Little Gold Men

Cameron Crowe has had a rough go of it since winning the best original screenplay Oscar for Almost Famous, but Showtime’s Roadies could serve as something of a comeback— maybe. ON this week’s episode Joanna Robinson joins us to talk about her visit to the set of Roadies, and we also take advantage of her Game of Thrones expertise to look back at what the season has brought us, and explain a few things about what the heck the White Walkers are up to, anyway.  Learn about your ad choices: dovetail.prx.org/ad-choices

This week we finally have an awards show to talk about— the Tonys! The Broadway awards were a bigger hit than usual this year, and had the usual expected doses of earnest enthusiasm; we debate whether any of that can actually translate to the movie-star cool of the Oscars. Plus discussion of Meryl Streep’s would-be summer hit Florence Foster Jenkins, a look at the grim state of summer box office, and a surprisingly fervent debate about the best picture of 2003.  Learn about your ad choices: dovetail.prx.org/ad-choices

This week we’re joined by Slate’s Aisha Harris, co-author of The Black Film Canon, a piece that highlights the 50 best films by black directors - many of which you’ve probably never heard of, which is precisely why there needs to be a black film canon in the first place. From there we discuss the upcoming Tony Awards, which are not just about Hamilton, plus some pondering over the new miniseries O.J.: Made in America, which is airing on ABC but also eligible for the Oscars.  Learn about your ad choices: dovetail.prx.org/ad-choices

With a special guest appearance from Decider.com's Joe Reid, we look back at Oscar history to watch what would happen if, say, you took Kathy Bates's Oscar and gave it to Julia Roberts. Plus an examination of why the Oscars seem so allergic to comedies, even very good ones like The Nice Guys.  Learn about your ad choices: dovetail.prx.org/ad-choices

When the Cannes Film Festival awards were announced on Sunday they were met with boos in the press room-- why? Richard Lawson explains what went down, and then three special guests and fashion experts join to discuss the other thing everybody was talking about on the Croisette: the fashion.  Learn about your ad choices: dovetail.prx.org/ad-choices

Richard phones in from Cannes to fill Katey and Mike in on the highlights of this year's Cannes Film Festival, from the Oscar contenders that are already emerging to the way Leonardo DiCaprio made even a room full of glamorous Cannes attendees starstruck.  Learn about your ad choices: dovetail.prx.org/ad-choices

With Mike and Richard both en route to the Cannes Film Festival, Katey enlists VF.com’s Hollywood writer, and podcast expert, Joanna Robinson as co-host, as the two discuss the week in Oscar news, the careers of the actors on Game of Thrones, and get into a debate about the 1997 Oscar race. Plus, a guest appearance from Jordan Hoffman, who can tell you everything you really need to know about Cannes, from the French teenagers begging for tickets to the place that serves the best kebabs on the Croisette. Learn about your ad choices: dovetail.prx.org/ad-choices

The acclaimed director of A Few Good Men, The Princess Bride, and now Being Charlie weighs in on modern politics— including Ted Cruz’s love of The Princess Bride and what Archie Bunker would think of Donald Trump— as well as what went into making his most personal film. Plus: a discussion of the week’s biggest new release,Captain America: Civil War.  Learn about your ad choices: dovetail.prx.org/ad-choices

The actor and director of the new indie The Family Fang joins us to talk about the start of his directing career (at the age of 18!) and what you learn about yourself when you direct Christopher Walken. Also discussed: Michael Keaton and Meryl Streep’s next Oscar bids, the new season of Game of Thrones, and a look back at the 2007 Oscar race.  Learn about your ad choices: dovetail.prx.org/ad-choices

This week we're joined by Indiewire's film editor Kate Erbland to run down this year's TriBeCa Film Festival, and we dig into new release The Huntsman: Winter's War, which stars one Oscar winner and therefore can't be ignored. Plus chatter about the Cannes Film Festival lineup and a debate about the most controversial Best Picture win of the last decade.  Learn about your ad choices: dovetail.prx.org/ad-choices

We’re a quarter of the way through 2016, and are there any good movies out there at all? Yes, says our guest Matt Patches, the senior entertainment editor for Thrillist, who is keeping a running list of the year’s best movies, and is already getting hate mail for it. From there Katey, Richard, and Mike discuss Richard Linklater’s new film Everybody Wants Some, and go back in time to rewrite history and hand Linklater that Oscar he deserves.  Learn about your ad choices: dovetail.prx.org/ad-choices

