Tape Notes

John is joined by Jack Patterson and Grace Chatto of Clean Bandit to talk about how they wrote, recorded, and produced some of their early hits. Clean Bandit are an English electronic group formed in 2008, known for blending classical music with electronics and pop. While they gained early attention with the track ‘Mozart’s House,’ their 2014 hit ‘Rather Be,’ featuring Jess Glynne, won a Grammy and earned the band global recognition. Now pop mainstays, they have released numerous chart-topping collaborations, including ‘Rockabye’ and ‘Symphony.’ With two studio albums to their name and new music on the horizon, their most recent work sees them teaming up with Anne-Marie and David Guetta. In this, part one of our conversation, Jack and Grace look back at their process of creating ‘Rather Be’ and ‘I Miss You.’ In addition to discussing how they programmed the synth at the very centre of their early music, the pair recount stories of writing on the Tube and possibly one of the most intense vocal sessions of thei

John is joined by Alex Cook, better known as A. G. Cook, to talk about how he wrote, recorded and produced the album ‘Britpop’. A. G. Cook, is a London-based artist and producer. After studying at Goldsmiths University, he founded PC Music, a label shaping hyper pop with artists including Hannah Diamond and Danny L Harle. His debut solo albums, ‘7G’ and ‘Apple’, arrived in 2020. In addition to his own music, Alex has shared his production talents with numerous pop icons, including Jonsi, Madonna, and Caroline Polachek, and Charli XCX. In May 2024, he released his third studio album, ‘Britpop’, a 24-song exploration blending pop, experimental electronics, and acoustic sounds. Catching up at Strongroom Studios, Alex guides us through the three distinct chapters of the album, digging into the production and song writing approaches he took to make them stand out. As well as sharing some intricate plugin demos, we hear stories of developing a harmonic style, meticulous automation and what it means to be an aggre

We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation from November 2019, with Sam Shepard, Floating Points. EPISODE NOTES In this episode John heads to EMS4 studios in Shoreditch to chat with Floating Points a.k.a Sam Shepherd, about how he recorded and produced his latest release, Crush.  Talking from deep within Sam’s musical laboratory, we peer behind the curtain and find out how Floating Points music is created and crafted, pulling apart some of the tracks from his second album along the way. We get to hear how live performance and classical music are a serious influence in his writing process in addition to experimenting with the impressive number of synths he’s collected over the years. Geekery is in abundance in this episode.  Listen to find out why space was scant in Sam’s student bedroom, who sick Anna actually is and why sometimes all you need is a Yamaha Reface CS in your backpac

John is joined by Kieran Hebden, better known as Four Tet, to talk about how he wrote, recorded and produced the album ‘Three’, along with a selection of his other work. Following his start in music writing and recording as part of post-rock band ‘Fridge’, Kieran released his debut solo album as Four Tet ‘Dialogue’ in 1999. Since then, his constant experimentation and blend of hip-hop, jazz, krautrock, electronica, dance, and folk have seen him become one of the most innovative producers of today. He has released twelve albums as Four Tet, remixed artists like Radiohead and Bjork, and collaborated with Burial, Fred Again and Skrillex, among many others.  Sitting down together, Kieran breaks down his production journey and writing process, sharing the samples at the core of each track and reflecting on his approach to the most important element, the arrangement. Digging into the production details, he shares tips on keeping loops alive, making kicks pop, and the subtle textures that help place a track in its

John joins Kasabian producer, songwriter, and frontman Serge Pizzorno to discuss the band’s latest record, ‘Happenings’. Kasabian, an English rock band formed in the late 1990s, burst onto the scene in the early 2000s with iconic anthems like ‘LSF’ and ‘Club Foot’. Since then, they have released eight albums, earning multiple NME Awards and a Brit Award for Best British Group in 2010. Sitting down with guitarist and co-founder Serge Pizzorno, the conversation dives into his production journey—from experimenting with a loop pedal at eleven years old to collaborating with renowned producer Mark Ralph. Serge shares insights into his hours-long loop jams, reveals how he transformed an Asda voice note into a fully-fledged track, and discusses the secrets behind crafting iconic riffs. Tracks discussed: Call, Coming Back To Me Good, G.O.A.T. TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. MUSIVERSAL Skip the

