The New Yorker Radio Hour

Of the sixty-five lawsuits that Donald Trump’s team filed in the 2020 election, Democrats won sixty-four—with the attorney Marc Elias spearheading the majority.  Elias was so successful that Steve Bannon speaks of him with admiration.  Now Marc Elias is working for Vice-President Kamala Harris’s campaign, and, despite his past victories, Elias says that 2024 is keeping him up at night.  The bizarre antics and conspiracy theories of Rudy Giuliani are a thing of the past, Elias tells David Remnick: “We should all expect that they are more competent than they were before. And also Donald Trump is more desperate than he was before. … He faces the prospect of four criminal indictments, two of which are in federal court.” Election-denying officials are now in power in many swing states; Trump has publicly praised his allies on state election boards.  Elias fears the assault on the democratic process could be much more effective this time.  Still, some things don’t change. “I believe Donald Trump is going to say aft

“I like to look at places that people aren’t seeing,” says Ian Frazier, the author of “Great Plains” and “Travels in Siberia,” and the new “Paradise Bronx: The Life and Times of New York’s Greatest Borough.” “Not only do people not know about” the Bronx, “but what they know about it is wrong.”  The book, which was excerpted recently in The New Yorker, came out of fifteen years’ worth of long walks through the city streets, and on a hot morning recently, he invited a colleague, Zach Helfand, to join him on foot. They admired the majestic Romanesque-style stonework of the High Bridge, where Edgar Allan Poe would walk while mourning his wife, in the eighteen-forties; the impressively tangled connections of the interstate highway system that engineers once called “chicken guts”; and walked east to the Cedar Playground, which has a strong claim to being the birthplace of hip-hop.  Note: The segment misstates the year Edgar Allan Poe moved to the Bronx. Poe moved to New York City in 1844, and to the Bronx in 1846. 

In fiction and nonfiction, the author Danzy Senna focusses on the experience of being biracial in a nation long obsessed with color lines. Now that Kamala Harris is the Democratic candidate for President, some of Senna’s concerns have come to the fore in political life. Donald Trump attacked Harris as a kind of race manipulator, implying that she had been Indian American before becoming Black for strategic purposes.  The claim was bizarre and false, but Senna feels that it reflected a mind-set in white America. “Mixed-race people are sort of up for debate and speculation, and there’s a real return to the idea that your appearance is what matters, not what your background is or your identity,” she tells Julian Lucas, who wrote about Senna’s work in The New Yorker.  “And if your appearance is unclear to us, then we’re going to debate you and we’re going to discount you and we’re going to accuse you of being an impostor.”  Senna talks about why she describes people like herself and Lucas using the old word “mula

In honor of what is for many people the final days of summer, the New Yorker Radio Hour team presents a conversation that may inspire your end-of-summer reading list: David Remnick talks to Hernan Diaz about his book, Trust, which won a Pulitzer Prize in 2023. The novel’s plot focuses on the daughter of eccentric aristocrats after she marries a Wall Street tycoon of dubious ethics during the Roaring Twenties. The novel is told by four people in four different formats, which offer conflicting accounts of the couple’s life, the tycoon’s misdeeds, and his role in the crash of 1929. “What I was interested in, and this is why I chose finance capital, I wanted a realm of pure abstraction,” he tells David Remnick. Diaz’s first book, In The Distance, will be released in hardback for the first time in October.

This program is drawn from a new season of the award-winning investigative podcast In the Dark. On a November day in 2005, in the city of Haditha, Iraq, something terrible happened. “Depending on whose story you believed, the killings were a war crime, a murder,” the lead reporter Madeleine Baran says. “Or they were a legitimate combat action and the victims were collateral damage. Or the killings were a tragic mistake, unintentional—sad, but not criminal. Basically, the only thing that everyone could agree on was that twenty-four people had died, and it was marines who’d killed them.” Season 3 of In the Dark looks at what happened that day in Haditha, and why no one was held accountable for the killings. Baran and her team travelled to twenty-one states and three continents over the course of four years to report on a story that the world had largely forgotten. Episode 1 airs this week on The New Yorker Radio Hour, and you can listen to the rest of the series wherever you get your podcasts.

At the Republican National Convention in July, a platform plank in place for decades that called for a national abortion ban was removed—right at the moment that such a ban has actually become legally possible, after the Supreme Court’s Dobbs decision. Donald Trump has tried to distance himself from hard-line pro-life positions, saying that abortion rights sitting with the states “is something that everybody wanted.” The New Yorker’s Washington correspondent Susan B. Glasser explores the tension within the Republican Party and speaks with David Remnick about her reporting, including an interview with Representative Matt Rosendale, of Montana. A hard-liner dismissive of pragmatic compromise, Rosendale believes that life begins at conception, and he is challenging his House Republican colleagues to vote their convictions and ban in-vitro fertilization.

Despite a surge of enthusiasm for Vice-President Kamala Harris’s campaign, the 2024 race remains extremely competitive. And one factor very much in Donald Trump’s favor is an increased share of support from Latino voters. Anti-immigrant messaging from Trump and the Republican Party has not turned off Latino voters; he won a higher percentage of Latino voters in 2020 than in 2016, and he was roughly tied with President Biden at the time Biden stepped out of the race in July. Geraldo Cadava, the author of “The Hispanic Republican,” wrote about the Republicans’ strategy for The New Yorker. He spoke with prominent Latino Trump supporters about why the message is resonating, and how they feel about all the signs reading “Mass Deportation Now.”Plus, it’s time for one of those annual rituals that keeps the world turning: picking the song of the summer. “One way of thinking about it is a song that you hear involuntarily,” Kelefa Sanneh opines. “This isn’t the song that you play the most. It’s the song you hear everyo

The New Yorker staff writer Clare Malone’s Profile, What Does Robert F. Kennedy, Jr., Actually Want? sheds light on Kennedy’s position in this Presidential race—and it also solves a ten-year-old mystery about a dead bear cub found in Central Park. On Sunday, Kennedy tried to get ahead of the publication of Malone’s story by relating the bizarre scheme (involving roadkill, falconry, dangerous bike lanes, and more) in a video that he released on social media. David Remnick talks with Malone about Kennedy’s highly unusual candidacy, and why he’s staying in the race.

Nancy Pelosi, who represents California’s Eleventh Congressional District, led the Democratic Party in the House of Representatives for so long, and so effectively, that one forgets she was also the first woman to hold the job. Her stewardship of consequential legislation—including the Affordable Care Act and the Inflation Reduction Act—during her eight years as Speaker is legendary. And Pelosi has wielded tremendous influence this election cycle: she seems to have been instrumental in persuading President Biden to withdraw from the campaign in place of a new Democratic candidate.  After years of friendship with Biden, it wasn’t easy, she tells David Remnick, who asks, “You think your relationship will be there?” “I hope so,” Pelosi admits. “I pray so. I cry so. I lose sleep on it.” After stepping away from Democratic leadership herself, in 2023, she wrote a book with a short and apt title: “The Art of Power.”  Pelosi speaks to Remnick about the importance of having a strong mission undergirding the skills of

Israel has occupied the West Bank of the Jordan River since 1967, after the third Arab-Israeli war, and ever since Israelis have settled on more and more of this contested land. Violence by armed settlers against their Palestinian neighbors has increased dramatically in recent years, as a far-right government came to dominate Israeli politics. Unless things change, the American journalist Nathan Thrall tells David Remnick, the future for Palestinians is “not unlike that of the Native Americans.” Thrall won a Pulitzer Prize for his book “A Day in the Life of Abed Salama,” which uses one isolated incident—a road accident in the West Bank—to illustrate the ways in which life under occupation has become nearly unlivable for Palestinians. On July 19th, the United Nations’ International Court of Justice issued an advisory ruling that the occupation violates international law. While the world’s attention is focussed on the devastating war in Gaza, and the escalating conflict between Israel and Hezbollah, the occupat

