New Books In East Asian Studies

“We’ll compete with confidence; we’ll cooperate wherever we can; we’ll contest where we must.” That’s the new China strategy as outlined by U.S. Secretary of State Antony Blinken earlier this year. But just exactly how countries should deal with China—including working with it, when the times call for it—is perhaps the thorniest question in international relations right now, at least in the West. Scott Moore gives his framework on the U.S. and China in China's Next Act: How Sustainability and Technology are Reshaping China's Rise and the World's Future (Oxford University Press, 2022). With reference to issues like public health, A.I and biotechnology, he gives his views on how the U.S. should approach China–cooperation, competition or conflict. In this interview, Scott and I talk about the U.S.-China relationship, how it’s changed–and how U.S.-China competition could, under the right circumstances, still lead to global progress. Scott M. Moore is Director of China Programs and Strategic Initiatives in the Off

Shinjuku Ni-chome is a nightlife district in central Tokyo filled with bars and clubs targeting the city's gay male community. Typically understood as a "safe space" where same-sex attracted men and women from across Japan's largest city can gather to find support from a relentlessly heteronormative society, Thomas Baudinette's Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo (U Michigan Press, 2021) reveals that the neighborhood may not be as welcoming as previously depicted in prior literature. Through fieldwork observation and interviews with young men who regularly frequent the neighborhood's many bars, the book reveals that the district is instead a space where only certain performances of gay identity are considered desirable. In fact, the district is highly stratified, with Shinjuku Ni-chome's bar culture privileging "hard" masculine identities as the only legitimate expression of gay desire and thus excluding all those men who supposedly "fail" to live up to these hegemonic gendered i

Today I spoke with Carles Prado-Fonts on his recently published book Secondhand China: Spain, the East, and the Politics of Translation (Northwestern UP, 2022). This transcultural study of cultural production brings to light the ways Spanish literature imagined China by relying on English- and French-language sources. Carles Prado-Fonts examines how the simultaneous dependence on and obscuring of translation in these cross-cultural representations created the illusion of a homogeneous West. He argues that Orientalism became an instrument of hegemony not only between “the West and the rest” but also within the West itself, where Spanish writers used representations of China to connect themselves to Europe, hone a national voice, or forward ideas of political and cultural modernity. Uncovering an eclectic and surprising archive, Prado-Fonts draws on diverse cultural artifacts from popular literature, journalism, and early cinema to offer a rich account of how China was seen across the West between 1880 and 1930

Yan Ge and Jeremy Tiang are both writers who accumulate languages. Sitting down with host Emily Hyde, they discuss their work in and across Chinese and English, but you’ll also hear them on Sichuanese, the dialect of Mandarin spoken in Yan Ge’s native Sichuan province, and on the Queen’s English as it operates in Singapore, where Jeremy grew up. Yan is an acclaimed writer in China, where she began publishing at age 17. She now lives in the UK. Her novel Strange Beasts of China came out in English in 2020, in Jeremy’s translation. Jeremy, in addition to having translated more than 20 books from Chinese, is also a novelist and a playwright currently based in New York City. This conversation roams from cryptozoology to Confucius, from the market for World Literature to the patriarchal structure of language. Yan reads from the “Sacrificial Beasts” chapter of her novel, and Jeremy envies the brevity and compression of her Chinese before reading his own English translation. Throughout this warmhearted conversation,

Most Hong Kong residents nowadays only have to worry about a wandering boar or an aggressive monkey in their day-to-day lives. But for much of its history, those living in the British colony were worried about a very different form of wildlife: the South China tiger. Not that their British overlords always believed them, as John Saeki notes in his book The Last Tigers of Hong Kong: True Stories of Big Cats that Stalked Britain's Chinese Colony (Blacksmith Books: 2022). Police officers, civil servants and journalists often dismissed sightings as a case of mistaken identity by confused locals—until authorities saw tigers with their own eyes, in which case it became a much more serious problem. In this interview, John and I talk about the tiger, and its many sightings—rumored and confirmed—in the now-lost rural communities of Hong Kong. John Saeki runs the graphics desk in the Hong Kong office of the international newswire Agence France-Presse. He spends his working days writing, designing and editing maps, char

Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality. Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced. Mentioned in the episode Yoshikazu Nango, "A new form of 'solitary space'...." (2021) Haruki Murakami's detailed fictional worlds of the

We don’t even know the real name of the 11th century author Murasaki Shikibu. But we do know that her book, The Tale of Genji, is arguably one of the most influential Japanese texts to date. Genji quickly captured its readers’ imaginations with political intrigue and court drama, but it can also be read as an astute critique of Japanese elite society. Reginald Jackson is an associate professor of Pre-modern Japanese Literature and Performance at the University of Michigan. He is the author of Textures of Mourning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In this episode, Carlos Rojas shares with us his experience as a translator. He has translated several renowned authors in the Chinese-speaking world, including Yan Lianke, Yu Hua, Jia Pingwa, and Ng Kim Chew, into English. Among the literary translations, Carlos has translated ten books written by Yan Lianke, including novels, short stories, novellas, and essay collections. The books include Lenin’s Kisses (2012), The Four Books (2015), Marrow (2016), The Explosion Chronicles: A Novel (2017), The Years, Months, Days: Two Novellas (2017), The Day the Sun Died (2018), Three Brothers: Memories of My Family (2020), the most recent Hard Like Water (2021) and Discovering Fiction (2022), and the forthcoming Heart Sutra (2023). Yan Lianke is one of the most famous and prolific authors in China. He is the winner of the Newman Prize for Chinese Literature and the Franz Kafka Prize and a two-time finalist for the Man Booker International Prize. He teaches at Renmin University in Beijing and the Hong Kong University of

Born to a powerful family and educated at the prominent Mindröling Monastery, the Tibetan Buddhist nun and teacher Mingyur Peldrön (1699–1769) leveraged her privileged status and overcame significant adversity, including exile during a civil war, to play a central role in the reconstruction of her religious community. In The Tibetan Nun Mingyur Peldrön: A Woman of Power and Privilege (U Washington Press, 2022), Alison Melnick Dyer employs literary and historical analysis, centered on a biography written by the nun's disciple Gyurmé Ösel, to consider how privilege influences individual authority, how authoritative Buddhist women have negotiated their position in gendered contexts, and how the lives of historical Buddhist women are (and are not) memorialized by their communities.  Mingyur Peldrön's story challenges the dominant paradigms of women in religious life and adds nuance to our ideas about the history of gendered engagement in religious institutions. Her example serves as a means for better understandi

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. In recent years, Confucius Institutes—cultural and language programs funded by the Chinese government—have garnered attention in the United States due to a debate over whether they threaten free speech and academic freedom. In addition to this, much of the scholarly work on Confucius Institutes analyzes policy documents. Anthropologist Jennifer Hubbert seeks to ask more complex questions and in-depth research in her new book China in the World: An Anthropology of Confucius Institutes, Soft Power, and Globalization (University of Hawaii Press, 2019). She considers what China’s soft power efforts look like in implementation, in addition to policy, and what this can tell us about China’s changing place in the world. Over the course of five years (2011-2016), Hubbert conducted transnational, multiscalar, multisited ethnographic and archival research in Confucius Institutes in the United States a

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we’re back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch’iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha p

The phenomenon of “war brides” from Japan moving to the West has been quite widely discussed, but this book tells the stories of women whose lives followed a rather different path after they married foreign occupiers. During Okinawa’s Occupation by the Allies from 1945 to 1972, many Okinawan women met and had relationships with non-Western men who were stationed in Okinawa as soldiers and base employees. Most of these men were from the Philippines. In Okinawan Women's Stories of Migration: From War Brides to Issei (Routledge, 2022), Zulueta explores the journeys of these women to their husbands’ homeland, their acculturation to their adopted land, and their return to their native Okinawa in their late adult years. Utilizing a life-course approach, she examines how these women crafted their own identities as first-generation migrants or “Issei” in both the country of migration and their natal homeland, their re-integration to Okinawan society, and the role of religion in this regard, as well as their thoughts