John is joined by singer, songwriter, and producer Charli XCX, as well as producers A.G. Cook and George Daniel, to discuss how they wrote and recorded the album ‘Brat’. Charli XCX first saw success collaborating on Icona Pop's 2012 smash hit ‘I Love It’ and Iggy Azalea's chart-topping single ‘Fancy’. Since releasing her debut album in 2013, she has continued to innovate and energise the music scene, earning a Global Impact Award in recognition of her contributions to pop. More recently, Charli released her sixth album ‘Brat’ working alongside George Daniel and PC Music pioneer A.G. Cook. Sitting down with Charli, A.G., and George, the three cover a range of topics including the inspiration behind each track. As well as treating us to plane demos and stories of testing tracks in Charli’s club at home, the trio discuss how they approach collaboration, and break down what truly makes something Brat.  Tracks discussed: Club Classics, Apple, 365 TAPE IT Thanks to our friends at Tape It for supporting the podc

John is joined by IDLES' Bowen, along with producer Kenny Beats, and producer and engineer Mikko Gordon, to talk about how they wrote, recorded and produced the album ‘TANGK’. Idles are a British post-punk band who gained recognition with their 2017 debut album ‘Brutalism’. Known for their gritty, powerful sound and explosive live shows, their five albums to date have earned them nominations for the Mercury Prize, BRIT & Grammy Awards. Their latest record, ‘TANGK’, sees the band team up with producers Nigel Godrich and Kenny Beats, and digs into topics of love and gratitude, all while maintaining their signature Idles energy. Linking up between Kenny’s LA studio and Mikko’s London studio, the trio discuss how they utilised the different strands of experience and expertise from all involved. As well as dubious covers and Christmas day demos, they share stories of writing team breakouts and the unexpected moments that came when they drew inspiration beyond their usual domains.  Tracks discussed: Roy, A Gospe

We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Matty and George of The 1975, recorded back in March 2019. EPISODE NOTES John ventures up to Spitfire Audio to meet with Matty and George from The 1975 to talk about how the album 'A Brief Inquiry Into Online Relationships' was recorded and produced. Somewhat bleary eyed after a massive night at the Brits (scooping two awards), the boys reveal the inner workings of The 1975's production methods and writing techniques. We're treated to demo versions and extensive track breakdowns from their award winning album, showing what it takes to create a 1975 hit. We get to hear why Matty scats to write lyrics, how George uses a Barry White bass trick for creating lush vocals, and hear THE definitive explanation of side-chain compression. Tracks discussed: I Like America & America Likes Me, How To Draw / Petrichor, It's Not Living (If It's N

John sits down with American singer and guitarist Annie Clark, aka St Vincent, to talk about her latest album ‘All Born Screaming’. Immersed in music since childhood, after studying at Berklee College of Music, Annie toured with acts including The Polyphonic Spree and Sufjan Stevens. Adopting the name 'St. Vincent', in 2006 she released her debut EP 'Paris Is Burning', and released her debut album 'Marry Me' the following year. As well as having collaborated with artists including David Byrne, Jack Antonoff and Taylor Swift, St Vincent has released seven acclaimed studio albums, and has won four Grammy Awards. John and Annie dig into the inspiration behind the record’s creation, touching on her development as an artist and producer, as well as her collaborations with esteemed artists such as Dave Grohl, Mark Guiliana, Josh Freese, and numerous others. Tracks discussed: Broken Man, Hell Is Near, Sweetest Fruit TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or u

John catches up with Bob Vylan and producer Jonny Breakwell to talk about how they wrote, recorded and produced the ‘Humble As The Sun’. Bob Vylan, are a grime and punk rock duo who emerged in 2017. Despite facing resistance for their provocative themes on racism and inequality, they gained a loyal following. Their albums, 2020’s ‘We Live Here’ and 2022’s ‘Bob Vylan Presents the Price of Life’ earned critical acclaim, and saw the duo win Best Alternative Act at the MOBO Awards. Their latest, ‘Humble as the Sun,’ sees the duo flex their musical muscles, drawing on soul, drill, and punk, brought together with their trademark intensity. Chatting in Miloco’s The Pool Studio, where some of the album was recorded, the conversation includes insights into navigating the independent artist landscape and the pivotal moments balancing personal and musical life. The pair also reflect on the process of refining Bobby's initial demos into polished tracks, exploring the production techniques that enhance the depth and cha

