Writing Excuses

This year, we’ve been looking at writing through various different lenses. In two weeks, on August 24th, we’ll begin a 5-part deep dive into these lenses through a specific book: All the Birds in the Sky by Charlie Jane Anders. There will be many spoilers in these episodes, so please read the book if you haven’t already! Now, we’re talking about choosing what your lens is focused on. How do you choose what’s in your story—and what’s not? In this episode, we talk about how to make this choice, and how this informs all the other choices you’ll make. After we talk about how to decide where to draw the box around your story, we dive into the exterior framing of your story (AKA stories may exist in their own world, but they still have to be read in ours).Homework: Take a story you’re working on and think about what happens if you shift the frame just a little. The easiest way to do this is to ask yourself, is there a scene I could take out that would change the way that the lens or the story is focused? What new s