Moma Talks: Panel Discussions And Symposia

World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through traditional and new media; increased attention, research, and art that addresses non-Western subject matter; and the professionalization of artists, museum administrators, and curators through emerging MA, MFA, and PhD programs. How do critics and scholars comprehend the significance of both local and international artistic activity? What traditional and new tools for analysis do they use? Art historian James Elkins has recently written that the prospect of world art history raises questions about the discipline's limits and

Pioneering Modern Painting: A Symposium on Cézanne and Pissarro Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Cézanne and Pissarro. Roundtable Moderated by Joachim Pissarro, curator, Department of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition.

Pioneering Modern Painting: A Symposium on Cézanne and Pissarro Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Cézanne and Pissarro. The Legacy of Cézanne and Pissarro "Collaborations in Contemporary Art" Brett Littman, Deputy Director, P.S.1 Contemporary Art Center, and art and design critic

Pioneering Modern Painting: A Symposium on Cézanne and Pissarro Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Cézanne and Pissarro. The Truth in Painting "Poldex" Paul Smith, Professor and Chair of History of Art, University of Warwick, Great Britain "This Great Argument" T. J. Clark, George C. and Helen N. Pardee Professor of Art History, University of California at Berkeley

Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Cézanne and Pissarro. Technique: The Mark and the Stroke "Touch, Movement, Motif" Richard Shiff, Effie Marie Cain Regents Chair in Art, The University of Texas at Austin "Mark and Touch, Knife or Brush: The Painting Techniques of Cézanne and Pissarro" Anthea Callen, Professor of Visual Culture, University of Nottingham, Great Britain

Pioneering Modern Painting: A Symposium on Cézanne and Pissarro Keynote Address Friday, September 9, 2005 6:30–8:00 p.m. "Three Impressionist Dialogues: Pissarro/Cézanne, Pissarro/Gauguin, Pissarro/Seurat" Presented by Richard Brettell, Margaret McDermott Distinguished Professor of Art and Aesthetics, University of Texas at Dallas, School of Arts & Humanities Held in conjunction with the exhibition Pioneering Modern Painting: Cézanne and Pissarro.