New Books In Poetry

From award-winning poet Catherine Owen, a collection of poems about one woman’s journey from BC to a new life in Alberta, where she buys an old house and creates a new meaning of home. NBN host Hollay Ghadery and Catherine enjoy a lively conversation about poetry, community, and this new collection of poems. In search of stability and rootedness, in 2018 Catherine Owen moved from coastal Vancouver to prairie Edmonton. There, she purchased a house built more than one hundred years earlier: a home named Delilah. Beginning from a space of grief that led to Owen’s relocation, the poems in this collection inhabit the home, its present and its past. These poems share the stories of decades of renovations, the full lives of Delilah’s previous inhabitants, and Owen’s triumphs and failures in the ever-evolving garden. The poems ultimately whirl out in the concentric distances of the local neighbourhood and beyond — though one house can make a home, home encompasses so much more than one house. In this exceptional and

In this NBN episode, host Hollay Ghadery speaks with one of her “favourite poets in the galaxy”, Canada’s 7th Parliamentary Poet Laureate, George Elliot Clarke about his Canticles series of books—focusing on Canticles II (MMXX). Canticles is a lyric-styled epic. Clarke's visions of canonical and apocryphal scriptures are black in ink, but lightning in illumination. Testament II issues re-readings, revisions, rewrites of scriptures crucial to the emergent (Anglophone) African Diaspora in the Americas. Canticles II (MMXIX) and Canticles II (MMXX) follow Testament I (also issued in two parts) whose subject is History, principally, of slavery and imperialism and liberation and independence. Canticles II is properly irreverent where necessary, but never blasphemous. It is scripture become what it always is, really, anyway: Poetry. About George Elliot Clarke: Acclaimed for his narrative lyric suites (Whylah Falls and Execution Poems), his lyric “colouring books” (Blue, Black, Red, and Gold), his selected poems (Blu

Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray’s first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fe

In this episode of High Theory, Ryan Ruby talks to us about Poetry. Our standard definition of poetry today is an institutional one, much like contemporary art: if art is what artists and museums and collectors call art, poetry is what poets and professors and publishers say is poetry. Ruby argues that this indefinable thing humans have been doing well nigh forever is better understood as a medium than a form. Poetry is a way of storing and transmitting information, a mechanism of entertainment and authority, and a speech act that attends to changes of state. In the episode, Ryan references Eric Havelock, author of The Muse Learns to Write (Yale UP, 1986), who described the Homeric poems as the encyclopedia of Bronze age Greece. He also cites Marcel Detienne’s book The Masters of Truth in Archaic Greece (trans. Janet Lloyd, Zone Books, 1996) who describes poetry as a form of “magico-religious speech.” Ryan Ruby is a writer, most recently of the book length poem Context Collapse: A Poem Containing the History

Ethereal, soul-stirring, and playful, Baby Cerberus (Buckrider Books, 2024) by Natasha Ramoutar traces joy and kinship across a multitude of lives. Flitting from myths and folklore to video games to imagined futures, each piece asks us to consider how we care for one another. As we move through sentient galleries, swashbuckling adventures, and the doors of Atlantis, the collection reorients us in each section with the riddles as two lost souls try to find each other through time. These poems tug on the invisible threads between us all, trying to find what tethers us together and, in turn, what keeps us here. While Baby Cerberus centers fun and nostalgia with allusions to video games, internet lore, and Tamagotchis, there are still heavy themes throughout which address misogyny, racism, and colonization. The unique integration of literary topics with some of the more pop culture references will distinguish the book in the minds of readers and expand what we can ask of poetry. More about Natasha Ramoutar: Natas

In the hills of Sparta, Tennessee, during the early nineties, Helen decides to break free from the life that stifles her: marriage, motherhood, the monotonous duties of a Southern housewife. But leaving isn't the same thing as staying gone... Rooted in a lush natural landscape, this stunning poetry collection explores Helen's isolation and rebellion as her expansive personality clashes with the social rigidity of her small town. In richly layered poems with settings that range from football games to Chuck E. Cheese to the bathroom of a Motel 6, Helen enters adulthood as a disaffected homemaker grasping for agency. She marries the wrong man, gives birth to a child she is not ready to parent, and embarks on an affair that throws her life into chaos. But she never surrenders ownership of her story or her choices, insisting to the reader: "if you never owned a bone-sharp biography... / i don't want to hear it. i want you silent. / i want you listening to me." Blurring the line between mythology and modernity, Hel

With timeless poetry and stunning imagery, the prophet Amos of Tekoa, a simple herdsman from the Judean mountains, stands in front of a stubborn, antagonistic audience of Israelite royalty and aristocracy and he rebukes them for their many abuses of power. But he offers them a better vision of themselves by lifting them to the heavens on wings of lyrical brilliance. Join us as we speak with Rabbi Yitzchak Etshalom about his recent commentary, Amos: The Genius of Prophetic Rhetoric (Maggid, 2024). Rabbi Yitzchak Etshalom has been a dynamic and inspiring master educator in Los Angeles since 1984. He received his semicha from the Chief Rabbinate of Israel, and lectures annually at the prestigious Tanakh Study Days at Herzog College. Etshalom has also written the highly acclaimed series Between the Lines. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who

This week on Madison’s Notes, we sit down with philosopher and author Charles Taylor to discuss his latest work, Cosmic Connections: Poetry in the Age of Disenchantment (Belknap Press, 2024) . Taylor dives into the profound role of poetry in reconnecting us to a sense of wonder and meaning in a world often characterized by disillusionment. Drawing on his vast expertise in philosophy, Taylor explores how poetry serves as a bridge between the mundane and the transcendent, offering a counterpoint to the rational, scientific worldview that dominates modern life. This conversation offers a deep dive into the power of language, imagination, and the poetic tradition in addressing the spiritual and existential challenges of our time. Join us for a reflective exploration of how poetry can restore enchantment in an age of disenchantment. Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. Contributions to and/or sponsorship of any speaker does not constit

Ellen Chang-Richardson’s breathtaking poetry collection, Blood/Belies, was released in spring 2024 by Wolsak & Wynn and was a third bestseller in nonfiction in Calgary, Alberta. Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as they bring their father’s, and their own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope? About Ellen Chang-Richardson: Ellen Chang-Richardson is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in Augur, The Ex-Puritan, The Fiddlehead, Grain, third coast mag

From the frontman of Band of Holy Joy, Johny Brown, Corpse Flower (Skill, 2024), is a long-form prose poem that shares Brown's journey through one of the most challenging times in his life. Released as a multimedia project, Corpse Flower includes not only Brown's book but the music and reading that goes along with it. Moving from dark to light and ending in hope and joy, Brown's work shares with readers his world in lyrical verse.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Tim Bowling is the award-winning author of the poetry collection In the Capital City of Autumn (Wolsak & Wynn, April 9, 2024). Tim is the author of twenty-four works of fiction, nonfiction, and poetry. He is the recipient of numerous honours, including two Edmonton Artists’ Trust Fund Awards, five Alberta Book Awards, a Queen Elizabeth II Platinum Jubilee Medal, two Writers’ Trust of Canada nominations, two Governor General’s Award nominations and a Guggenheim Fellowship in recognition of his entire body of work. In the Capital City of Autumn is an absorbing collection of poems that show Bowling’s mastery of language and imagery. Now living in Edmonton, Tim spent the first thirty years of his life in the town of Ladner, BC, at the mouth of the Fraser River, where he worked in the salmon fishing industry. His love of the natural world, along with his love of language, and his experiences as a child and as a father of three children (now young adults) all reveal themselves in his unmistakably transcendent poems

Armand Garnet Ruffo's staggeringly powerful poetry collection, The Dialogues: The Song of Francis Pegahmagabow, was published in spring 2024 by Wolsak & Wynn. This collection of poems and lyric essays brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories. From Wasauksing (Parry Island) to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection. These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world. The collection also just won the Betsy

In the poetry collection Prayers of a Heretic (Plain View Press, 2015), Yermiyahu Ahron Taub explores the "crime" of heresy and the condition of existential displacement through the language of prayer and prayerful voice/s. In the first section, "Visits and Visitations," the poet imagines a variety of protagonists in situations of supplication. The second section, "In the Gleaning," examines the life, transgressions, and prayers of the title character and the primacy of books, libraries, and reading for refuge and reconfiguration. Eschewing a secular/religious divide, the book offers an expansive interpretation of the enduring power of prayer. Four poems also have a Yiddish version. Interviewee: Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. Taub earned a Master of Arts degree in history from Emory University and a Master of Library and Information Science degree from Queens College, City University of New York. Host: Schneur Zalman Newfield is an Associate Professor of Sociolog

Dr. Dennis Wuerthner’s Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo (U Hawaii Press, 2024) is the first complete English translation of one of the oldest extant Korean source materials. The scholar, Yi Illo (1152–1220), filled this collection with poetry by himself and diverse writers, ranging from Chinese master poets and Koryŏ-era kings, to long-forgotten lower-level officials and rural scholars. The verse compositions are embedded in short narratives by Yi that provide context for the poems, a combination called sihwa. The book contains a comprehensive introduction that explores the lives of Yi Illo and his contemporaries, and the political landscape at the time this collection came into being. The translation itself is richly annotated to provide context to the allusions and to explore possible meanings. The publication is an excellent resource for readers interested in the political and social environment of the Koryŏ Dynasty (918–1392) and for anyone with a love for poetry and prose

Poetry is a commentary on life, on the human longing to find shelter in a space where the spiritual and the physical, the holy and the profane meet. For thousands of years, the exploration of text, of words, of what was not said between the lines has been a creative and meaning-making outlet for Jewish scholars and artists. With Tashlikh (Ben Yehuda Press, 2024), Tikva Hecht inscribes herself into this tradition, adding her distinct and honest voice, inquisitive, meditative, enchanting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Nicholas Molbert's Altars of Spine and Fraction (Curbstone Press/Northwestern UP, 2024) follows its protagonist through the joys and dangers of childhood on the rural Gulf Coast, through familial loss, and into adulthood. Refusing to romanticize what has been lost, Molbert instead interrogates how nostalgia is most often enjoyed by those with the privilege to reject or indulge it. Violent hurricanes sweep across the landscapes of the poems, and Molbert probes the class inequalities that these climate crises lay bare. Moving from outdoor rural spaces in its first half to indoor domestic spaces in its second half, the collection explores family history, generational trauma, and the toxic masculinity that is shouldered by the boys raised in the Deep South. Born and raised on Louisiana’s Gulf Coast, Nicholas lives in Los Angeles. He is the author of Altars of Spine and Fraction: Poems (Northwestern University Press / Curbstone Books, 2024) and two poetry chapbooks from Foundlings Press: Goodness Gracious (2019) a

Lesbian poetry as a form of socio-political praxis in the Philippine context. This episode’s guest argues that lesbian writing – by lesbians and about lesbians – is a form of activism and decolonial praxis, as well as an important form of political identity. Dr Naomi Cammayo’s academic/literary interests are within the fields of poetry, Philippine Studies, lesbian feminism and queer feminism. She is currently a tutor at the University of Sydney’s School of Art, Communication and English and the School of Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Scholars, critics, and creators describe certain videogames as being “poetic,” yet what that means or why it matters is rarely discussed. In Game Poems: Videogame Design as Lyric Practice (Amherst College Press, 2023), independent game designer Jordan Magnuson explores the convergences between game making and lyric poetry and makes the surprising proposition that videogames can operate as a kind of poetry apart from any reliance on linguistic signs or symbols. This rigorous and accessible short book first examines characteristics of lyric poetry and explores how certain videogames can be appreciated more fully when read in light of the lyric tradition—that is, when read as “game poems.” Magnuson then lays groundwork for those wishing to make game poems in practice, providing practical tips and pointers along with tools and resources. Rather than propose a monolithic framework or draw a sharp line between videogame poems and poets and their nonpoetic counterparts, Game Poems brings to light new insights for vi

Fierce and unflinching, Rochelle Potkar's poetry springs from the deeply personal and ripples out to the world, capturing lovers' whispers and reverberations of explosions with equal ease. Vividly depicting love, grief, anger, and defiance, these poems glimmer like coins beneath the water surface, tethered with the weight of wishes clinging to them. As sensuous as it is articulate, Coins in Rivers (Hachette India, 2024) is a deep meditation on womanhood, motherhood, and citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In Christian Collier's debut poetry collection, Greater Ghost (Four Way Books, 2024), this extraordinary Black Southern poet precisely stitches the sutures of grief and gratitude together over our wounds. These pages move between elegies for private hauntings and public ones, the visceral bereavement of a miscarriage alongside the murder of a family member, and the specter of police brutality. With a profound awareness of literary tradition, Collier enters into the American canon and dialogues with Black Southern noir--a poem like "Beloved," whose title expresses not only a genuine tenderness in its term of endearment but invokes Morrison, contextualizes this book within the legacy of racial injustice in the U.S., presenting again the prolific losses and disproportionate Black mortality across time, and yet remembers the resilience of love and transformative possibility of self-actualization from inside tragedy. Christian J. Collier is a Black, Southern writer, arts organizer, and teaching artist who resides