Israel has occupied the West Bank of the Jordan River since 1967, after the third Arab-Israeli war, and ever since Israelis have settled on more and more of this contested land. Violence by armed settlers against their Palestinian neighbors has increased dramatically in recent years, as a far-right government came to dominate Israeli politics. Unless things change, the American journalist Nathan Thrall tells David Remnick, the future for Palestinians is “not unlike that of the Native Americans.” Thrall won a Pulitzer Prize for his book “A Day in the Life of Abed Salama,” which uses one isolated incident—a road accident in the West Bank—to illustrate the ways in which life under occupation has become nearly unlivable for Palestinians. On July 19th, the United Nations’ International Court of Justice issued an advisory ruling that the occupation violates international law. While the world’s attention is focussed on the devastating war in Gaza, and the escalating conflict between Israel and Hezbollah, the occupat

One of the big questions about Vice-President Harris’s candidacy is undoubtedly race. She would not be the first Black President. “I think that most times when people bring Kamala Harris and Barack Obama into the same conversation, they are kind of mistaken—it’s just this kind of wish-casting,” Vinson Cunningham says. But “what they do have in common is a Black father who is not from America. And this brings all kinds of strange things into being . . . in creating a Black American identity.” Cunningham and fellow staff writer Doreen St. Félix discuss Harris’s complicated identity as the child of Jamaican and Indian immigrants, and more.  (This segment is an excerpt from a longer conversation on The Political Scene.) Plus, the New Yorker sports correspondent Louisa Thomas talks with David Remnick about some of the unusual venues of the Paris Olympics—from the Place de la Concorde and the supposedly cleaned-up Seine to a small reef village in Tahiti.

Kamala Harris will face barriers as a woman running for the Presidency. “Women constantly have to credential themselves,” Jennifer Palmieri, a veteran of Democratic politics who served in the Clinton Administration, says. She was also the director of communications for the Obama White House, and then for Hillary Clinton’s 2016 Presidential campaign. Harris will “need to remind people of what she has done in her career and what she’s done as Vice-President, because people assume that women haven’t accomplished anything.” But Harris also has notable strengths as a candidate, and, having avoided a bruising primary campaign—and having been handed a torch from the incumbent—she has advantages that no other woman running for office has had. For a woman candidate, the world has changed since 2016, Palmieri believes. She shares insights into how Joe Biden was finally persuaded to step out of the race, and explains what she meant by advising women to “nod less and cry more.”

Catalina Ituralde is the protagonist of the novel that bears her name, “Catalina.” In the summer before her senior year of college, she’s working as an intern at a prestigious literary magazine, and come fall she’ll be back at Harvard to plot her future. But, contrary to a life of comfort that this scenario suggests, Catalina’s situation is complicated and uncertain: she’s an undocumented immigrant, raised in Queens by her grandparents, and after graduation she might not have the privilege of choosing what job she takes. “Catalina” is the second book by Karla Cornejo Villavicencio, who first gained attention with the essay “I’m an Illegal Immigrant at Harvard,” published anonymously in the Daily Beast; her first book, “The Undocumented Americans,” was a finalist for the National Book Award. Though Villavicencio has since become an American citizen, “There’s this Latin American paranoia that comes from my parents, [who] grew up under a dictatorship,” she tells David Remnick. “I’ve heard all of these stories .

The movement to persuade President Biden—long after the primaries—to drop out of the Presidential race is unprecedented. So is the candidacy of a convicted felon. But this election season went from startling to shocking with the assassination attempt on Donald Trump and the death of a bystander. Despite the unknowns, the contours of the race are becoming clear, the CNN data journalist Harry Enten tells Clare Malone. President Biden’s support in national polls following his disastrous performance in the June debate slipped just slightly. But in key swing states, Biden’s support has ebbed to a point that has terrified Democrats. Malone spoke with Enten while he was covering the Republican National Convention, in Milwaukee. She asked Enten about how the attempt on Ronald Reagan’s life affected his favorability. Malone also spoke with the highly regarded pollster Ann Selzer, who runs polling for the Des Moines Register. Selzer explains how the polls know what they know—even when so many people don’t pick up their

