New Books In Poetry

To read Venus Thrash‘s The Fateful Apple (Urban Poets and Lyricists, 2014) is to venture into two assertions of self-hood.  The first is a raucous, boundary-setting with the world and the second is reverent consciousness of ancestry and quietude.  Thrash plays out her own duality of self and history and takes the reader on a journey back to the center, the place we return to when no more is expected of us. The connective tissue for these different worlds is music– it is used to place the reader in the nostalgic landscapes of the speaker’s memory.  Beyond the quoting of and allusions to song, there is a musicality of loss and longing that permeates the verse, “…why not call it a painful, joyful kind of knowing, one that stretches the knowing, loving embrace of the blues beyond where the blues thought it could go?” (Dr. Keith Leonard, Foreword pg. 4). From the bustle and life of urban streets to the bucolic and pastoral, Thrash is present in the landscape and the page. “