Juliane Noth’s Transmedial Landscapes and Modern Chinese Paintings, coming very soon from the Harvard University Asia Center (2022), tracks a relatively short but transformative period in ink painting that coincides with the Nanjing Decade, 1927-1937. In the book, Noth considers how artists negotiated the continuing relevance and development of a form that came to be defined as guohua, or “national painting,” vis a vis the introduction of photography and new (print) technologies. She argues that their theoretical writings and painting practice, far from statically embracing “tradition,” brimmed with the tension between cosmopolitanism and cultural defense. The artists considered in the book reinterpreted Chinese art history in relation to Western developmental models and technologies while maintaining an active formal conversation with literati painting traditions. The emergence of what Noth theorizes as “transmedial” landscapes was also strongly intertwined with state rail and road infrastructure projects an

What explains the uneven meatification of diets in three of Asia’s core ‘emerging economies’? How and why is meat consumption changing today, and what role have American fast-food chains played? To discuss these questions and more, Helene Ramnæs, coordinator for the Norwegian Network for Asian Studies, is joined by Marius Korsnes, Kenneth Bo Nielsen and Arve Hansen. Asian diets include considerably more meat now than in the recent past, but meat is a contested issue. China and Vietnam have experienced some of the world’s most dramatic meat booms but vegetarianism increases and concerns for unsafe production methods and negative health effects have made people cautious about the meat they eat. While India defies global meat trends, contemporary India is not as vegetarian as it claims, and a large beef sector exists in an uneasy relationship with Modi’s hindu-nationalist regime. Marius Korsnes specialises in Science and Technology Studies at the Department for Interdisciplinary Studies of Culture at the Norwegi

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society a

From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. Expansively illustrated with multiple maps and illustrations, The Japanese Buddhist World Map: Religious Vision and the Cartographic Imagination (University of Hawai’i Press, 2021) by D. Max Moerman is the first monograph of its kind to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possib

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one’s boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of 

A young sake bar owner, Yusuke Shimoki, arrives on the doorstep of Hannah Kirshner’s Brooklyn apartment “with a suitcase full of Ishikawa sake,” in Hannah’s words. That visit sparked a years-long connection between Hannah and the rural Japanese community of Yamanaka, a home for artisans and artists, hunters and farmers, and other ordinary Japanese trying to live in the countryside. Those visits are the subject of Hannah’s book, Water Wood and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town, published in hardcover by Viking in 2021, and in paperback by Penguin this year. Hannah learns how to make sake, craft wooden trays, hunt ducks, farm vegetables, and several other activities common in this part of rural Japan. And, as an added bonus, readers get to see recipes garnered from Hannah’s time in Yamanaka! In this interview, Hannah and I talk about rural Japan, duck hunting, drinking sake and growing vegetables, as well as some of her favorite recipes in the book! Hannah Kirshner is a wri

In The Concrete Plateau: Urban Tibetans and the Chinese Civilizing Machine (Cornell UP, 2022), Grant examines how China’s urban development policies of frontier cities like Xining (Tib. zi ling) accompanied civilizational projects that deployed various discursive and non-discursive practices aimed at creating ideologically homogeneous and modern places. Xining or Ziling is the capital of Qinghai (Tib. mtsho sngon) province and it is the largest city on the Tibetan Plateau and home to over 200, 000 Tibetans. Dr. Grant shows how specific processes complicate the rural/urban divide and allow for the emergence of a “regional modernity” where Tibetan urbanites develop tools for the “remediation of the Chinese Dream,” and subtly challenge and subvert the social and ethnic hierarchies promoted through urban development policies. Despite the idea of the city or Trungcher (grong 'khyer) as a place of moral decay and social disintegration, instead of rejecting and retreating from it, Tibetans view the city as a site of

Can spiritually and religiously inspired environmental movements in Asia help reach the global goal of environmental sustainability? This question lies at the heart of the research project “Transcendence and Sustainability: Asian Visions with Global Promise” that we focus on in this episode. Also known as TRANSSUSTAIN, the project builds on the observation that scholars, activists, and even politicians in many Asian countries have found inspiration in traditional knowledge and in the premodern texts and practices of, for instance, Daoist, Buddhist, Hindu, and Confucian traditions to envision more ecologically sustainable futures. Exploring the mobilization and recalibration of such traditional Asian religio-philosophical ideas in response to the global environmental crisis, the project seeks to assess the potential of Asian environmental movements for helping us build sustainable global futures. Mette Halskov Hansen is professor of China Studies at the University of Oslo. Amita Baviskar is professor of Enviro