Studio Class

Whitney George’s music traverses the affective terrain between tragedy and ecstasy, fragility and strength, bringing together romantically delicate intimacy and the spectacular darkness of the macabre. Haunted by ghosts and/of love, George’s operas, staged multimedia works, and chamber music coloristically explore the mysteries of irrationality, nightmare, and memory, sonically seeking lost objects and hidden subjects. Given George’s theatrical inclinations and preoccupation with the tragic, she has turned again and again to opera as both a composer and conductor. Recently, George has been awarded a number of operatic commissions, premieres, and recognition: in 2017; the Elebash Award for her orchestration of Gideon’s opera Fortunato, which premiered under George’s baton in May 2019. In the same year; the commission of the two-act opera Princess Maleine by dell'Arte and the video opera Julie by New Camerata which was publicly released in 2020. This 2023 season, Fresh Squeezed commissions Fizz & Ginger, an imm

Jenni Bank was born in Johannesburg, South Africa, grew up in Binghamton, New York, & studied at Peabody Conservatory. She has worked with Seattle Opera, Opera Theatre of Saint Louis, Chicago Lyric Opera, New York City Opera, Anchorage Opera, Opera Delaware, Des Moines Metro Opera, Florentine Opera, Wolf Trap Opera, Tri-Cities Opera, Knoxville Opera, Hawaii Opera Theatre, Bard Summer Music Festival, Ash Lawn Opera, Amarillo Opera, Baltimore Concert Opera, Annapolis Opera, Mid-America Productions at Carnegie Hall, Alabama Symphony Orchestra, Royal Stockholm Philharmonic, Bergen Filharmoniske Orkester, Seoul Philharmonic, Los Angeles Philharmonic, & the BBC Symphony Orchestra. Performances include Marcellina (Marriage of Figaro), Samira (Ghosts of Versailles), Mrs. De Rocher (Dead Man Walking), The Mother (The Consul), 3rd Lady (Magic Flute), Ruth (Pirates of Penzance), Buttercup (H.M.S. Pinafore), Mrs. Twist (Brokeback Mountain), Emilia (Otello), Mrs. Lovett (Sweeney Todd), Mary (Flying Dutchman), Old Lady (C

Soprano Maggie Finnegan has been hailed by Opera News for her “clear, poised and defiant soprano” and the Washington Post for her “silvery, pitch-perfect voice." Recent career highlights include Maggie's European Operatic debut in L'Enfant et les Sortilèges with the Belgian National Orchestra, her Dutch debut in Louis Andriessien's Odysseus' Women / Anais Nin, the world premiere of PermaDeath: A Video Game Opera, the title role in the West Coast premiere of Lembit Beecher's Sophia's Forest with Opera Parallèle, the performance and GRAMMY nominated recording of Malcolm X: The Life and Times of Malcolm X with Odyssey Opera and Boston Modern Opera Project, her solo debut with Boston Lyric Opera and Opera Philadelphia in the film of Ana Sokolović’s Svadba, the world premiere of Experiments in Opera's film Everything For Dawn and a duo recital with mezzo-soprano Stephanie Blythe. This Spring she will make her company debut with Brooklyn Art Song Society and Queen of the Night debut with Mass Opera. My gratitude

Kathleen Kelly’s projects and repertoire are wide-ranging and diverse. From Mozart to commissioned works by her peers, she is both deeply experienced in the classical vocal canon and engaged in new creation. Recent notable projects include a recording with soprano Emily Albrink - which we’ll reference in this episode, leading the world premiere of Matt Bohler’s opera FAT PIG (composed for activist soprano Tracy Cox), and the filmed opera Interstate, composed by Kamala Sankaram, co-authored and performed by Kathleen and soprano Jennifer Cresswell, produced by Minnesota Opera. Kathleen has appeared internationally as a pianist in collaboration with singers including appearances at incredible and top tier venues around the world. She has worked with many companies including the San Francisco, Metropolitan, Houston Grand, and Vienna State Operas, and she is regularly invited to speak and write on womens’ issues in the opera industry. ** Show Notes ** Uniarts Helsinki article - https://www.uniarts.fi/en/articles/i