This week we welcome special guest Franklin Leonard, the founder and CEO of The Blacklist, which is the perennial answer to the question “where are all the good movies?” We ask Franklin about how he and The Blacklist dig up the best unproduced screenplays in Hollywood and what’s the good stuff we should look forward to this year. From there we look at the year’s biggest, most prestigious awards: The MTV Movie Awards (OK, maybe not). But there are some surprisingly satisfying nominees this year.  Learn about your ad choices: dovetail.prx.org/ad-choices

Giving in to what we’ve actually been obsessed with since the Oscars, we dive into The People v. O.J. Simpson, the FX miniseries that has us and much of the country re-obsessed with a 20-year-old trial. From there we look at an accidental trilogy of music biopics arriving at an odd time of year, and then dare to re-arbitrate the 2014 Oscars: if you were in charge that year, who would have won best actor?  Learn about your ad choices: dovetail.prx.org/ad-choices

Joined by special guest Christine Lahti, who won an Oscar in 1996 for her short film Lieberman in Love, we look back at the ceremony that happened 20 years ago this week, from the bad fashion to Christine’s memorable competition with the likes of Jeff Goldblum. We also discuss this week’s new release Batman v Superman: Dawn of Justice, catch up on the latest in Oscar buzz, and make our cock-eyed predictions of who would win best supporting actor if the Oscars were held . . . tomorrow. Learn about your ad choices: dovetail.prx.org/ad-choices

The Oscars may be over, but the seeds of Oscar season are sown well before anybody actually starts campaigning— which is why we’re keeping Little Gold Men going through the “off-season” between now and Labor Day. To kick things off, we’re joined by Decider’s Joe Reid, who is one of those crazy people who has made his 2017 Oscar predictions, and who shares some of them with us. From there we talk about one of the most interesting movies of the spring so far, Jeff Nichols’s Mud, and make some truly insane predictions about what would win best picture if the Oscars were to happen tomorrow.  Learn about your ad choices: dovetail.prx.org/ad-choices

Oscar night is over, so how did it all happen, and why? Katey and Mike, still in formal wear from the Vanity Fair Oscar Party, join Richard to discuss the awards and the big, big surprise that came at the end of the night.  Learn about your ad choices: dovetail.prx.org/ad-choices

In this special pre-Oscars episode, we're joined by Vanity Fair's executive director of public relations Beth Kseniak to share stories from inside Vanity Fair's annual Oscar party, from attempted gate-crashers to the good old days when a wall was knocked down every year to make the party happen. From there we dive deep into the complicated math that determines best picture: what is the preferential ballot, and why does it matter? Allow us to explain. Sent from my iPhone Learn about your ad choices: dovetail.prx.org/ad-choices

With Oscar night just days away, we welcome Deadline Hollywood’s awards expert Pete Hammond to talk about the real nitty gritty of the awards race, and how The Revenant seems to have pulled off a late-breaking surge to win the whole thing. Also this week: We did our homework and discuss all of the nominated short films, and dive into the best original song category to answer the question that’s truly on everyone’s minds this season— “Will Lady Gaga win an Oscar? " Learn about your ad choices: dovetail.prx.org/ad-choices

This week we’re joined by the New York legend and awards season powerhouse Peggy Siegal, the publicist and hostess behind the New York luncheons, dinners, and cocktail parties that are crucial for anyone who wants to win an Oscar. A woman who sees plays in London with Tom Cruise and gives Leonardo DiCaprio awards season advice at Christmas parties in the Caribbean, Peggy shares her stories from the awards circuit and tells us who will win everything this year. She’s the woman who knows everything, so you should take her predictions as gospel.  Learn about your ad choices: dovetail.prx.org/ad-choices

Room’s best director nominee Lenny Abrahamson joins us with a dispatch from the thick of awards season, where you have to be in shape to shake all those hands and to survive the buzz that says you’re never getting nominated— having an 8-year-old accomplice definitely helps. We also look at the careers of this year’s nominees and predict who will use their nomination to make the biggest career leap. In other words, get ready to see a lot more of Alicia Vikander and Brie Larson. Finally, we go big before we go home and predict, for the final time, the best actress winner. Learn about your ad choices: dovetail.prx.org/ad-choices