John catches up with English rock band The Libertines to discuss how they wrote and recorded their latest album ‘All Quiet on the Eastern Esplanade’. The Libertines formed in 1997 and shot to fame with their debut album, 'Up the Bracket,' becoming pillars of the British indie/alternative resurgence of the early 2000s. Thirty years after their careers started, they have unveiled their fourth studio album, 'All Quiet on the Eastern Esplanade,' primarily recorded at their studio, The Albion Rooms, in Margate, with producer Dimitri Tikovoï. Sitting down with frontmen Carl Barat and Peter Doherty, the pair discuss their song writing process from idea to finished album. As well as sharing exclusive insights into the evolution of the Libertines’ recording process, we hear demos and ideas from their early days writing together up to recent studio time in Jamaica.  Tracks discussed: Run Run Run, Merry Old England, & Shiver TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes

John catches up with producer, songwriter, and multi-instrumentalist Jack Antonoff of Bleachers to discuss how he wrote, recorded, and produced the band’s latest album ‘Bleachers’. Having grown up performing, song writing, and producing bands throughout his teenage years, Jack first saw mainstream success as part of the band Fun, and their global hit track ‘We Are Young’. Since then, he has gone on to co-write and produce records for some of the biggest artists of the past decade, including Lorde, Lana Del Rey, The 1975, and Taylor Swift. Among his numerous awards and accolades, he was named Producer of the Year at the Grammys for three consecutive years. Throughout the conversation Jack discusses his song writing process, from stories of the studio magic that occurs when picking up random instruments, to the unusual mixing and panning techniques he uses to help make parts feel big (rather than actually being big). Tracks discussed: Call Me After Midnight, Jesus Is Dead, We’re Going To Know Each Other Fore

We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Alt-J’s Joe and Gus, along with producer Charlie Andrew, recorded back in February 2019. EPISODE NOTES In this episode John is joined by Gus Unger-Hamilton and Joe Newman from Alt-J, and producer Charlie Andrew to talk about how they recorded and produced the album 'RELAXER'.  The trio give a fascinating account of the thought processes and production techniques used in the recording of RELAXER.  Hear how a friend's pavlovian response to the smell of burning wood, the Gus whistle test, and swearing at an old school master all left their mark on the band's third album.  Tracks discussed: 3WW, House of the Rising Sun, Pleader LINKS TO EVERYTHING TAPE NOTES   Listen to 'RELAXER' here. 'RELAXER' - alt-J, Infectious Music Ltd., a BMG Company Intro Music - Sunshine Buddy, Laurel Collective  GEAR MENTIONS Akai MPC Sampler Melodyne Moog R

In this episode, John sits down with singer and multi-instrumentalist Jacob Collier, delving into the creative process behind his album ‘Djesse Vol. 4,’ the concluding instalment in his four-part ‘Djesse’ album series. Jacob first shot to fame in 2013 when videos of his complex vocal arrangements went viral on YouTube. Three years later, he released his debut album ‘In My Room’, written and recorded entirely from his family home. In 2018, Jacob set to work on Djesse, a four-volume, 50-song, album series featuring collaborations with artists around the world, which to date has earned him 6 Grammy nominations. Throughout the conversation, Jacob shares his original demos and discusses his approach to fusing such a plethora of musical genres, from rap and gospel, to dance and Kpop. He also discusses the collaborations that shaped the album, with artists including Chris Martin, Lindsay Loomis, and Willow Smith, as well as his audiences from live shows around the world. Tracks discussed: Over You, 100,000 Voices

John catches up with Declan McKenna to talk about his latest album ‘What Happened To The Beach?’ Declan McKenna first saw mainstream success in 2015 following the release of his debut single ‘Brazil’ and winning Glastonbury Festival’s Emerging Talent prize. While blending topics of politics and social issues with his indie-pop sound through his first two albums, ‘What Happened To The Beach?’ introduces us to a new world, this time looking inward and drawing on Declan’s personal growth as a musician. As well as opening up his hugely varied bag of demos, musical sketches, and jam sessions, Declan shares stories of his time working in the studio with producer Luca Buccellati, talking through the unusual sounds and fantasy locations that inspired his writing. Tracks discussed: Mulholland’s Dinner & Wine, Breath of Light, Mezzanine LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘What Happened To The Beach?’ here. Sony Music Entertainment Intro Music - Sunshine Buddy, Laurel Collective GEAR M