Carrie Hennessey is a wayfinder through the deep, spiritual and technical discoveries of the voice. Early success in the Metropolitan Opera Auditions led to high expectations, but singing after trauma in her early 20s dismantled the ease in her voice and presence. A top artistic mentor once reviewed, ‘This is not the same singer I heard 2 years ago. Go back home’, and a famous singer/coach exclaimed, ‘If you’d just sing like Renata Tebaldi…’ Hennessey left, losing her identity and voice. Ms. Hennessey has since found her true voice and created a wildly unique and energized career path in theater, opera, symphony work, recital, and education, wearing with pride the hats of trauma-informed teacher and facilitator, producer, singer, actor, innovator and writer. She is known for her soaring voice and richly nuanced characters onstage, and has sung all over the world. Notable highlights include debuting as Kát’á in Kát’á Kabanová at the Cal Shakes Amphitheater, As Blanche Du Bois in Previn’s A Streetcar Named D

Kala is the Founder of Five Senses Tastings, a Certified Women-Owned Business. Her philosophy of Sensory Wellness encourages guests to harness the energy, power, and play of their five senses using music, wine, and food, and sweet treats. Inspired by her childhood abroad, Kala believes that diversifying our own sensory ecosystems leads us to find beauty and inspiration not just in ourselves but in the world around us. She is a professional opera singer who has performed worldwide (including for three presidents), and now intentionally uses her voice to advocate for voting rights. She is a former federal government employee, bone marrow donor, a polyglot who speaks German, French, and Spanish, and is certified through the Wine & Spirits Education Trust. Kala lives in Los Angeles with her partner and two orange Bronx street cats, Ollie and Caspar. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can hel

No one likes to receive negative feedback - it's true. But, how you respond to criticism will influence what kind and speed of progress you can make in your professionally creative career. In this Micro Action Monday, Megan discusses how to take in, respond to negative feedback, and turn it into a positive situation. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from

Opera Now Magazine in their article, “Written in the Stars” profiled Hilary Ginther in May 2016 as one of ten young American singers intent on taking the opera world by storm, calling attention to her “substantial and richly colored instrument”. This was followed by her Philadelphia Orchestra debut in Bernstein’s MASS under the baton of Yannick Nézet-Séguin, which was recorded by Deutsche Grammophon and released in March 2018, in commemoration of the composer’s centenary. Most recent engagements include Olga in Eugene Onegin for Opera Omaha, Rosina in Il Barbiere di Siviglia for Opera on the James, Adalgisa in Norma for Musica Viva Hong Kong, and Beethoven’s Ninth Symphony in Santa Fe. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Meg

"Having an audition that really shines is not about, 'Oh, I wore this dress that they really liked.' It's about, 'I made a moment for them in that room. They felt so inspired by my work that they knew I would be the right fit for an entire production or I would be the right fit for their company.'" In this Micro Action Monday episode, Megan discusses a few tips to make your auditions really stand out. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live t

"Go ahead and actually prepare with efficiency and effectiveness so that you can make the most out of your work and feel like you're bringing your best musical self to the situation." In this Micro Action Monday episode, Megan breaks down the process of creating an efficient practice schedule in 7 steps. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybariti

Megan does a crossover episode with Rebecca Hass of "Being a Whole Person" podcast! Here's what Rebecca wrote about our chat... "I had a delightful conversation with Megan Ihnen, a mezzo-soprano and “new music force of nature” who wears many hats as a performer, educator, coach/consultant for musicians, and also in arts admin. With these many roles, she is an amazing connector and natural community builder. Tune in to hear us chat about creative placemaking, authentic community building, balancing many roles and having lots of work variety, burnout, being a musician during the pandemic, routines, harmful ideas around “hard work”, and how we can bring our very favorite selves to our creative work." About Rebecca Hass Rebecca Hass is a creative coach, pianist, and composer living in Berkeley, CA. As a coach, she helps ambitious creative people self-compassionately reduce overwhelm so they have more energy to focus on the work that matters most, with space to enjoy life. As a pianist/composer, she specializes i

Named “Best Classical Conductor” by the Nashville Scene, Kelly Corcoran is Artistic Director & Conductor of Intersection, a contemporary music ensemble now in its 9th season in Nashville. Corcoran founded the Nashville Philharmonic Orchestra and conducted the Nashville Symphony in hundreds of performances for nine seasons as Associate Conductor and Director of the Symphony Chorus. Join us in this Masterclass episode featuring Kelly Corcoran! My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from

