New Books In African American Studies

We so often take our senses as natural, but perhaps we should understand them as historically situated. Sensory Experiments: Psychophysics, Race and the Aesthetics of Feeling (Duke University Press, 2020) allows us to reconsider the history of psychophysics and psychology through the lens of sensory studies and to rethinking science in the context of racial capitalism. Breathing new life into nineteenth century psychophysics, Erica Fretwell presents a history of how science, technology, and literature came together to both reinforce and challenge racial boundaries.  While each central chapter of Sensory Experiments deals with the recognized five senses, Fretwell also writes short intervals, or what she calls intervals, on the synthesis of particular senses (for instance, color and sound or mouthfeel). The synthesia assumed in these intervals challenge the hierarchy of senses often assumed by scientists during this time period. Through examining these scientific models of sense and sensitivity, Fretwell provid

Pauulu’s Diaspora: Black Internationalism and Environmental Justice (University Press of Florida, 2020) by Quito Swan is an enchanting, magisterial, broadly researched monograph that illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s. Told through Bermudian activist and engineer Pauulu Kamarakafego’s life, Swan takes readers on a journey through Black radical diaspora in the Caribbean, the United States, western, eastern, and southern Africa, and Oceania. A global history of Pan-African organizing, Swan examines various dimensions of Black radicalism, and importantly demonstrates the centrality of environmental activism to Black Power and anticolonial politics. As Swan reconstructs this complex web of global Black radicalism, he also uncovers the ways that Black activists and organizations pivoted in response to international networks of Western surveillance and subterfuge. Readers come to appreciate how Black radicalism shaped anticolonial indepen

The Peculiar Afterlife of Slavery: The Chinese Worker and the Minstrel Form (Stanford University Press, 2020) explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War. Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States. Dr. Caroline Yang is an Associate Professor in the Department of English at the University of Massachusetts Amherst. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. S

The town of Pinhook in Missouri was founded in the 1940s by southern Black farmers who were looking for land that they could purchase and own in the face of limited options. It was low land that was often flooded, but the farmers were able to clear it and successfully farm it for decades to come while building up a small town. However, in 2011, after heavy rains and historic flooding, the U.S. Army Corps of Engineers decided to breach the Birds Point levee. Pinhook, directly in the flood zone, was completely destroyed. David Todd Lawrence and Elaine Lawless, in their book When They Blew the Levee: Race, Politics, and Community in Pinhook, Missouri (University Press of Mississippi, 2018), document the narratives of the town’s former residents which counter the official story from the U.S. Army Corp of Engineers - that the levee breach was a success story of saved lives and property. Winner of the 2019 Chicago Folklore Prize, the book offers a vivid portrait of the town’s efforts to rebuild and maintain their c

Some of America's most pressing civil rights issues--desegregation, equal educational and employment opportunities, housing discrimination, and free speech--have been closely intertwined with higher education institutions. Although it is commonly known that college students and other activists, as well as politicians, actively participated in the fight for and against civil rights in the middle decades of the twentieth century, historical accounts have not adequately focused on the roles that the nation's college presidents played in the debates concerning racism. Based on archival research conducted at a range of colleges and universities across the United States, The Campus Color Line: College Presidents and the Struggle for Black Freedom (Princeton UP, 2020) sheds light on the important place of college presidents in the struggle for racial parity. Focusing on the period between 1948 and 1968, Eddie Cole shows how college presidents, during a time of violence and unrest, strategically, yet often silently,

The Color of Creatorship: Intellectual Property, Race, and the Making of Americans  (Stanford University Press, 2020) by Anjali Vats is an intricate and meticulously researched text on intellectual property history, race, and citizenship from the 1790s to the present. This is a complex narrative that engages multiple fields of knowledge including rhetoric, history, communication studies, law, and critical race theory. With a focus on race and neo-coloniality in American intellectual property law, Vats argues that intellectual property and citizenship “have evolved and continue to evolve—in deeply intertwined and raced ways” as demonstrated in racial scripts or narratives about creators and infringers (2). In her history of intellectual property, Vats focuses on copyright, patent, and trademark discourses in her intricate analysis of how ideas about creator, citizenship, race and nation unfold over time. The text includes an “Introduction” that discusses intellectual property as “a set of rhetorics” about citi

When did Black Americans move from stalwart party of Lincoln Republicans to dedicated New Deal Democrats? How did a group of self-organized Black economists, lawyers, sociologists, and journalists call out inequality in the New Deal and push President Franklin Delano Roosevelt to consider the relief of Black Americans? Dr. Jill Watt’s The Black Cabinet: The Untold Story of African Americans and Politics During the Age of Roosevelt (Grove Press, 2020) traces the origins of a group of self-organized Black men led by a remarkable Black woman to answer these questions and help readers reflect on parties, policy, data, and diversity in American politics. The book is divided into three periods – tracing two versions of the Black Cabinet. Early in the century, a group of African-American office holders who had come to Washington, DC as appointees of President Theodore (Teddy) Roosevelt) began meeting regularly for “talkfests” at an upscale black-owned DC restaurant. When they started meeting in 1908, most Black Amer

This is a Special Series on Malcolm X and Black Nationalism. We delve into the background of Malcolm X's action and thought in the context of Black Nationalism, correcting the fundamentally mistaken notion that Malcolm X was a civil rights leader. He certainly did not see himself in that way, and explicitly argued otherwise. This helps us place the Afro-American struggle in its dimensions beyond the current American nation-state, including the Black Atlantic, and beyond. Today, our guest is Clayborne Carson, author of Malcolm X: The FBI File, originally published in 1991, with the 2nd edition republished in 2012 by Skyhorse Publishing. The FBI has made possible a reassembling of the history of Malcolm X that goes beyond any previous research. From the opening of his file in March of 1953 to his assassination in 1965, the story of Malcolm X’s political life is a gripping one. Shortly after he was released from a Boston prison in 1953, the FBI watched every move Malcolm X made. Their files on him totaled more t

Why did the Founding Fathers fail to include blacks and Indians in their cherished proposition that “all men are created equal”? Racism is the usual answer. Yet Nicholas Guyatt argues in Bind Us Apart: How Enlightened Americans Invented Racial Segregation (Basic Books, 2016) that white liberals from the founding to the Civil War were not confident racists, but tortured reformers conscious of the damage that racism would do to the nation. Many tried to build a multiracial America in the early nineteenth century, but ultimately adopted the belief that non-whites should create their own republics elsewhere: in an Indian state in the West, or a colony for free blacks in Liberia. Herein lie the origins of “separate but equal.” Essential reading for anyone hoping to understand today's racial tensions, Bind Us Apart reveals why racial justice in the United States continues to be an elusive goal: despite our best efforts, we have never been able to imagine a fully inclusive, multiracial society. 1619, Revisited by Ni

No Future in this Country: The Prophetic Pessimism of Bishop Henry McNeal Turner by Andre E. Johnson, an Associate Professor of Rhetoric and Media Studies at the University of Memphis, and Director of the Henry McNeal Turner digital humanities project, is a rhetorical history that details the public career of Bishop Henry McNeal Turner with an emphasis on the trajectory of Turner’s thinking as a pessimistic prophetic persona “within the lament tradition of prophecy” (14). Turner’s role as a Bishop in the African American Episcopal Church and his political leadership in the African American community from 1896 to 1915 is the focus of Johnson’s narrative. This text is a follow up to the author’s previous work The Forgotten Prophet: Bishop Henry McNeal Turner and the African American Prophetic Tradition (Lexington Books, 2014). Johnson’s book begins with an “Introduction” section and includes six chapters with a “Conclusion.” In this rhetorical history, Johnson contextualizes and analyzes some of Turner’s key sp

In 1964, Malcolm X was invited to debate at the Oxford Union Society at Oxford University. The topic of debate that evening was the infamous phrase from Barry Goldwater's 1964 Republican Convention speech: "Extremism in the defense of liberty is no vice; moderation in the pursuit of justice is no virtue." His response to this topic stands out as one of the great addresses of the civil rights era. In Malcolm X at Oxford Union: Racial Politics in a Global Era (Oxford University Press), Saladin Ambar offers the first in-depth analysis of this important speech, illuminating its context and consequences. Delivered just months before Malcolm's assassination, the speech followed a period in which Malcolm had traveled throughout Africa and much of the Muslim world, advocating on behalf of blacks in America and other nations. The journey broadened his political thought to encompass decolonization and the revolutions underway in the developing world. His travels culminated in a revolutionary speech that tackled a stagg

What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 (University of Massachusetts Press, 2020), Lucas A. Dietrich investigates how ethnic literatures took shape in the U.S. context and how writers of color intervened in the “mainstream” writing. Interestingly, this intervention was framed through specific genres and techniques, including satire and parody towards the mainstream narratives. The book brings our attention to the most prominent ethnic writings of the second half of the nineteenth century while taking into consideration the negotiations in which both the writers and the publishers participated. What is compelling about this research is the dialogical approach that Dietrich undertakes to explore the ways in which the ethnic writers were, in fact, accepted into what could be described as the dominant mainstream writing of white writers. Writing Across the Color Line contains rich materials which demonstrate not only how the writers of color established di

What if the Haitian Revolution, perhaps the only “successful” Black revolution in history, weren’t over? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Jeremy Matthew Glick (h/h) about how and why the Haitian Revolution, which was the only slave rebellion to achieve state sovereignty, remains an inspired site of investigation for artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution (NYU Press, 2016), Dr. Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines

In this chronologically and thematically ambitious study of racial passing literature, Julia Charles highlights how mixed-race subjects invent cultural spaces for themselves—a place she terms that middle world. Charles, an Assistant Professor in the Department of English at Auburn University, focuses on the construction and performance of racial identity in works by writers from the antebellum period through Reconstruction, connecting these passing or crossing narratives to more contemporary examples of racial performativity - including Rachel Dolezal and her Black-passing controversy, the FX show Atlanta, and the musical Show Boat. Provocative and theoretically innovative, Charles’s That Middle World: Race, Performance, and the Politics of Passing (UNC Press, 2020) offers a nuanced approach to African American passing literature and examines how mixed-race performers articulated their sense of selfhood and communal belonging in both past and present. James West is a Leverhulme Early Career Fellow in History

Long before the English became involved in the African slave trade, they imagined Africans as monstrous and deformed beings. The English drew on pre-existing European ideas about monstrosity and deformity to argue that Africans were a monstrous race, suspended between human and animal, and as such only fit for servitude. Joining blackness to disability transformed English ideas about defective bodies and minds. It also influenced understandings of race and ability even as it shaped the embodied reality of people enslaved in the British Caribbean. Dr. Stefanie Hunt-Kennedy provides a three-pronged analysis of disability in the context of Atlantic slavery. First, she examines the connections of enslavement and representations of disability and the parallel development of English anti-black racism. From there, she moves from realms of representation to reality in order to illuminate the physical, emotional, and psychological impairments inflicted by slavery and endured by the enslaved. Finally, she looks at slav

Prior to the abolition of slavery, thousands of African-descended people in the Americas lived in freedom. Their efforts to navigate daily life and negotiate the boundaries of racial difference challenged the foundations of white authority—and linked the Americas together. In Black Freedom in the Age of Slavery: Race, Status, and Identity in the Urban Americas (U of South Carolina Press, 2020), John Garrison Marks examines how these individuals built lives in freedom for themselves and their families in two of the Atlantic World's most important urban centers: Cartagena, along the Caribbean coast of modern-day Colombia, and Charleston, in the low country of North America's Atlantic coast. Marks reveals how skills, knowledge, reputation, and personal relationships helped free people of color improve their fortunes and achieve social distinction in ways that undermined whites' claims to racial superiority. Built upon research conducted on three continents, this book takes a comparative approach to understanding

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslave

Koritha Mitchell, Associate Professor of English at The Ohio State University, has written a complex, interdisciplinary, and important analysis focusing on black women as the lens to explore the intersection of racism and sexism and the strategies that black women have used to persevere and succeed, over 400 years, in the United States. Mitchell’s expertise in American literature and culture is essential to the exploration in From Slave Cabins to the White House: Homemade Citizenship in African American Culture (U Illinois Press, 2020), since she turns to the work of writers, playwrights, artists, and celebrated black women to weave together her thesis about how black women have been seen as house slaves, house keepers, but not homemakers. This thesis, which is central to the discussion in From Slave Cabins to the White House, uses a number of cultural texts to examine this idea of “homemade citizenship” that has been constructed by black and brown women who are often in the complicated situation of experienc

While Washington, D.C., is still often referred to as “Chocolate City,” it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City (UNC Press, 2019), Brandi Thompson Summers documents D.C.’s shift to a “post-chocolate” cosmopolitan metropolis by charting H Street’s economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation’s capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, “cool,” an