New Books In Latino Studies

In her recent book Death in the City: Suicide and the Social Imaginary in Modern Mexico (University of California Press, 2017), Kathryn A. Sloan explores ideas and discourses surrounding the suicide of men and women in Mexico City. Against the backdrop of modernity and transnational intellectual exchanges at the turn of the twentieth century, Sloan situates a vast array of Mexican social actors as world citizens who approached death with the same complexity as people in other parts of the world. Throughout a variety of fascinating sources and cases, Sloan explores a myriad of cultural understandings of people who took their own lives, and portrays the meticulous care taken by those who planned suicide over their bodies, as well as the cold forensic rooms and their detailed reports. She writes of how ideas about death, moral panic, and science intertwined in different written and visual arenas. The press, official statistics, and medical reports explored suicide as a social illness that was undermining one of

In The National Body in Mexican Literature: Collective Challenges to Biopolitical Control (Palgrave MacMillan, 2015), Rebecca Janzen explores the complex interaction between the national body created by the rhetoric of the 1910 Mexican revolution and those bodies that did not find a space in the new national project. Through the literary fictional work of Jose Revueltas, Juan Rulfo, Rosario Castellanos, and Vicente Lenero, the book explores the contradictions of the state through the literary representations of people that lived at the margins of its ideology. Drawing on feminist and disability studies, Janzen explores unusual bodies—peasants, prostitutes, indigenous people, and garbage sorters, among others—and their intense relationship of control, resistance, and power with the government and its bureaucracy. In these literary works, illness, body fluids, or bodies reduced to their basic functions demonstrate the inconsistencies of a national project that failed to fulfill promises such as agra

In The Latina/o Midwest Reader (University of Illinois Press, 2017) editors Omar Valerio-Jimenez, Santiago Vaquera-Vasquez, and Claire F. Fox bring together an exceptional cadre of scholars to dispel the notion that Latinas/os are newcomers to the Midwest. Through seventeen penetrating essays, this collection explores the trajectory of Latina/o migration, their demographic transformation of the Midwest, importance as laborers, neighbors, and community builders, as well as their struggles to obtain social and economic justice. Collectively, the essays within this anthology make several important interventions concerning the distinctiveness of the Midwest in the Latina/o experience and the effect it has had on identity formation and social activism. The presentation of the Midwest as a “border space” (i.e., contact zone) for Latina/o migrants from various parts of Latin America is a central theme that runs throughout the book. This anthology is an essential addition to Latina/o studies scholarship a

The New Americans? Immigration, Protest, and The Politics of Latino Identity (University Press of Kansas, 2017) by Heather Silber Mohamed weaves together a number of different strands within the discipline of Political Science in context of the diverse Latino community in the United States. Silber Mohamed integrates analysis of social identity and citizenship, social movements and protest politics, immigration policy, and the multiplicity of communities within the Latino-American population in the U.S. The research for The New Americans? is broad and complex, but the centerpiece of the book are the protests and demonstrations in 2006 in regard to the immigration reform bill that the George W. Bush Administration advocated, and that was debated in the House and the Senate. This piece of legislation and the national conversation that it engendered is the unique case study that Silber Mohamed delves into to expose and analyze the relationship between social movements and understandings of identity and identity-f

America’s national experience and collective history have always been subject to transnational forces and affected by global events and conditions. In recognition of this reality, the textbook Global Americans: A History of the United States (Cengage, 2017) presents a history of North America and then the United States in which world events and processes are central rather than colorful sidelights. In doing so, the text reflects the diverse experiences of the students it speaks to, as well as their families. Readers will be immersed in an accessible and inclusive American history in which a variety of social, cultural, economic, and geographic dynamics play key roles. The authors want you to see yourselves in the narrative, primary source documents, images, and other media they have assembled. Global Americans reveals the long history of global events that have shaped — and been shaped by — the peoples who have come to constitute the United States. In this podcast Maria Montoya discusses th

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the

In Latino City: Immigration and Urban Crisis in Lawrence, Massachusetts, 1945-2000 (University of North Carolina Press, 2017) Dr. Llana Barber explores the transformation of Lawrence into New England’s first Latina/o-majority city during the second half of the twentieth century. As with other industrial cities throughout the Rust Belt, Lawrence encountered an urban crisis via the processes of deindustrialization, disinvestment, and suburbanization in the decades following World War II. During this period, the city also experienced a continuous influx of imperial migrants from Puerto Rico and the Dominican Republic. Interweaving the narratives of urban crisis and Latina/o migration from the Caribbean, Barber examines the experience of Latinas/os in Lawrence through the lenses of imperialism, displacement, and exclusion. Whereas existent scholarship on the urban crisis has primarily focused on the 1960s and 1970s, Latino City pushes this discussion into the 1980s and 1990s, while also illuminating its eff

Cuba and Mexico have a long history of exchange and interaction. Cubans traveled to Mexico to work, engage in politics from afar, or expand businesses. Dalia Antonia Muller‘s Cuban Emigres and Independence in the Nineteenth-Century Gulf World (University of North Carolina Press, 2017) restores lost histories of those migrations, focusing particularly on political exiles in the nineteenth century who found, in cities like Veracruz, Merida and Mexico City, other people and resources with which to engage in anti-colonial struggles from afar. The double story of diplomatic ambivalence towards Cuban struggles for independence alongside and in contrast to popular support for those struggles makes for fascinating reading.Learn more about your ad choices. Visit megaphone.fm/adchoices

Not quite a colony, not quite independent, fiercely nationalist, what is Puerto Rico’s status, exactly? Jorge Duany‘s Puerto Rico: What Everyone Needs to Know (Oxford University Press, 2017) offers clear answers to complicated questions about Puerto Rico’s politics and history, as well as accounting for many phenomena that characterize the island today; migration to and from the island, the state of its economy, the role of language in shaping Puerto Rican identities. Whether you know nothing or a great deal, this book is sure to surprise and inform you.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latino City: Urban Planning, Politics, and the Grassroots (Routledge 2017) Dr. Erualdo R. Gonzalez addresses the salient issue of gentrification and its effect on immigrant and working-class populations in the city of Santa Ana, California. Centering his analysis on one of the nations most “Mexican” cities, Gonzalez tracks redevelopment discourse and practice in the city of Santa Ana over the course of four decades. Engaging the concepts of new urbanism, creative class, and transit-oriented models of planning, he explains how city officials and developers have worked in concert to displace Latina/o businesses and populations through urban revitalization efforts. Equally important, Gonzalez illuminates the grassroots response of Santa Anas Latina/o community and their effect on planning discourse and policy. Combining archival research with participant observation, Latino City provides an in-depth community study that adds to the growing body of scholarly literature referred to as Latino urbanis

What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication. As the title prompts, From the E

Puerto Rico is often depicted as a “racial democracy” in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico (Duke University Press, 2015), Petra R. Rivera-Rideau shows how reggaeton musicians critique racial democracy’s privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. From censorship campaigns on the island that sought to devalue reggaeton, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaeton’s origins and its transformation from the music of San Juan’s slums into a global pop phenomenon. Reggaeton, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora. Petra Rivera-Rideau is an associate professor of American Studies at Wellesley University. She earned her B.A. at Harvar

Moving through the saunas of Rio de Janeiro, the Amazonian eco-resorts of Manaus, and the Afro-Brazilian heritage of Bahia, Tourist Attractions: Performing Race and Masculinity in Brazils Sexual Economy (University of Chicago Press, 2015) explores sex as an epistemology – a way of knowing. The ethnographic, theoretical and prosaic prowess of Assistant Professor Gregory Mitchell captures the individual experiences and identities of male sex workers and their transnational clients. Delving into the complex and refractive affective flows that attempt to make desire legible – across culture, race and sexuality – Tourist Attractions proposes that sex work be reframed as a form of performative labor. Exploring how affect and labour shape the performance of masculinity, Mitchell makes a robust contribution to ideas of queer kinship, authenticity and cultural memory. It follows that the conceptual depth of Tourist Attractions is also met by the contextual breadth of its subject matter – from t

