The New Criterion

A smorgasbord of music, from the light and Viennesey to the angular and modern. Bacewicz, Overture for Orchestra Vustin, “Lamento” Sæverud, “Ballad of Revolt” Johnston/Burke, “Pennies from Heaven” Escaich, “Nun komm” Helmesberger, “Entr’acte Valse” Mussorgsky, Serenade, from “Songs and Dances of Death” Strauss, Eduard, “Mit Extrapost — Polka schnell” Giordano, “Amor ti vieta,” from “Fedora”