Ask yourself, "Am I bringing my best self to each collaboration?" In any collaboration when you start working with somebody new, I want you to think, "Wow, it's really an honor to get to work with this person. How can we both achieve our goals together through this piece, through this music, and then also honor the composer's intentions, the composer's creativity, and our shared musical imagination?" Megan shares her thoughts on working with new collaborators in this Micro Action Monday episode on Studio Class. Interested in Megan's online group workshops this semester? Visit calendly.com/meganihnen to get signed up. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at p

A soprano of "fearlessness and consummate artistry" (Opera News), Ah Young Hong has interpreted a vast array of repertoire, ranging from the music of Monteverdi to Georg Friedrich Haas. Widely recognized for her work in Michael Hersch's monodrama, On the Threshold of Winter, The New York Times praised Ms. Hong’s performance in the world premiere as "the opera's blazing, lone star." Recent performances include solo appearances with violinist Patricia Kopatchinskaja, the BBC Symphony Orchestra, Camerata Bern, and at both the Aldeburgh and Ojai Music Festivals. Highlight concerts of 2021-2022 include the premiere performances in the title role of Hersch’s POPPAEA at the Wien Modern and ZeitRäume Basel Festivals. Anticipated this fall is the recording of Hersch's the script of storms with BBC Symphony Orchestra under the New Focus label. Ms. Hong is an associate professor in the Vocal Studies Department of The Peabody Conservatory of Music, Johns Hopkins University. My gratitude goes out to Hannah Boissonneault w

"If you have done any freelance music work or any kind of freelance creative work, at some point you will need to invoice someone. And now's the time to figure out what you're going to do." In this Micro Action Monday, Megan talks about how to set yourself up for invoice success. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emergin

“So asking about logistics and style really help you know whether this is the right situation or if you’re just going to be studying with someone who might be fantastic at what they do… but the ‘what they do’ is not the right thing for you. And, vice verse. You’re not going to be a great student in their studio if you’re expecting different things but you haven’t communicated about what those expectations are. This is an important time to communicate together clearly and effectively about ‘what are our shared expectations?’” In this Micro Action Monday episode, Megan discusses the types of questions to ask before beginning a relationship with a voice teacher. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Syb

Michelle Trovato has sparked praise in Opera News, The New York Times, The Washington Post, and others for her “lush” voice and dynamic characterizations. She has won prizes in the U.S., Canada, and Europe and she also maintains an active private vocal studio. Michelle also teaches at FMDG Music School which is the only school in the US devoted completely to supporting the musical and artistic lives of students who are blind, have low vision, or significant vision loss of some kind. Show Notes: * We Come to Claim the Throne, a recital of music inspired by Mary, Queen of Scots and Elizabeth I. https://www.eventbrite.com/e/we-come-to-claim-the-throne-a-recital-of-music-inspired-by-mary-stuart-tickets-348410855247 * CSOT’s summer concert in the park on Thursday, August 4. https://www.cstarsoftomorrow.com/opera-in-the-park * The Filomen M. D’Agostino Greenberg Music School (FMDG Music School). https://fmdgmusicschool.org/ My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juan

“I want you to know that you have way more control over your financial life in the arts than you might have been led to believe. I love helping people figure out how to live sustainable lives in the arts. That’s what I want for you. I want you to be sustainable. I want you to be the artist you want to be. If you have questions about setting your own fees/prices, hit me up. It’s my pleasure to help!” In this Micro Action Monday episode, Megan shares the formula she teaches her clients to set their OWN prices. You don’t want to miss this one. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a profe

“I can’t be the only one who feels this way… Do you sometimes procrastinate practicing? Practice really is the number one anxiety killer, the number one performance anxiety killer, so have a great time. Be joyful in your practicing because you’ve built in all of these ways to get better at it and to not procrastinate. Enjoy what you’re doing. This helps you grow and challenge yourself!” Join Megan for 8 tips and recommendations for getting your practice motivation in gear. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is pa

“Ask yourself to go much deeper with what you’re performing. Show me both the internal and the external so that I can just lose myself in the performance that you’re giving!” In this Micro Action Monday episode, Megan talks about tools, tips, and strategies to help you make better dramatic choices in auditions and performances. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva s