New Books In African American Studies

In Down Along with That Devil’s Bones: A Reckoning with Monuments, Memory, and the Legacy of White Supremacy (Algonquin Books, 2020), journalist Connor Towne O’Neill takes a deep dive into American history, exposing the still-raging battles over monuments dedicated to one of the most notorious Confederate generals, Nathan Bedford Forrest. Through the lens of these conflicts, O’Neill examines the legacy of white supremacy in America, in a sobering and fascinating work sure to resonate with readers of Tony Horwitz, Timothy B. Tyson, and Robin DiAngelo. When O’Neill first moved to Alabama, as a white Northerner, he felt somewhat removed from the racism Confederate monuments represented. Then one day in Selma, he stumbled across a group of citizens protecting a monument to Forrest, the officer who became the first Grand Wizard of the Ku Klux Klan and whom William Tecumseh Sherman referred to as “that devil.” O’Neill sets off to visit other disputed memorials to Forrest across the South, talking with men and women

In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Zakkiyah Imam Jackson about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present. Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that ha

Contingent Kinship: The Flows and Futures of Adoption in the United States (University of California Press, 2019) offers an ethnography of adoption processes in the United States through the inner workings of a private adoption agency in Chicago, IL. Through participant observation with social workers and at other sites, Dr. Kathryn A. Mariner emphasizes adoption and its processes of family formation as uncertain or subject to possible failures along the way. Mariner focuses particularly on transracial adoption, here constituted as the adoption of Black babies by White couples. Often seen as a means of providing these children with a better life and transcending racial boundaries, Mariner shows that conditions of racial inequality and the devaluation of Black families make these kinds of adoptions possible. The process of adoption can fail to deliver a baby to an eager adoptive family through various uncertainties that can involve the expectant mother and father or the suitability of the adoptive couple for r

Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with

Some of America’s most pressing civil rights issues—desegregation, equal educational and employment opportunities, housing discrimination, and free speech—have been closely intertwined with higher education institutions. Although it is commonly known that college students and other activists, as well as politicians, actively participated in the fight for and against civil rights in the middle decades of the twentieth century, historical accounts have not adequately focused on the roles that the nation’s college presidents played in the debates concerning racism. Based on archival research conducted at a range of colleges and universities across the United States, The Campus Color Line: College Presidents and the Struggle for Black Freedom (Princeton UP, 2020) sheds light on the important place of college presidents in the struggle for racial parity. Focusing on the period between 1948 and 1968, Eddie Cole shows how college presidents, during a time of violence and unrest, strategically, yet often silently, in

Warren Hoffman’s The Great White Way: Race and the Broadway Musical, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like West Side Story; he writes about how the assumption of whiteness shapes apparently race-free musicals like The Music Man and Oklahoma! His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black Hello, Dolly! to Book of Mormon. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatr

The image of Emmett Till’s open coffin, revealing the 14-year old’s horrifically disfigured face, is one of the most heart-wrenching images of the Civil Rights Era. The Chicago teenager was murdered while visiting relatives in the Mississippi Delta in the summer of 1955. Enraged white men kidnapped, tortured, and killed him for having dared to have whistled at a white woman. In an equally horrific miscarriage of justice, only two men stood trial and the all-white jury quickly found them not guilty. The photograph of Emmett Till served to mobilize a campaign against the violence of the late Jim Crow South. Professor Karlos K. Hill’s The Murder of Emmett Till: A Graphic History (Oxford UP, 2020) tells the story of this crime, placing it in the context of both the African American experience and the practice of white supremacy. As part of Oxford University Press’ acclaimed Graphic History Series, Hill’s book is a comic rendering of Emmett Till’s death and the frustrating struggle for justice. The book captures E

In 1985, Greg Mack, a DJ working for Los Angeles radio station KDAY, played a song that sounded like nothing else on West Coast airwaves: Toddy Tee’s “The Batteram,” a hip hop track that reflected the experiences of a young man growing up in 1980s Compton. The song tells about the Los Angeles Police Department’s battering ram truck, an emblem of the city under Police Chief Daryl Gates, and which terrorized largely African American neighborhoods across Los Angeles under his watch. In To Live and Defy in LA: How Gangsta Rap Changed America (Harvard UP, 2020), historian at San Francisco State University Felicia Angeja Viator describes how rap leapt across the continent from its New York roots in the mid-1980s and took hold in Los Angeles. Often gaining popularity by word of mouth and mobile DJ parties, local groups like NWA pioneered a new, harder-edged, style of hip hop music that reflected their experiences as youth growing up in Gates era LA. Viator explains how the rapid rise of West Coast rap became engulfe

Lisa B. Thompson is equally renowned as a scholar of African and African-American studies and as a playwright. Her latest book Underground, Monroe, and the Mamalogues: Three Plays (Northwestern University Press 2020) collects plays from throughout her two decades as a playwright. "Underground" is a tense two-hander exploring themes of race, class, and masculinity through the story of two friends with very different ideas about how to change the world. Monroe draws on Thompson’s family’s history as part of the Great Migration of Blacks from the South to the urban north and west. "The Mamalogues" is the funniest and most personal play in this collection: it is a love letter to unpartnered Black mothers and a spiritual sequel to Thompson’s earlier play "Single Black Female." Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at

Simone C. Drake and Dwan K. Henderson's Are You Entertained?: Black Popular Culture in the Twenty-First Century (Duke UP, 2020) is an engaging and interdisciplinary exploration of contemporary black popular culture and how to think about this broad and diverse landscape, especially in relation to power, capitalism, gender identity, and presidential politics. Simone C. Drake and Dwan K. Henderson have pulled together a fascinating array of scholars of popular culture, cultural critics, as well as those who have produced popular artifacts. A number of the cultural voices in Are You Entertained? are presented in interviews at the end of each section of the book, with artists thinking through questions about black popular culture from an expansive perspective as a maker of art and as someone who creates within the context of politics, economics, and culture. Are You Entertained? is a dynamic, interdisciplinary and transdisciplinary analysis of contemporary shifts, trends, and debates within the context of seeing

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Acade

In the decades since it was identified in 1981, HIV/AIDS has devastated African American communities. Members of those communities mobilized to fight the epidemic and its consequences from the beginning of the AIDS activist movement. They struggled not only to overcome the stigma and denial surrounding a "white gay disease" in Black America, but also to bring resources to struggling communities that were often dismissed as too "hard to reach." To Make the Wounded Whole: The African American Struggle Against HIV/AIDS (UNC Press, 2020) offers the first history of African American AIDS activism in all of its depth and breadth. Dan Royles introduces a diverse constellation of activists, including medical professionals, Black gay intellectuals, church pastors, Nation of Islam leaders, recovering drug users, and Black feminists who pursued a wide array of grassroots approaches to slow the epidemic's spread and address its impacts. Through interlinked stories from Philadelphia and Atlanta to South Africa and back ag

Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond (U Massachusetts Press, 2020) by Dr. Chinua Thelwell is a rich, well-researched, and sobering investigation of blackface minstrelsy as the “visual bedrock of a transcolonial cultural imaginary.” In tracing minstrel globalization across the Anglo-colonial and British imperial worlds beginning in the 1800s, Thelwell explores the ways that blackface minstrelsy helped to construct and maintain notions of exclusionary citizenship in racial states throughout the Atlantic, Indian, Pacific Ocean worlds. Thelwell shows that the South African Cape Colony became the minstrel nexus of these globalizing performance circuits. Putting this history in conversation with ongoing white settler colonialism and attendant plunder, annexation, and resource extraction, Thelwell argues that minstrel performances discursively strengthened the economic, social, and political cornerstones of the South African racial state, a state that ultimately developed into an apart

One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel.” This trope deems Black women and girls as dishonorable and sexually deviant and the stereotype is circulated from the big screen to the pulpit. Tamura Lomax, Associate Professor at Michigan State University, outlines a historical genealogy of the discursive “Jezebel” and reveals its contemporary legacy in Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture (Duke University Press, 2018). Lomax brings together theoretical strands from medieval thinkers, Biblical narratives, Enlightenment theories of race, and American cultural productions to demonstrate how gender hierarchy and patriarchy have been constructed in Black communities. These systems can be reinforced through the relationship between Hip Hop culture and the Black church or be challenged by Womanist interpreters. In our conversation we discuss girlhood in the the Black Church, racial theories, the Biblical Jezebel, Womanist criticis