During the 2023 New Yorker Festival, three legendary staff writers got together to discuss the craft of investigative journalism: digging for information like detectives, and then presenting it in a way to rival the best thrillers. For each of these writers, the “bad guy” —whose actions usually set the story in motion – needs to be presented in three dimensions; trusting the reader to grapple with that person’s perspective is key to an engrossing story. “I look at these big, boring issues often, like economic inequality or corruption in politics,” Jane Mayer says. “You take a subject like campaign finance – the Citizens United decision and how it’s corrupted politics. If you can find somebody like [Charles or David] Koch and explain there actually was a billionaire behind so much of this, and he has a story, and he has a family, and there are always screwed-up fathers and sons involved in these families. . . . It means that you’re able to explain the ethical choices people make.” Mayer is best known for her b

The panic that gripped Democrats during and after President Biden’s performance in the June debate against Donald Trump didn’t come out of nowhere. In January of last year, the Radio Hour produced an episode about President Biden’s age, and the concerns that voters were already expressing. But no nationally prominent Democratic politician was willing to challenge Biden in the primaries. After the debate, Julián Castro was one of the first prominent Democrats to say that Biden should withdraw from the race, and he went on to tell MSNBC’s Alex Wagner that potential Democratic rivals and even staffers “got the message” that their careers would be “blackballed” if they challenged him. Castro—who came up as the mayor of San Antonio, and then served as President Obama’s Secretary for Housing and Urban Development—ran against Biden in the Presidential primary for the 2020 election. He talks with David Remnick about how we got here, and what the Democratic Party should have done differently.

Across five studio albums, Florence and the Machine has explored genres from pop to punk and soul. Florence Welch, the group’s singer and main songwriter, is by turns introspective and theatrical, poetic and confessional. She sat down with John Seabrook at The New Yorker Festival in 2019 to reflect on her band’s rapid rise to stardom. She also spoke about her turn toward sobriety after years of heavy drinking. “The first year that I stopped, I felt like I’d really lost a big part of who I was and how I understood myself,” she says. “What I understood is that that was rock and roll, and, if you couldn’t go the hardest, you were letting rock and roll down.” But eventually getting sober let her connect more deeply with fans and with the music. “To be conscious and to be present and to really feel what’s going on—even though it’s painful, it feels like much more a truly reborn spirit of rock and roll,” she says.  Welch wrote the music and the lyrics for “Gatsby: An American Myth,” which opened in June at the Amer

Fifty years ago, in July, 1974, The New Yorker began publishing a lengthy excerpt of Robert Caro’s “The Power Broker.” When the book appeared, it ran more than twelve hundred pages and won a Pulitzer Prize. In vivid, astonishing detail, it shows how a city planner named Robert Moses gained power over New York City that dwarfed that of any mayor or governor, and radically changed the city. “The Power Broker” became a landmark of political reporting and biography, and made Caro one of the most celebrated writers in America. David Remnick sat down with Caro at the McCarter Theatre, in Princeton, New Jersey, in 2019, when “Working”—a collection of short pieces about Caro’s methods—had been published. Their discussion encompassed Caro’s early years as a newspaper reporter, his interviewing techniques, and his determination to tackle huge projects, including his chronicle of the life of Lyndon B. Johnson, four volumes of which have been published to date.This segment originally aired on June 18, 2019. 

At the beginning of 2021, it seemed like America might be turning a new page; instead, the election of 2024 feels like a strange dream that we can’t wake up from. Recently, David Remnick asked listeners what’s still confounding and confusing about this Presidential election. Dozens of listeners wrote in from all over the country, and a crack team of political writers at The New Yorker came together to shed some light on those questions: Susan B. Glasser, Jill Lepore, Clare Malone, Andrew Marantz, Evan Osnos, Kelefa Sanneh, and Benjamin Wallace-Wells. Some years ago, the poet Ada Limón moved from New York City to Lexington, Kentucky. In a book called “Bright Dead Things,” she writes about adjusting to a new home, and the constant talk of thoroughbreds. “People always asking, ‘You have so many horses in your poems—what are they a metaphor for?’ ” she told the Radio Hour. “I think they’re not really a metaphor. Out here, they’re just horses.” Limón, who’s the current Poet Laureate of the United States, took us o