The New Yorker Radio Hour

The far right in Israel has long dreamed of settling all of the West Bank, and Gaza, too—annexing the territories to create the land they refer to as Greater Israel. The Trump Administration might not object: Elise Stefanik, Trump’s pick for Ambassador to the United Nations, has agreed that Israel has a “biblical right” to the West Bank. “I think Israel is just more emboldened with Trump in office,” says Hisham Awartani, who lives in Ramallah and is now attending Brown University. The reporter Suzanne Gaber has been covering Awartani and his family since he was left paralyzed by a shooting in Burlington, Vermont. (Two other Palestinian students, Kinnan Abdalhamid and Tahseen Ali Ahmad, were also shot and injured.) Gaber visited the Awartanis recently in Ramallah to find out how people in the West Bank are thinking about annexation. But, rather than a future event that might happen, the Awartanis describe annexation as a process already well underway. “I’m twenty-one years old,” Hisham tells Gaber. “ In the pe

Kaitlan Collins was only a couple years out of college when she became a White House correspondent for Tucker Carlson’s the Daily Caller. Collins stayed in the White House when she went over to CNN during Donald Trump’s first term, and she returned for his second. Trump has made his disdain for CNN clear—and he’s not a big fan of Collins, either. At one point during Trump’s first term, she was barred from a press conference; he called her a “nasty person” during a Presidential campaign interview. There’s never been a White House so overtly hostile to the press than the second Trump Administration, penalizing news organizations for not conforming to the President’s wishes. But, as Collins tells the staff writer Clare Malone, she believes that Trump is “someone who seeks the validation of the press as much as he criticizes them publicly. And so, you know, it doesn’t really bother me when he gets upset at my question.”

Across the federal government, the number of federal workers fired under Donald Trump and DOGE currently stands at over a hundred thousand. Some of those workers have turned to a website called We the Builders. It was created by federal workers associated with the U.S. Digital Service as a resource for employees who have lost their jobs, who are afraid of losing their jobs, or who have a whistleblower complaint.  The Radio Hour’s Adam Howard spoke with two of the site’s creators: Kate Green, who recently left the federal government for a job in the private sector, and a web developer who identifies himself as Milo – using a pseudonym, since he is still employed in the government.  “Both the beauty and the tragedy is that the work the government does is largely invisible,” as Milo put it. “You don't always know that it is USDA inspectors who are working in the slaughterhouses, who are making sure that work is being done in a safe and sanitary fashion … But they give a damn about making sure that food is safe.

Two weeks after the Inauguration of Donald Trump, Elon Musk tweeted, “We spent the weekend feeding USAID into a wood chipper.” Musk was referring to the Agency for International Development, an agency which supports global health and economic development, and which has saved millions of lives around the world. “A viper’s nest of radical-left lunatics,” Musk called it. U.S.A.I.D.’s funding is authorized by Congress, and its work is a crucial element of American soft power. DOGE has decimated the agency with cuts so sudden and precipitous that federal workers stationed in conflict zones were stranded without safe passage home, as their own government publicly maligned them for alleged fraud and corruption.  Courts have blocked aspects of the federal purge of U.S.A.I.D., but it’s not clear if workers can be rehired and contracts restarted, or whether the damage is done.    In January, 2022, Atul Gawande, a surgeon and leading public health expert who has written for The New Yorker since 1998, was sworn in as ass

Recently, the former New Jersey Senator Bob Menendez was sentenced to eleven years in prison for accepting bribes in cash and gold worth more than half a million dollars. He is the first person sentenced to prison for crimes committed in the Senate in more than forty years. Menendez did favors for the government of Egypt while he was the senior Democrat on the Foreign Relations Committee, and intervened in criminal cases against the businessmen who were bribing him. In New York, he broke down in tears before  a federal judge, pleading for leniency. Upon emerging from the courtroom, he made a thinly veiled plea to the man he had once voted to impeach. “President Trump is right,” Menendez declared to news cameras. “This process is political, and it’s corrupted to the core. I hope President Trump cleans up the cesspool and restores the integrity to the system.”  WNYC’s New Jersey reporter Nancy Solomon explores how the son of working-class immigrants from Cuba scaled the heights of American politics, and then fe

Since emerging on the national political scene a decade ago, Donald Trump has openly admired the dictatorial style of Vladimir Putin. Trump’s lean toward Russia was investigated, it was psychoanalyzed—yet many were still shocked when recently Trump and Vice-President J. D. Vance berated President Volodymyr Zelensky, of Ukraine, in the Oval Office, and seemed to be taking Putin’s side in the conflict. When Russia invaded Ukraine three years ago, one of David Remnick’s first calls was to Stephen Kotkin, a historian of Russia and a fellow at the Hoover Institution. He speaks with Kotkin again, as Trump is pressuring Ukraine to accept a “deal.” Kotkin doesn’t endorse Trump’s position, but notes that it reflects real changes in America’s place in the world and the limits of American power. “You can say that Trump is wrong in his analysis of the world, you can say that Trump’s methods are abominable,” Kotkin says. “But you can’t say that American power is sufficient to meet its current commitments on the trajectory

When Emily Nussbaum introduced Alan Cumming at the New Yorker Festival, she said, “Plenty of actors light up a room, but Alan Cumming is more of a disco ball—reflecting every possible angle of show business.” Cumming appears in mainstream dramas such as “The Good Wife,” and also more indie projects like his one-man version of “Macbeth”; his performances in musicals such as “Cabaret” are legendary. He also owns a nightclub; his memoir “Not My Father’s Son” was a bestseller, and so on. And Cumming plays the host on the Emmy-winning reality show “The Traitors.” He combines “a dandy Scottish laird—sort of James Bond villain, sort of eccentric, old-fashioned nut who has this big castle.” Spoiler alert: “It’s supposed to be my castle. It’s not.” Nussbaum asks about his perspective on reality TV before he started on “Traitors.” “Zero, really,” Cumming confesses. “I was a bit judgy. … The thing I don't like about a lot of those shows is that they laud and therefore encourage bad behavior and lack of kindness.” Before

Democrats in Washington have seemed almost paralyzed by the onslaught of far-right appointments and draconian executive orders coming from the Trump White House. But some state governors seem more willing to oppose the federal government than congressional Democrats are. In January, Governor Tim Walz, of Minnesota, tweeted, “President Trump just shut off funding for law enforcement, farmers, schools, veterans, and health care. . . . Minnesota needs answers. We’ll see Trump in court.” He’s only one of many Democratic governors challening the federal government. Walz joins David Remnick to offer his analysis of why Democrats lost the 2024 election, why the Party has been losing support from men, and what Democrats need to do now that Donald Trump is back in the White House.

David Remnick is joined by Alexandra Schwartz, the co-host of the podcast Critics at Large, and The New Yorker’s august film critic Richard Brody. They talk about the past year in film and predict the victors of the Academy Awards. Brody dismisses “The Brutalist”—a film that merely uses the Holocaust “as metaphor”—and tells Remnick that “Wicked” might win Best Picture. “I think there’s a huge desire for cinematic comfort food that makes a billion dollars.” Continuing the Radio Hour’s annual tradition, Brody discusses nominees and selects the winners of the coveted award that we call The Brody.

Since the election, Senator John Fetterman—once a great hope of progressives—has conspicuously blamed Democrats for the electoral loss. Fetterman tells David Remnick that the Democratic Party discouraged male voters, particularly white men. He has pursued a lonely course of bipartisanship by meeting with Trump at Mar-a-Lago before his Inauguration, joining Truth Social, and voting to confirm Pam Bondi as Attorney General—the only Democrat to do so. But, despite Trump’s relatively high approval ratings, he lambasts the Administration for the “chaos” it is currently sowing in America. Fetterman sympathizes with voters’ widespread disgust with contemporary politicking. “Unlimited money has turned all of us in some way into all OnlyFans models,” he says. “We’re all just online hustling for money.”

Staff writers and contributors are celebrating The New Yorker’s centennial by revisiting notable works from the magazine’s archive, in a series called Takes. The writer Jia Tolentino and the cartoonist Roz Chast join the Radio Hour to present their selections. Tolentino discusses an essay by a genius observer of American life, the late Joan Didion, about Martha Stewart. Didion’s profile, “everywoman.com,” was published in 2000, and Tolentino finds in it a defense of perfectionism and a certain kind of ruthlessness: she suggests that “most of the lines Didion writes about Stewart, it’s hard not to hear the echoes of people saying that about her.” Chast chose to focus on cartoons by George Booth, who contributed to The New Yorker for at least half of the magazine’s life. You can read Roz Chast on George Booth, Jia Tolentino on Joan Didion, and many more essays from the Takes series here.  

In Donald Trump’s first term in office, the American Civil Liberties Union filed four hundred and thirty-four lawsuits against the Administration. Since Trump’s second Inauguration, the A.C.L.U. has filed cases to block executive orders ending birthright citizenship, defunding gender-affirming health care, and more. If the Administration defies a judge’s order to fully reinstate government funds frozen by executive order, Anthony Romero, the A.C.L.U.’s executive director, says, we will have arrived at a constitutional crisis. “We’re at the Rubicon,” Romero says. “Whether we’ve crossed it remains to be seen.” Romero has held the job since 2001—he started just days before September 11, 2001—and has done the job under four Presidents. He tells David Remnick that it’s nothing new for Presidents to chafe at judicial obstacles to implement their agendas; Romero mentions Bill Clinton’s attempts to strip courts of certain powers as notably aggressive. But, “if Trump decides to flagrantly defy a judicial order, then I

The film “No Other Land” has been nominated for an Academy Award for Best Documentary Feature. It was directed by four Palestinian and Israeli filmmakers, and to unpack the film’s message David Remnick speaks with two of the directors, Basel Adra, who lives in the West Bank, and Yuval Abraham, who lives in Jerusalem. The documentary takes a particular focus on the demolitions of Palestinian homes overseen by the Israeli military which often involve a lack of building permits. “You very quickly realize that it’s a political issue,” Abraham explains. “The Israeli military declines almost ninety-nine per cent of Palestinian requests for building permits. . . . There is a systematic effort to prevent” construction of homes for a growing population.  “We made this movie from a perspective of activism,” Adra tells Remnick, “to try to have political pressure and impact for the community itself.” But, since they began filming, the political situation has deteriorated severely, and “all the reality today is changing .

Many of the most draconian measures implemented in the first couple weeks of the new Trump Administration have been justified as emergency actions to root out D.E.I.—diversity, equity, and inclusion—including the freeze (currently rescinded) of trillions of dollars in federal grants. The tragic plane crash in Washington, the President baselessly suggested, might also be the result of D.E.I. Typically, D.E.I. describes policies at large companies or institutions to encourage more diverse workplaces. In the Administration’s rhetoric, D.E.I. is discrimination pure and simple, and the root of much of what ails the nation. “D.E.I. is the boogeyman for anything,” Jelani Cobb tells David Remnick. Cobb is a longtime staff writer, and the dean of Columbia University’s Graduate School of Journalism. “If there’s a terrible tragedy . . . if there is something going wrong in any part of your life, if there are fires happening in California, then you can bet that, somehow, another D.E.I. is there.” Although affirmative-act

David Remnick talks with The New Yorker’s literary guiding lights: the fiction editor Deborah Treisman and the poetry editor Kevin Young. Treisman edited “A Century of Fiction in The New Yorker,” and Young edited “A Century of Poetry in The New Yorker,” both of which were published this month.  “When you asked me to do this,” Young remarks to David Remnick, “I think my first response was, I’ve only wanted to do this since I was fifteen. . . . It was kind of a dream come true.” Treisman talks about the way that stories age, and the difficulty of selecting stories. “The thing to remember is that even geniuses don’t always write their best work right right off the bat. People make a lot of noise about rejection letters from The New Yorker that went to famous writers, or later-famous writers. And they were probably justified, those rejections.”