In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is ena

In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems o

In Border Contraband: A History of Smuggling Across the Rio Grande (University of Texas Press, 2015) Professor George T. Diaz examines a subject that has received scant attention by historians, but one that is at the heart of contemporary debates over U.S.-Mexico immigration and border enforcement. Focusing on trans-border communities, like Laredo/Nuevo Laredo, Diaz details the interplay between state efforts to regulate cross-border trade and the border people that subverted state and federal laws through acts of petty smuggling and trafficking. Using folk songs (corridos), memoirs, court documents, and newspapers, Diaz uncovers the social history of a transnational contrabandista community that responded to the hardening of the U.S.-Mexico border and the enforcement of trade regulations through the formation of a moral economy. Holding nuanced views of newly erected legal and physical barriers to the mobility of people and consumer goods across the border, contrabandistas established a cultural world of smu

After the enormity of our loss had been calculated, Guzman started writing. Drawn to the page to process his grief and to understand in the best way poets know how, through their art. This chapbook does more than encapsulate the memory of a community, it links that community to a single life and to a larger struggle. /I am afraid of attending places that celebrate our bodies because that’s also where our bodies have been cancelled/ when you’re brown and gay you’re always dying twice/ We are kicking off our chapbook celebration with a call to remembrance to preserve the memory of the 49 people killed and the 53 injured at Pulse nightclub in Orlando, FL. This is also a call to celebrate art in the face of loss, in spite of loss, and the enduring need of the human spirit to express fear as hope. If this wasn’t enough of a reason to click on the link and order the collection, 10% of all proceeds will be donated to Pridelines. The rest of the funds will be used in the continued production o

Mireya Loza’s Defiant Braceros How Migrant Workers Fought for Racial, Sexual, and Political Freedom (University of North Carolina Press, 2016) sheds new light on the private lives of migrant men who participated in the Bracero Program (1942-1964), a binational agreement between the United States and Mexico that allowed hundreds of thousands of Mexican workers to enter the U.S. on temporary work permits. While this program and the issue of temporary workers has long been politicized on both sides of the border, Loza argues that the prevailing romanticized image of braceros as a family-oriented, productive, legal workforce has obscured the real, diverse experiences of the workers themselves. Focusing on underexplored aspects of workers lives–such as their transnational union-organizing efforts, the sexual economies of both hetero and queer workers, and the ethno-racial boundaries among Mexican indigenous braceros–Loza reveals how these men defied perceived political, sexual, and racial norms.

As evidenced by many of the conversations featured on this podcast, scholarship on the U.S.-Mexico Borderlands composes a significant and influential genre within the field of U.S. Western History and Chicana/o-Latina/o Studies. Geographically rooted in the U.S. Southwest and Mexico, or Greater Mexico, publications in this subfield explore a broad range of themes including: migration and labor, citizenship and race, culture and identity formation, gender and sexuality, politics and social justice, just to name a few. This episode features a conversation with two historians of the U.S.-Mexico Borderlands: Kelly Lytle Hernandez, author of Migra!: A History of the U.S. Border Patrol (UC Press, 2010), and John Mckiernan Gonzalez, author of Fevered Measures: Public Health and Race at the Texas-Mexico Border, 1848-1942 (Duke University Press, 2012). My discussion with Kelly and John focuses on their exemplary scholarship to explore how historians conceptualize, investigate, and explain the history of the U.S.-Mexic

In her new book The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press, 2016), Michelle Cruz Gonzales tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene. The book provides an insider’s view of the scene, what it was like touring, and how a young Xicana found herself in a genre of music that typically identifies itself as male and white. Gonzales reflects on the gender and racial politics that shaped punk music and explores her political and racial awakening while performing in the band. She discusses how audiences responded to an all-women band and the roots of Spitboy’s conflict with the riot Grrrl bands. The Spitboy Rule is an unflinchingly honest look at Gonzales’s life in Spitboy and offers tremendous insight into the 90s punk scene. The podcast delves deep into all of these questions and explores Gonzalez’s recent career as a professor and writer. Michelle Cruz Gonzales writes memoir and