to tell this story, from Lu Xun’s prose poetry to fiction by Mao Dun, Yang Mo, and Zong Pu. Chan concludes by reflecting on how this context might inform how we understand the notion of the Chinese Dream, and arguing that paying atte

As our name makes clear, the New Books Network focuses on books. And as a host who looks at contemporary literature, I have the pleasure of interviewing authors with new books, ones often published by smaller presses without the huge PR machines of larger presses and ones that consequently are often overlooked by larger media outlets. For me, thats one of the rewards of hosting at the New Books Network: I have the chance to showcase important work that you might otherwise miss, work that adds to the richness and diversity of our national literary culture. Now you might be thinking that I’m about to ask you for a donation. I’m not. Though if you want to contribute to the New Books Network and its public mission to widen the intellectual life of America, by all means please do so. We’d appreciate it. No, what I want to do is make the point that, while books from small literary presses are one place that our literary culture thrives, it’s not the only one. Crucial to our national literatu

In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik, the scion of the Brisk rabbinic dynasty, from both literary and psychoanalytic perspectives. The result is both a compelling critique of extant receptions of Soloveitchik’s thought and a nuanced exploration of the sources and struggles at the root of the Rav’s towering intellectual and halakhic achievements. The book will be of interest to students of rabbinic hermeneutics, modern Jewish thought, psychoanalysis, and the Western philosophical tradition — all intellectual realms in which Soloveitchik was well versed. David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.Lea

What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication. As the title prompts, From the E

Rebecca Gould‘s Writers and Rebels: Literature of Insurgency in the Caucasus (Yale University Press, 2016) is the first existing comparative study of Chechen, Dagestani and Georgian literatures and a major contribution to the study of the cultures of the Caucasus. The book examines literary representations of anticolonial violence in the Caucasus across more than a century-long period of time. The monographs central focus is on the figure of abrek (bandit), prominent across all three national literatures under scrutiny. Gould explores the figure of abrek through the prism of what she calls “transgressive sanctity” –“the process though which sanctity is made transgressive and transgression is made sacred through violence against the state.” Through this process, violence is aesthetisized and aesthetics is endowed with the capacity to generate violence. Of particular interest is Gould’s approach to the study of violence an investigation in which, she suggests, literatur

Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible. Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this. Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existentia

Contemporary scholarship on the Mughal empire has generally ignored the role Sanskrit played in imperial political and literary projects. However, in Culture of Encounters: Sanskrit at the Mughal Court (Columbia University Press, 2016), Audrey Truschke, Assistant Professor of South Asian History at Rutgers University–Newark, demonstrates that Sanskrit was central to the process of royal self-definition. She documents how Brahman and Jain intellectuals were working closely with Persian-speaking Islamic elite around the cultural framework of the central royal court. These projects often revolved around cross-cultural textual production and translation, putting Sanskrit and Persian works in conversation. The production of Mughal-backed texts, and the literary reflection or silence about Brahman and Jain participation reveals unexplored horizons for understanding South Asia imperial history. In our conversation we discussed the dynamics of the Mughal court, the influential leaders Akbar, Jahangir, and Shah

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction.

Carrie J. Preston‘s new book tells the story of the global circulation of noh-inspired performances, paying careful attention to the ways these performances inspired twentieth-century drama, poetry, modern dance, film, and popular entertainment. Inspired by noh’s practice of retelling stories in different styles and tenses, Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Columbia University Press, 2016) also weaves together a number of writing styles, and incorporates Preston’s own lessons in noh chant, dance, and drumming and experience writing plays based on noh models and choreographing dances with noh-related gestures throughout the book. The result is a fascinating exploration of the relationships between pedagogy and performance traced through the work of Ezra Pound, W. B. Yeats, Bertolt Brecht, Samuel Beckett, and others. Learning to Kneel pays special attention to the politics of performance and pedagogy and the themes of submission and subversion, and urges a rethinking

The Study Quran: A New Translation and Commentary (HarperOne, 2015) represents years of effort from a team of dedicated translators and editors (Seyyed Hossein Nasr, Joseph Lumbard, Maria Dakake, Caner Dagli, and Mohammad Rustom). The book is a remarkable achievement. The text features a complete new translation of the Quran as well as multiple complementary essays written by leading scholars of Quranic studies. The tome also includes over a million words of running commentary from Muslim exegetes across the centuries including contributions from Sunni, Shii, and Sufi schools of thought among others. This feature, in particular, showcases its encompassing and truly oceanic scope. The text proves noteworthy as well, given its intersection between confessional scholarship and Western academic approaches to Islamic studies. The text has already begun to make waves across North America and beyond and has set a new precedent as not only a translation but also a reference work on Quran. Its user-friendly organizati

Henry and Emily Folger were linked together not just by their love for one another, but their shared passion for the works of William Shakespeare. In Collecting Shakespeare: The Story of Henry and Emily Folger (Johns Hopkins University Press, 2014), Stephen H. Grant describes how the two of them devoted their lives to acquiring Shakespeare’s works and related artifacts and how that collection became the cornerstone of one of the great cultural institutions in the world today. Though his interest in Shakespeare developed during his time at Amherst College, Henry Folger chose a career in business and began working for Standard Oil while in law school. It was through his membership in a literary circle that he met Emily, a Vassar graduate who taught in Brooklyn. As husband and wife they spent their time combing through catalogues, traveling, and engaging in constant correspondence with booksellers and others in search of First Folios and other rare works of early modern English literature. While they were

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murdere