Bink!

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Tritones at Dana Thalheimer's House. We are kind of shopping around our song book to see which tunes come out in the recording the best. This is what we tried out this week. Some of these sound pretty good and might be kept! Meanwhile, Dana and I have streamlined the recording process -- particularly the transfer from his computer to mine. I am struggling with the dynamic nature of Trombone and trying to figure out which type of compression can keep it from peaking the channel without causing it to sound super low in the mix.

Dana Thalheimer's House. Paul was decidedly out of the country, and Robert had a faulty alarm clock, so we were just a trio on this recording. Which was good, in a way, because it allowed Dana and Ben to iron out some issues with the recording process. We are prepping to do some demos, so this is good practice. Fun jams all around.