New Books In Poetry

In Oculus (Graywolf Press, 2019), Sally Wen Mao explores exile not just as a matter of distance and displacement, but as a migration through time and a reckoning with technology. The title poem follows a girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence speaks in the voice of international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.“I’ve tried to hard to erase myself.That iconography—my facein Technicolor, the m

In his own description of his book, And Then I Got Fired: One Transqueer’s Reflections on Grief, Unemployment, & Inappropriate Jokes About Death, J Mase III writes, “Feel free to scream directly into this book if you need to.” It is in this invitation that J Mase III takes on themes of the messiness of grief, Black trans spirituality, and what it means to be an independent artist. Written after the passing of both his grandmother and father within the span of three months, this book is honest, brave, and full of love.J Mase III is a Black trans queer poet and educator and is the founder of awQward, a talent agency exclusively for trans and queer people of color. You can check out his amazing work and purchase his book here.Learn more about your ad choices. Visit megaphone.fm/adchoices

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself.Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016).Learn more about your ad choices. Visit megaphone.fm/adchoices

Grey Held writes of Frances Donovan's book, Mad Quick Hand of the Seashore (Reaching Press 2018 ), "there is hunting for love, there is basking in love, there is longing." This collection offers all of these things. It examines what it is to love romantically, sexually, as a friend, and as a resident of the world. It pulls us down into the micro-moments of our lives and then catapults us out into the universe. In this episode, we touch upon marginalization, hope for inclusion, the writer's journey, and how we come to the page on our own terms.Mad Quick Hand of the Seashore was named a finalist in the 2019 Lambda Literary Awards. Her publication credits include The Rumpus, Snapdragon, and SWWIM. An MFA candidate at Lesley University, she is a certified Poet Educator with Mass Poetry and has appeared as a featured reader at numerous venues. She once drove a bulldozer in a GLBT Pride parade while wearing a bustier and combat boots. You can find her climbing hills in Boston and online at www.gardenofwords.com.Bor

In The Devil’s Dreamland: Poetry Inspired by H.H. Holmes (StrangeHouse Books, 2018), Sara Tantlinger intertwines fact and speculation to examine inner workings of H.H. Holmes, a man who committed ghastly crimes in the late 19th century and who is often credited with being America’s first serial killer. Narratively arranged, these poems offer up an evocative and chilling imagining of life and times of Holmes along with his wives, victims, and accomplices. A profound and fascinating collection for anyone interested in the riveting realm of true crime.“The building shiversbeneath each curve of my footstep,my home, my castlefit for Bluebeard himself,entwining murder and luxurylike salt and sugarplaced gently on the tonguewhere each tiny grain dissolvesin a way blood never will.”— from “Shades of Wild Plum”Sara resides outside of Pittsburgh on a hill in the woods. Her dark poetry collections Love for Slaughter and The Devil’s Dreamland: Poetry Inspired by H.H. Holmes are published with StrangeHouse books. She is a

Isobel O’Hare’s all this can be yours (University of Hell Press, 2019) presents a series of erasures crafted from celebrity sexual assault apologies. These poems offer fierce explorations of the truth hidden behind apologies intended to explain away or dilute culpability, rather than accept responsibility. The result is a powerful collection that opens up a wider conversation surrounding sexual assault and the need for change on a systemic level. Isobel O’Hare is a poet and essayist who has dual Irish and American citizenship. She is the author of the chapbooks Wild Materials (from Zoo Cake Press, 2015), The Garden Inside Her (from Ladybox Books, 2016), and Heartbreak Machinery (forthcoming from dancing girl press in 2019). Her collection of erasures of celebrity sexual assault apologies, all this can be yours, is now available from University of Hell Press. And she is currently editing an anthology of erasure poetry, called Erase the Patriarchy, due out from University of Hell Press in 2019. Isobel earned an

Basic Programming ( Lavender Ink, 2018), the latest collection by Megan Burns, is an exercise in balance. Between grief and healing. Between humanness and technology. Between examination and acceptance. Building from her brother's death and journeying through her grieving process, Burns guides readers into her heart and back out the other side, all of us changed and inquisitive after learning just what it means to be who we are both as people and programs. Learn more about your ad choices. Visit megaphone.fm/adchoices

The poetry and prose in Ivy Johnson’s Born Again (The Operating System, 2018) beautifully dives into the ecstatic expression of religious experience. With its confessional style, this collection gives power to the female voice, rending open that which would be hidden behind closed doors. The work blends sensuality and spirituality, merging the grounded reality of existing a physical body in the world with a sense of worship, prayer, and spell casting.I submerge my hands in ink and smear them across the wallI cover my body in rich purple paint and rub against white paperI place a sticker of the Virgin Mary on my bedroom window next to the fire escapeShe hurts with the glow of blue frostI race down the stairs to make snow angels in the dog-pissFill the silhouette of my body with marigolds— from “Take a Moment to Gather Yourself”Ivy Johnson is a poet and performance artist in Oakland, CA. Her book, As They Fall, is a collection of 110 notecards for aleatoric ritual and was published by Timeless, Infinite Light i

In her first full-length collection, A Cruelty Special to Our Species (Ecco Books, 2018), Emily Jungmin Yoon examines forms of violence against women. At its core these poems delves into the lives of Korean comfort women of the 1930s and 40s, reflecting on not only the history of sexual slavery, but also considering its ongoing impact. Her poems beautifully lift the voices of these women, helping to make them heard and remembered — while also providing insight into current events, environmentalism, and her own personal experiences as a woman in the world.During her interview, Emily Jungmin Yoon recommends Autobiography of Death (New Directions Books, 2018), written by Kim Hyesoon and translated by Don Mee Choi, and Hardly War (Wave Books, 2016) by Choi.Andrea Blythe is a co-host of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018),  a collaborative chapboo

Pillow of Dreams (Nivedita Lakhera, 2017) is an intensely emotional and inspirational collection of poetry and art by Dr. Nivedita Lakhera. She experienced a stroke, divorce, and then a heartbreak all at the young age of 27. She is a doctor of Internal Medicine and is serving as a Hospitalist in San Jose, California. Her career in medicine has inspired some of her greatest work, such as a poem written about the last moments of life of a cancer patient she treated. In this book, she opens each section with a letter written to the reader. In these sections you will meet: Saibo – the one who loves, Meera- the one who yearns, Anahita-the one who heals, and Mulan – the one who conquers. One hundred percent of the book sale profits go towards developing telemedicine software for Syrian refugee camps, developing countries, tribal / remote areas and acute disaster situations. Her work has inspired many and she is a keynote speaker at multiple conferences. Jeremy Corr is the co-host of the hit Fixing Healthcare podca

In this episode, we speak with Vernon Keeve III about his book Southern Migrant Mixtape (Nomadic Press, 2018), a collection published by Nomadic Press. Memoir comes in many forms, be it poetry or prose. Keeve’s work is a bridge between both worlds. In a manner that is simultaneously universal and intimate, his book is an unflinching view at what it is to be black, queer, disenfranchised, jubilant, and resilient. Via his deft pen, Keeve turns his focus on how his own personal history is deeply connected to, and is bolstered by, the black experience in society. It is via this collection, Keeve hopes to create a legacy for the story of his family, his culture, and the future. As he writes in “The decomposition of Emmett,” There is a dis- ease in the land. This collection dissects the diss, the unease, and the sickness of American generations as a means of healing and reconciliation. Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Jo

Published by the University of Hawaii Press in 2016, Nick Admussen’s exciting new book Recite and Refuse: Contemporary Chinese Prose Poetry explores the development of twentieth-century prose poetry within the unique political and cultural context of Communist China. In this ambitious study, Admussen attempts not only to define prose poetry but also to trace its ever-shifting role in modern Chinese society. In doing so, he produces a study which comprehensively analyses the dynamic manner in which Chinese prose poetry engages with a range of diverse cultural discourses, including science, popular culture and political rhetoric. Throughout the book, Admussen foregrounds the protean nature of the genre by exploring how prose poetry has been used by poets working both within and outside of official Communist Party strictures. Moreover, he identifies Chinese prose poetry as a unique tradition, distinct from Euro-American manifestations of the genre. In addition to these insightful analyses, Recite and Refus

In this special episode of New Books in Australian and New Zealand Studies, we are joined by two fantastic Australian poets. In her new poetic narrative, Walking with Camels: The Story of Bertha Strehlow (UWA Publishing, 2018), poet Leni Shilton takes us back to Central Australia of the 1930s to tell the story of Bertha Strehlow, one of very few white women living among Aboriginal people at the time. In her new collection, The Sky Runs Right Through Us: Poems from the Edge of the Indian Ocean (UWA Publishing, 2018), poet Renee Pettitt-Schipp recounts her time working with asylum seeker and islander students on Christmas Island and the Cocos (Keeling) Islands, an experience that can never be forgotten, even after her return to the Australian mainland.Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists

The list is the origin of culture. At least, that’s according to Umberto Eco, whose words open Liam Cole Young‘s new book, List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed (Amsterdam University Press, 2017). Young follows shifting functions of the list through history, revealing a form that “mediates boundaries between administration and art, knowledge and poetics, sense and nonsense” (10). Where systems of order surround and enframe human society, the list is there. Lists shape and shift the social world as new uses for the list are discovered, adapted, modified, and abandoned. As a searching exploration of the way that our intellectual tools “simultaneously conceal and reveal, enforce and subvert social systems,” List Cultures proves to be a rewardingly vigorous and sweeping intellectual history. List Cultures restores formal analysis to a critical discourse divided between analyses of institutions, contexts, and particular historical uses of texts. Begin

Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital. Daniel Kane, the author of Do You Have a Band?: Poetry and Punk Rock in New York City (Columbia University Press, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock. Daniel Kane is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Sid

There is a long tradition of the study of Sikhism in Western academia. However, historiographical accounts still lack a clear vision of the early formation of the tradition. Rahuldeep Singh Gill, Associate Professor of Religion at California Lutheran University, addresses this lacuna in Drinking From Love’s Cup: Surrender and Sacrifice in the Vars of Bhai Gurdas Bhalla (Oxford University Press, 2017). Through a detailed analysis and lucid translation of the literary tradition of Bhai Gurdas Bhalla (d. 1636), the tradition’s most important poet, Gill challenges and critiques current modes of Sikh scholarship. Bhai Gurdas’ poetry shaped early Sikh theology and practice, providing an emotive lexicon for communal identity. Gill highlights some of the most important of Gurdas’vars in articulating key themes in his writing, including spiritual death, martyrdom, sacrifice, and divine love. These tropes often emerge in the context of relationships with Sikh leadership, such as the martyr Guru

Jackson Poetry Prize Winner Speaks Patricia Spears Jones has been writing poetry since she was twenty and then she was “good.” Today, the prolific poet is the winner of one of the most prestigious poetry prizes–the Jackson Poetry Prize. She has numerous published collections, and A Lucent Fire, New & Collected Poems (White Pines Press, 2015), is a report on the current state of everything. “Poetry is hard work,” Jones says. Yet the job of the poet is to say something that will matter, that can improve the daily and momentary experience of living and speak back to American capitalist business when it comes to gentrification, stolen history, and racist hatred. Rachel Levistsky of Bomb Magazine writes “Jones’s poems insist on making vibrantly possible American, black, female, queer, poor, jazz, assimilated, heroic, unemployed, crazy, displaced lives that, considering the constant assault on them, can appear merely endangered and precarious.” Additionally, A Luc

Ever since their composition in the 13th century the poems of the Persian writer Rumi have enthralled millions of readers around the world. In Rumi’s Secret: The Life of the Sufi Poet of Love (Harper, 2017), Brad Gooch describes the life of their author and the path that took him from scholarship to poetry. The son of a scholar and cleric, Rumi traveled extensively as a child and enjoyed a wide-ranging education that prepared him for a life as a teacher and jurist. His meeting with the traveling mystic Shams of Tabriz transformed Rumi’s life, as he soon abandoned his education and responsibilities in favor of immersion into a life of aestheticism. As Gooch explains, it was this relationship which sparked Rumi’s development into the poet he became, as his deep and passionate relationship with Shams created a wellspring of emotions that were subsequently embodied in some of the most enduring verses ever written.Learn more about your ad choices. Visit megaphone.fm/adchoices

There’s a phrase that sometimes comes up among those of us who love poetry. Its called the “heresy of paraphrase.” It’s from a book published in 1947 by Cleanth Brooks titled The Well Wrought Urn, but it captures an idea that goes back to Aristotle. And this is the idea: a poem–at least a good poem–is a finally crafted work of art, and the way its crafted, the way its words are structured, is intrinsic to its meaning. You can’t paraphrase a poem. You can’t say it really means or basically means this or that, like you can with other sorts of communication, without distorting it, because how a poem uses language is as important as what its language conveys. In a poem, form and content are inseparable. This view of poetry is the reason those of us who love poetry end up running to our bookshelves in the middle of a dinner party and pulling down our favorite poems and reading them aloud to our unsuspecting guests, because once you mention a poem you love, it doesn&#