In the nineteen-eighties and nineties, Bill Gates was the best known of a new breed: the tech mogul—a coder who had figured out how to run a business, and who then seemed to be running the world. Gates was ranked the richest person in the world for many years. In a new memoir, “Source Code,” he explains how he got there. The book focusses on Gates’s early life, and just through the founding of Microsoft. Since stepping away from the company, Gates has devoted himself to his foundation, which is one of the largest nonprofits working on public health around the globe. That has made him the target of conspiracy theories by anti-vaxxers, including Robert F. Kennedy, Jr., who has asserted that Gates and Anthony Fauci are together responsible for millions of deaths during the COVID-19 pandemic. Gates views the rise of conspiracy thinking as symptomatic of larger trends in American society exacerbated by technology. “The fact that outrage is rewarded because it’s more engaging, that’s kind of a human weakness,” he t

The staff writer Dana Goodyear has reported on California extensively: the entertainment industry; a deadly crime spree in Malibu; Kamala Harris’s rise in politics; and the ever more fragile environment. She covered the destructive Woolsey Fire, in Los Angeles, in 2018. Recently, Goodyear found her own life very much in the center of the story. Living in Pacific Palisades, she had to evacuate early this month, and she documented her return days later to a scene of devastation in this audio story. “The house just is an idea of a house, or the aftermath of a house,” she said. “You can walk through the arched door at the front and the back, but there’s just pretty much nothing in between.” 

“Saturday Night Live” turns fifty this year. Profiling its executive producer, Lorne Michaels, the New Yorker editor Susan Morrison sheds light on one of the most important people in show business. Morrison spent years talking to Michaels for her new book, “Lorne: The Man Who Invented Saturday Night Live,” and she includes recordings of those interviews in a conversation with David Remnick. “Lorne was a real student of what I call sort of the hinges between eras,” Morrison says. To keep the show current, Michaels “paid attention to replenishing the casts in a sort of seamless way, so that it would never seem like an old guy trying to do an entertainment for young people.” Plus, one of the show’s most notable alumni, Tina Fey—rumored to be a possible successor to Michaels, who is now eighty—reads an excerpt from the magazine’s review of the show’s first season, back in 1975. 

The Washington Roundtable—with the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos—discusses this week’s confirmation hearings for Pete Hegseth as Secretary of Defense and Pam Bondi as Attorney General, and the potential for a “shock and awe” campaign in the first days of Donald Trump’s second term. Plus, as billionaires from many industries gather around the dais on Inauguration Day, what should we make of President Biden’s warning, in the waning days of his Administration, about “an oligarchy taking shape in America”?This segment was originally published January 17, 2025, in The New Yorker’s Political Scene podcast.

As President Biden took office in 2021, he aimed to rebuild alliances that Donald Trump had threatened during his first term. That effort was challenged by an onslaught of international crises, from Ukraine to Gaza. The person tasked with trying to restore the old order was Secretary of State Antony Blinken. He spoke with David Remnick days before leaving the White House, and shortly before the ceasefire agreement between Israel and Hamas was announced this week. “I’ve been laboring to try to get to a better place in Gaza and particularly to get a ceasefire that brings the hostages home, that stops the firing in both directions, that surges humanitarian assistance, that also creates space to get something permanent,” Blinken said. “We are, I hope, finally, belatedly on the brink of getting that.” Blinken expressed cautious optimism that a long-term resolution remains possible. “I’ve had many opportunities to meet with Prime Minister Netanyahu. When the conversation comes to normalization with Saudi Arabia, th