Alexandra J. Finley is the author of An Intimate Economy: Enslaved Women, Work, and America’s Domestic Slave Trade, published by the University of North Carolina Press in 2020. An Intimate Economy examines the history of American slavery and capitalism by foregrounding women’s labor in the Antebellum slave trade. Finley explores a variety of topics included, domestic, reproductive, and sexual labor enslaved and free Black women performed at various points in the slave trade. This work adds to our knowledge on how central women were to the extension and growth of the domestic slave trade throughout the Antebellum period. Alexandra J. Finley is an Assistant Professor of History at the University of Pittsburg. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Americans are by far the most unified racial group in American electoral politics, with 80 to 90 percent identifying as Democrats—a surprising figure given that nearly a third now also identify as ideologically conservative, up from less than 10 percent in the 1970s. Why has ideological change failed to push more black Americans into the Republican Party? Steadfast Democrats: How Social Forces Shape Black Political Behavior (Princeton University Press, 2020) answers this question with a pathbreaking new theory that foregrounds the specificity of the black American experience and illuminates social pressure as the key element of black Americans’ unwavering support for the Democratic Party. Ismail K. White and Chryl N. Laird argue that the roots of black political unity were established through the adversities of slavery and segregation, when black Americans forged uniquely strong social bonds for survival and resistance. White and Laird explain how these tight communities have continued to produce and en

Hannah Walker’s new book, Mobilized by Injustice: Criminal Justice Contact, Political Participation, and Race (Oxford UP, 2020), brings together the political science and criminal justice disciplines in exploring how individuals are mobilized to engage in political participation by their connection to the criminal justice system in the United States. The fusion between these two academic disciplines, and the focus of their respective studies in this area, answers some questions that are often omitted or passed over by the individual disciplines given the kinds of questions posed by each discipline. Thus, the topics and issues explored in Mobilized by Injustice focuses on political mobilization, advocacy, and activism, often beyond the issue of voting, to tease out how individuals who have been incarcerated or their friends and relatives are involved in the political system. The American criminal justice system is often seen as imposing the “prison beyond the prison” in how formerly incarcerated individuals ar

Louis Austin and the Carolina Times: A Life in the Long Black Freedom Struggle (University of North Carolina Press, 2018) by Jerry Gershenhorn is a history of the struggle for Black equality in North Carolina from 1927 to 1971 as told through the life and activism of Black newspaperman Louis Austin. Austin, as editor of the Carolina Times, was involved in nearly every facet of the long Black freedom struggle in North Carolina. He was an outspoken editor and a staunch social justice advocate who championed Black voter’s rights, school desegregation, and economic equality for nearly fifty years. Gershenhorn utilizes the phrase “long black freedom struggle” instead of the customary “long civil rights movement” in his narrative noting that in the 1930s and 1940s many of the customary characteristics of the Civil Rights Movement had not matured at this time in North Carolina and that during this time “mass direct action was the exception not the norm” (3). This text contains an “Introduction” section, seven concis

What Black and White America Must Do Now: A Prescription to Move Beyond Race (Hot Books, 2020) explores the complexity of race and culture in the United States. In his third book, renowned conservative entrepreneur, author, and philanthropist Armstrong Williams discusses his prescription for healing and atonement amidst today’s current social upheaval. Race and racism are America's original sin, and four hundred years later, they still plague the nation, pitting groups against each other. Despite how much time has elapsed, many Americans remain befuddled by how to move forward; however, the time for solutions has come. In this book, Armstrong Williams recounts his personal story and journey growing up working on his family farm in rural South Carolina, leading to an unexpected meeting with the late Senator Strom Thurmond of South Carolina, which turned into an unlikely relationship that led him to the halls of power in Washington, D.C. Williams calls for all Americans to stand up to represent America’s highes

After Laura Arata first visited Virginia City, Montana in graduate school, she became fascinated by the story of one historical figure—Sarah Bickford, a former slave, who migrated to this frontier, mining town in the late 1860s, and became a prominent business owner who promoted tourism at the site of a famous lynching of white “lawbreakers” by the Montana Vigilantes. In Race and the Wild West: Sarah Bickford, the Montana Vigilantes, and the Tourism of Decline, 1870–1930 (University of Oklahoma Press), a fascinating work of historical recovery, Arata provides a compelling biography of Sarah Bickford and the larger story of black life in the rural West. Ryan Driskell Tate holds a Ph.D. in history from Rutgers University. @rydriskelltate Learn more about your ad choices. Visit megaphone.fm/adchoices