National Gallery of Australia | Audio Tour | National Indigenous Art Triennial 07

Destiny DEACON, Good golly miss dolly, Colour Blinded 2005

Informações:

Sinopsis

Colour blinded exemplifies the way we work together, when we work together. Destiny thinks her thoughts and Virginia thinks hers. Neither of us recalls a time we’ve talked much about making work together, or discussed ideas or methods except while doing it and even then only briefly. In this case Destiny proposed doing something with sodium lights that Virginia had used before, though not in joint works. Destiny wanted to take black-and-white photos and Virginia suggested using orthochromatic film because of the way it reads and reduces colour. Destiny dreamt up and took the photos and proposed and directed most of the scenarios for the video, which Virginia shot and edited. Destiny had the idea for the snow dome and Virginia made it work. That’s the mechanics of it. But the other things that go into it result from what we’ve each been separately thinking, doing and reading; our awareness of current events and our personal histories in contact with each other and anyone else we’re working with; materials, medi