School Of Movies

[School of Everything Else 2025] This was an unexpected burst of sheer joy, and we urge you all to seek it out for yourselves. It's a graphic novel, comprising a 7-issue comic book miniseries about wrestling. We had never read a book written by Daniel Warren Johnson before, but now we're hooked and ready to guzzle down everything else this champ achieves. Lona Steelrose was just a little girl when she witnessed her mother tragically perish in the ring. Now, because of this very tragedy that motivates her to fight, no other wrestler will touch her. This is until a literal demon necromancer offers her a chance in an intergalactic wrestling tournament. The twist; her tag team partner is Cobrasun, the masked luchador who was her mother's final opponent. This thing is gloriously pulpy and plays out like the best Mortal Kombat you never knew you needed. It was a commissioned show for Tylor, and we are so glad to discover this treasure.

[School of Movies 2025] A cult favourite hangout movie about working in a CD shop in the mid-90s. This one was directed by Allan Moyle, who previously helmed another music-centric, coming-of-age teen drama that should have been way more of a hit; Pump Up the Volume (1990). Statistically almost none of you have seen this, as it's the kind of movie you need a good friend to sit you down with after hearing that you've never seen it, and immediately declared "We're watching this!" Well, we are that friend today, and we are going to detail why this one is worthy of love. It's painfully white, extremely straight and concerns itself with the now-antiquated dichotomy of MTV marketability versus independent spirit, but considering Spotify Killed the Video Star, the themes are still relevant, and the ragtag cast of teens are quirky enough to make this a breezy, endlessly-quotable rewatch. Damn The Man, save The Empire.

[School of Everything Else 2025] A charming 16-bit style indie adventure game, set in suburban Indonesia in the 1990s. This begins cosy, deliberately evoking the familiar, and swiftly becomes strange and mysterious with a story of loss and grief and loneliness at its core; an ache longing to be relieved. The gameplay involves exploring the town and getting to know the locals, jumping inside their minds to find out what their abiding internal conflicts are and help them deal with these. There is an impressive, melodramatic sweep to this whole thing and we are gratified and edified to have played the whole story as a commission for Tylor.

[School of Everything Else 2025] A marvellously authentic and creepy modern Survival Horror in the convincing style of a PlayStation One title from the mid-90s conversely featuring inflections of more contemporary scary games. This one is available on Steam and Switch and PS4 and Xbox Series X. There is an abandoned theme park to explore and mysteries to uncover, as we structure this episode into three sections. GREEN FINE: Means you can hear about the basic setup and still go in completely fresh if you want to know none of the surprises. YELLOW CAUTION: Makes up the majority of the show as we discuss how it goes about itself and what the experience is like. RED DANGER: Is all the juicy endgame material, where we get to fully draw back the curtain. This was a commissioned show from Maya Santandrea and Selfproclaimed, and we are so glad they chose to set it before us. You will be too.

[School of Everything Else 2025] One of the most beloved, instantly-transformative, replayed, re-released, and critically acclaimed games of all time... and would you believe until preparing for this show, that I wasn't massively fussed about it? But this year I have been replaying all of the original games sequentially, and after the first era of fixed-camera tank controls transitioned into the action-spectacle of 4 I was blindsided by how many fresh aspects of the gameplay and world that I appreciated. The 2005 GameCube hit is, as it turns out deserving of the historical adulation that has been heaped upon it. Moreover, going back to the 2023 remake, it seems Capcom somehow accomplished the impossible, improving upon (almost) every aspect. Here now is a hyper-focused discussion with three other lovers of this game. The discussion ran long and meandered, and I elected to divide this show into two, with the second part; 'Blue Medallions' being released on the Patreon bonus feed where you can also find an Afte

[School of Everything Else 2025] All the way back in 2017 I put together an absolutely EPIC musical journey through the first eight years of the MCU, from Iron Man all the way up to Doctor Strange. So much time has passed since then (cue many gifs of Matt Damon drinking from the wrong Grail) and Marvel has not followed my sound advice about allowing each hero (and maybe a villain or two) to retain a theme that reprises with every subsequent appearance. However, that does not mean there haven't been some truly excellent scores composed, which got side-lined in the clickbaity rush to pronounce Marvel as being formulaic, failing or indeed signifying the baleful death of film. Here for you now is a compendium of themes and sonic explorations as Phase 3 draws to its epic conclusion and Phases 4 and 5 wend their way from the small screen to the big and back again. I look forward to a third volume of these shows sometime in the early 2030s, when the Fantastic Four, the X-Men, Secret Wars and whatever happens with Sp

[School of Everything Else 2017] NOTE: This is an archival episode from many years ago.  Recently the excellent YouTube series Every Frame a Painting asked members of the public if they could hum any of the music from the Marvel films. Unsurprisingly they couldn't come up with anything. There are a few reasons for this, that I go into on the show, but this presentation right here is crafted to allow everyone to explore the music that has come so far. We laser-focus on the core melodies, the hero themes that were left by the wayside as the series evolved and we showcase the wide range of actually rather brilliant musical moments that have punctuated the Marvel Cinematic Universe. Join me for an epic, three hour musical journey, run through the filter of my brain. By the end, if I've done my job, you'll be able to hum at least one piece of Marvel music. 1.   Marvel Logo (Thor: The Dark World) 2.   Back in Black – AC/DC (Iron Man) 3.   Mark II/Driving With the Top Down/Gulmira - Ramin Djawadi (Iron Man) 4.   Iro

Hello there folks, this is your official notification that the School of Movies Summer Commissions season window is now open. And it’s a special case this time around. Originally this run was meant to pay for our second family vacation, the last one being back in 2017. We’re going to Italy. But the week after we booked it our landlord of nine years dropped the bomb on us that he needed to renovate our home, so we’re out by the end of March with all the moving costs and the sudden spike in rent that this is going to entail. And upon hearing this my computer of nine years decided now was the time to begin a slow collapse. I have been having problems with it for a few years now, but I’m having to replace the whole thing with a brand new workstation that should hopefully last me the best part of a decade. Which means a huge amount of money is to be paid in a very short span of time. Ergo this window wis open for the foreseeable future. I already have four shows lined up from the earliest of Discord community, but

[School of Movies 2025] The second and third parts of the original Trilogy of Muppet movies made while Jim Henson was alive, voicing Kermit and taking a heavily active role in production. The former from 1981 is a jewel heist that brings the anarchic furry ones to England, populated by only polite people (a trope which causes the two of us endless amusement) and very much concerns itself with pushing puppetry magic tricks on the big screen to their limits. This one, directed by Jim was in the immense shadow of the original Muppet Movie. The latter, from 1984 brings them back to New York as college graduates who want to put on a big Broadway musical and run up against the gritty realities of real life (along with a cloyingly cute debut for The Muppet Babies. This more grounded take was directed by Frank Oz and for us it is a commissioned show by Dean R. Guests: Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod   Nathan Eastram @bertnerdtram These two are also part of DiceWeave @DiceWeavePod

[School of Movies 2025] We round off Groundhog Month with a time loop movie that explores with even more depth how being stuck in a single day would effect a person's outlook on life, their philosophy and their actions. Taking its cue from the early script idea for what became the Bill Murray classic, we begin by observing a man named Niles, already locked in his time loop, from the point of view of Sarah. She then gets dragged into a loop of her own and finds herself trapped as Maid of Honour for her sister's wedding every single day, a scenario made so much worse due to Sarah's shameful secret. To make matters worse, Niles is also being stalked by the last person he blunderingly marooned in Today; a steaming-mad J.K. Simmons. It's blackly comic, filthy and thought-provoking with things to say about our existence, and it makes for the ideal existential closer on this topic (for today at least). Guest Jesse Ferguson @TheDapperDM from the Recorded Tomorrow Podcast

[School of Movies 2025] This is not a Horror movie (or rather, it qualifies enough for that genre in terms of certain expected tropes and elements, but that is not its mode of conduct, and for people expecting conventional Horror, there's a lot more there in its place). That's what should have been on the poster and promotional artwork, and in the trailers, and threaded through the interviews and general marketing speak surrounding this film. Though doing so might have hurt its 25x multiplier as yet another Blumhouse success story. That misdirection helped it THEN, in 2017, I'm thinking more about helping it NOW in the 2020s, when viewers who do not like Horror genre movies (in particular cruel slasher movies) would almost certainly steer clear of what is actually one of the freshest, funniest star features in recent years, spotlighting Jessica Rothe, an actress of insane range with serious comedic chops. It is superficially Groundhog Day with a stalking masked killer, but concerns itself less with the gory s

[School of Movies 2025] One of history's abiding classics, and one of the oldest films we have ever covered on this show, the 1939 Wizard of Oz starring Judy Garland is joined here with several key points of comparison to establish why it really hold up. We've already recorded a whole episode on the dark, late sequel, Return to Oz (1985) though it does get mentioned here, as well as Jon M Chu's 2024 cinematic adaptation of the first act of the Wicked stage musical. But we also invoke the original book, written by L. Frank Baum in 1900, reference the tumultuous filming process by MGM, the toll it took on Judy Garland, as seen in the 2019 biopic Judy. And finally we sing the praises of The Wiz (1978) a valiant effort to make this story relevant to black America. One thing is clear, this is the most I've ever enjoyed talking about Wizard of Oz, and a lot of that comes from having the ever-insightful Willow on as a guest. Next week it's Happy Death Day (2017). You can listen without watching the movie but definit

[School of Movies 2025] We’ve been holding this episode back for a special occasion and it seems like 2025 'The year of Joy' is the time to finally crack into one of the richest and most universally gratifying films in history. A hundred years from now, people will still be watching this film, It’s a Wonderful Life and The Shawshank Redemption. Accompanying us in this time loop journey from mundane resentment to confusion, to panic, to exploitation, to emptiness, to the nadir of self-destruction, to the revelation of reflection, to the zenith of living to enrich the lives of others, and thus experience repletion is Jesse Ferguson. Jesse is one of the few guests we know who can comprehend the knottiest of time-travel conundrums whilst fully understanding that the story at the heart of what's being told is far more important than any speculative, temporal shenanigans. Plus Bill Murray is a hoot, this is his best film, as well as being the finest offering from his friend and director Harold Ramis. It is endlessl

[School of Movies 2025] The first Dungeons & Dragons movie emerged in the year 2000, wildly underachieving in every department; characters, story, screenplay, costumes, technical proficiency, directorial flair, casting, scope, music, awareness of what it was adapting, sense of humour and dragons! All of these things were straight-to-video grade. It was, in effect the anti-Lord of the Rings, a year before that masterpiece-containing-masterpieces raised the bar impossibly high. 23 years later, on the 49th anniversary, Honour Among Thieves emerged to empty theatres for various reasons I will be going into in my opening monologue. Among other notions broached, there is an imperative upon us to redefine success. And our packed adventuring party are all here to do just that, and gush about this hidden gem, this buried treasure that knocks it out of the park in all the departments named above. This is a special episode where we get to talk about exactly why Honour Among Thieves is precious, and the unseen, Lego

[School of Movies 2025] In the name of joy, this year we are looking back across every Muppet movie we haven't yet covered, starting right here with the original 1979 film. For perspective, Jim Henson had made two successful TV shows up to this point, the well-known Muppet Show, which began in 1976 and was in the middle of its third season when this was being made, but before that, a weird series of little black and white skits called "Sam and Friends" which aired beginning in 1955. We recruited Muppet experts Mackenzie and Nathan Eastram to delve into the story of how Henson and company got to this place, as well as extolling the copious virtues of this instantly melancholy little tale about fame and dreamers, and money-men, crammed with celebrity cameos, none of which your five year old will recognise. Some of which are legendary comedy figureheads of the 20th century that I had to look up, and I'm in my mid-40s! Guests: Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod   Nathan Eastram @b

[School of Movies 2025] An extremely long-awaited show on a game-changer of a blockbuster movie. The first Pirates film, released in 2003 before Lord of the Rings had completed brought the world many things: A fantabulous extravaganza of practical effects, combined with a surprisingly light smattering of digital VFX that would be leaned into a lot harder later down the line, The notion that the swashbuckler could still do big business (the hidden caveat was that Johnny Depp being strange absolutely must be present) Keira Knightley as a leading lady, Gore Verbinski as a major director, the supposition that audiences would flock to cinematic adaptations of Disney park rides (they won't, just this one. See above regarding Johnny Depp) and Geoffrey Rush as an all-time iconic big-screen presence embodying the most consistently enjoyable pirate of all time. But there's more going on, beneath the frothing surface, a fantastically witty, urbane and efficient script by Terry Rossio and Ted Elliott, one of the greatest

[School of Movies 2025] We begin the new year as we mean to go on; joyfully. This is a commissioned episode for Alejandra Vargas. Back in 1994 Jim Carrey was having the most amazing year in cinema that he would EVER have, pretty much redefining what people wanted with madcap comedy for that era. Rubber-faced and bellowing catchphrases. This thing should have aged terribly after more than thirty years. But it hasn't, in fact it feels like a key precursor to the superhero boom round the corner, whilst challenging the contemporary crop of Batman and his imitators. It's also genuinely funny and eminently quotable (with gusto, when you're doing it) and pulls off a neat double-reversal of feminine characters in a way that doesn't feel cynical at all. A 'Nice Guy' story that didn't make us grimace, a bit with a dog... and that flippin'. toe-tappin' swing soundtrack!

[School of Movies 2024] You don't need to know a single thing about Ultraman to love this film. We brought in Kaiju and Sentai expert Dan Hoeppner to educate us along with you, regarding the history and cultural background of this character, but the film itself, viewable on Netflix is an absolutely perfect starting point. It is a smashing standalone story about the son of Ultraman, who grew up to be not especially great in the role himself, and instead pursued his mother's passion, becoming a baseball player. He's selfish and arrogant, not a team player, and has estranged himself from his widowed father, Hayao, with neither of them finding fulfilment. Then Kenji had an adorable, ginormous baby space dragon dropped into his lap, and he's about to find out that being a Dad is harder than it looks. It also sits confidently alongside the most gorgeous, dynamic and thrilling animated films of recent years, including Teenage Mutant Ninja Turtles: Mutant Mayhem, The Sea Beast and even the hallowed Spider-Verse. This

[School of Movies 2024] Mostly overlooked when released in cinemas in 1983, it took nearly a decade for Ted Turner to realise this thing was funny as hell, authentic, heart-warming, and a little dark and twisted, only to then screen it hundreds of times on his many networks until America was both in love with the movie and thoroughly sick of it! Meanwhile the rest of the world is unaware of its existence, and Sharon and I as the only two Brits in on this Yankee secret would like to both illuminate its qualities for the listening world outside of North America and Canada, AND remind you folks who do live there and groan every time you hear that another 24-hour marathon of screening this thing back to back is due, quite how good it really is. It's not often we cover straightforward comedies on this show. It's tricky to explain how or why something is funny without stepping on the gag itself, so think of this as a testbed for potential future episodes on comedies. To folks on Patreon; I finished the Winnie the P

[School of Movies 2024] A story ripped straight from the pages of Golden Age comic books, as dastardly gangsters and Nazis on the rise seek out a secret rocket pack that has fallen into the hands of a well-meaning, square-jawed chap who accidentally becomes something of a superhero. Starring a moustache-twirling Timothy Dalton, a luminous Jennifer Connelly, along with Billy Campbell, Alan Arkin and Paul Sorvino, this is a favourite of many of our listeners and was commissioned by Sarah Montgomery. We kick off a Christmas season of commissions, and considering how stressful November was for everyone, we have decided to set the tone for 2025 by seeking out pure joy. They will be movies we will love talking about enthusiastically, and focusing on to bring you folks a measure of weekly happiness in a dark time. The ones we have chosen for this December all seem to have that joy in common, as well as an old fashioned sensibility. We have A Christmas Story coming up next week, then Ultraman Rising, then at New Year