We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. The first selection is our chat with Dave Bayley (Glass Animals) from summer 2018.   EPISODE NOTES John ventures up to Dave Bayley’s new home studio in London Fields to talk about how Glass Animals’ debut album ZABA was recorded and produced.  We hear how Dave conjured up the band’s unique style through many late night sessions in his bedroom when he should’ve been studying for medical school. He reveals his producer hero’s and an insatiable appetite for data collection, creating his own sound world through sampling every sound imaginable.  Dave guides us through a fascinating breakdown of Gooey – from an early voice demo recorded on his phone to the finished article and we learn some of his trade secrets along the way.  Tracks featured: Gooey, Hazey, Toes LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to 'ZABA' here. 'ZABA' - Wolf Tone Limited Intro Music

John links up with hyper-pop royalty, Laura Les and Dylan Brady, aka 100 gecs, to talk about their latest album ‘10,000 gecs’. 100 gecs first broke onto the scene with their debut album ‘1000 gecs’ in 2019. Capturing attention online and amongst music fans, the innovative record was described as ‘one of the year's most fascinating, exhilarating experimental pop albums’. Their second studio album ‘10,000 gecs’, released in 2023, sees them maintain their status as hyper-pop trailblazers, this time blending pop-punk and ska in with their signature maximalist sound. Reflecting on their writing process and how it has changed over the years, the conversation covers a range of topics, from the vast number of alternatives each track goes through, to the crazy sound design and effects that make up such an enormous part of their style.   Tracks discussed: Hollywood Baby, 757, The Most Wanted Person In The United States ---------------- Thanks to Audiomovers for supporting this episode. Their Listento Plugin has bee

John ventures into the depths of Kent to catch up with Matthew Herbert and discuss his latest work ‘The Horse’. Renowned for his innovative sound exploration, Matthew gained recognition under various names, including Doctor Rockit, Wishmountain, and Herbert. He's produced for artists such as Bjork and Róisín Murphy, composed for stage and screen, and earned international acclaim for his records. His latest collaboration with the London Contemporary Orchestra resulted in 'The Horse.' Alongside a full album playback, the conversation covers the thought process behind the sounds, collaborators and story of each track, Matthew also shares his thoughts on ways in which to engage with music and creativity, and how to do it in a way that keeps you continuously inspired. Tracks discussed: Full Album LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘The Horse’ here. Matthew Herbert, Modern Recordings, BMG Intro Music - Sunshine Buddy, Laurel Collective OUR GEAR https://linktr.ee/tapenotes_ourgear

John links up pop-rock band Fall Out Boy, and producer Neal Avron, to talk about their latest studio album ‘So Much (For) Stardust’.  Emerging from Chicago’s hardcore punk scene in the early 2000’s, Fall Out Boy rose to fame with hits including ‘Sugar, We’re Goin Down’ and 'Thnks fr th Mmrs’. Constantly innovating, their eight studio albums have seen them embrace all sides of music, including R&B, and electro-pop. For their latest record ‘So Much (For) Stardust’, they return to their roots, working with producer Neal Avron.  Chatting with Patrick and Neal, the conversation covers the band’s approach to the early stages of demoing, their collaboration with a full orchestra and some of the best players in the business, and how they divide different writing responsibilities amongst each other. Tracks discussed: Love From The Other Side, Heaven, Iowa, So Much (For) Stardust LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘So Much (For) Stardust) here. Fueled By Ramen, Elektra Music Group Inc.

John sits down with indie rock band Bombay Bicycle Club to talk about their sixth studio album ‘My Big Day’.  Bombay Bicycle Club are a four-piece band from London, that broke onto the indie music scene with their genre defining debut album ‘I Had The Blues But I Shook Them Loose’ in 2009. Since then they have been releasing a steady stream of music which has been met with high critical acclaim, earning them an Ivor Novello and a Mercury Prize nominations.  Chatting with band members Jack Steadman and Ed Nash, the three cover a range of topics including the inspiration behind the album, their use of sampling in their music, how over-thinking can negatively influence the production process, and their collaboration with music legends Damon Albarn, Paul Epworth & Chaka Khan. Tracks discussed: My Big Day, Heaven, Just A Little More Time ---------------- Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredi