New Books In East Asian Studies

What does it mean to be a meritocracy? Ask an ordinary person, and they would likely say it means promoting the best and brightest in today’s society based on merit. But that simple explanation belies many thorny questions. What is merit? How do we measure talent? How does equality come into play? And how do we ensure that meritocracies don’t degenerate into the same old privileged systems they strived to replace? Tarun Khanna and Michael Szonyi write in their edited volume Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford UP, 2022) that “Few public policy issues generate as much analysis or rouse as much emotion as the question of how to make society more meritocratic,” Tarun, Michael, and their fellow contributors try to define, study, and interrogate the idea of meritocracy with reference to two countries in particular: India, and China. In this interview, Tarun, Michael and I talk about meritocracy, why they chose Asia as their focus, and why it’s important to underst

The late Qing was a time of great turmoil and upheaval but also a time of great possibility, as scholars, officials, the press, and revolutionaries all sought to find ways to shape China’s future. For many, as explored in Daniel Barish’s new book, Learning to Rule: Court Education and the Remaking of the Qing State, 1861-1912 (Columbia UP, 2022), the solution lay not outside the Qing but within it — with the emperor himself. Learning to Rule explores the education of the final three Qing emperors, looking at how debates about Western learning, foreign language education, the Manchu Way, and constitutionalism played out in the classrooms of the Qing emperors. Not only is this an intimate and deeply human look at the emperor and court life, it also shows just how involved the Qing was in global conversations about the role and education of a monarch, with many drawing on the examples of rulers in Russia and Japan when proposing their own plans for the Qing. Vividly written, this book will be of interest to any

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media. The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasur

Haruki Murakami, a global literary phenomenon, has said that he started writing fiction as a means of self-therapy. What he has not discussed as much is what he needed self-therapy for. This book argues that by understanding more about why Murakami writes, and by linking this with the question of how he writes, readers can better understand what he writes. Murakami's fiction, in other words, can be read as a search for self-therapy.  In five chapters which explore Murakami's fourteen novels to date, Haruki Murakami and the Search for Self-Therapy: Stories from the Second Basement (Bloomsbury, 2022) argues that there are four prominent therapeutic threads woven through Murakami's fiction that can be traced back to his personal traumas - most notably Murakami's falling out with his late father and the death of a former girlfriend – and which have also transcended them in significant ways as they have been transformed into literary fiction. The first thread looks at the way melancholia must be worked through for

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the int

How should one dwell in endtime? In this SPIDER-spun web of a book, Wendi Adamek guides readers to the visual and textual traces left by Buddhist nuns, monks, and devotees on mountainsides in Baoshan, north central China, and through them, the soteriology of Buddhism in the medieval world. The convents have vanished and the stones weathered, but the skillful work in maintaining co-constitutive relations is as palpable as ever. Thoroughly researched and artfully written, Practicescapes and the Buddhists of Baoshan (Hamburg Buddhist Studies, 2021) advances scholarship without leaving the lay reader behind. The comparative insights, theory-work, and appended transcriptions of this definitive study constitute a gift to past, present, and future travelers. This book is available open-access. Jessica Zu is an Assistant Professor in the School of Religion at USC Dornsife. She specializes in modern Chinese Yogācāra and Buddhist social philosophy. You can find her on Twitter @ JessicaZu7 or email her at xzu@usc.edu. L

Critics of globalisation come in many forms from environmentalists to trade unionists and many others in between. In the midst of all the controversy less attention has been paid to how big a phenomenon globalisation actually is and how it compares to another trend – regionalism. In this podcast Owen Bennett Jones discusses The Globalisation Myth: Why Regions Matter (Yale University Press, 2022) with its author, Shannon K. O Neil.  Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

On July 6, 1998, the last flight took off from Kai Tak International Airport, marking the end of an era for Hong Kong aviation. For decades, international flights flew over the roofs of Kowloon apartments, before landing on Kai Tak’s runway, extending out into the harbor. Kai Tak–frankly, a terrible place for one of the world’s busiest international airports–is a good symbol of the story of Hong Kong’s aviation, as told in Hong Kong Takes Flight: Commercial Aviation and the Making of a Global Hub, 1930s–1998 (Harvard University Press, 2022) by John D. Wong and published by Harvard University Press. Hong Kong’s growth as a hub for commercial aviation was often unplanned, often the result of compromise–and yet wildly successful. The city was able to carve a niche for itself, in both the declining British empire and the wider world, while also having to deal with colonial bureaucracy, geopolitics, fierce competition and an entirely new Communist government across the border. In this interview, John and I talk ab

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu’s earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and n

Why some of Asia’s authoritarian regimes have democratized as they have grown richer—and why others haven’t Over the past century, Asia has been transformed by rapid economic growth, industrialization, and urbanization—a spectacular record of development that has turned one of the world’s poorest regions into one of its richest. Yet Asia’s record of democratization has been much more uneven, despite the global correlation between development and democracy. Why have some Asian countries become more democratic as they have grown richer, while others—most notably China—haven’t?  In From Development to Democracy: The Transformations of Modern Asia (Princeton University Press, 2022),' Dan Slater and Joseph Wong offer a sweeping and original answer to this crucial question. Slater and Wong demonstrate that Asia defies the conventional expectation that authoritarian regimes concede democratization only as a last resort, during times of weakness. Instead, Asian dictators have pursued democratic reforms as a proactive

Chasing Wrongs and Rights: My Experience Defending Human Rights Around the World (Simon & Schuster, 2022) by Elaine Pearson, the Asia Director at Human Rights Watch, is an intimate account of her journey fighting for human rights across the world. Part personal journey, part insider’s peek into the work of international human rights organizations, Chasing Wrongs and Rights is also a primer on advocacy with governments, an indictment of Australia’s human rights record and foreign policy, a career guide for people who want to work in human rights, and a reflection about what it takes for human rights change to happen. Above all the book comes out as a tribute to the activists and victims that she met, worked with, and fought for over the years in Thailand, Indonesia, Cambodia, Nepal, Sri Lanka, Papua New Guinea, Australia, and many other places. In this interview, Elaine talks about the work that Human Rights Watch does, her family history in China, her early career in anti-trafficking, her run-ins with abusive

In 1934, tens of thousands of Communist guerillas fled Jiangxi, in an extended retreat through hazardous terrain to Shaanxi in the north, while under fire from their Nationalist enemies. The Long March, as it became to be known, helped build the legend of the Chinese Communist Party, and of its leader Mao. While on the Long March, Mao had a daughter, who was left behind to live with a local family due to the trek’s dangers That event inspired Michael X. Wang’s debut novel Lost in the Long March (Overlook Press, 2022), about one couple who faced a similar decision–whether to leave their child behind–and that decision’s repercussions decades later. In this interview, Michael and I talk about the Long March, what makes it a great setting for a novel, and how its story aligns with many other family stories from modern China. Michael X. Wang was born in Fenyang, a small coal-mining city in China’s mountainous Shanxi province. His short story collection, Further News of Defeat (Autumn House Press: 2020), won the 20

Ying-chen Peng’s Artful Subversion: Empress Dowager Cixi’s Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng’s book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi’s her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio S

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2021) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation’s larger modernization project. Amanda S. Wangwright’s analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality. Huiying Chen is an Assistant Professor in History at Purdue University. She is interest

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai’s films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai’s cinema as an intertextual network, Cruisy, S

If the COVID-19 pandemic taught us anything, it is that the world is bound together by shared challenges—and that at the center of those challenges stands China. China's Next Act: How Sustainability and Technology Are Reshaping China's Rise and the World's Future (Oxford UP, 2022) re-envisions China’s role in the world in terms of sustainability and technology. The danger is that China’s next act will drive divergence on the rules and standards the world desperately needs in the decades ahead. This book helps foreign countries, companies, and other organizations prepare for a future shaped by sustainability, technology—and a dramatic new chapter for China and our world. Sample takeaways: China-linked political + economic risk isn’t going away and will get worse. No-regrets supply chain diversification will only make more sense over time. Environmental sustainability will become a bigger and bigger priority in the China market because of growing regulatory + consumer pressure. This is both in direct operatio

This week, RBI Director John Torpey talked with William Hurst, Professor of Political Science at Cambridge University, about the origins of the protests in China, how they differ from those in 1989, and the possibilities of regime change. Hurst delves into the mobilization and contentious politics of China and its local-central interplay, where protesters act as rational actors who use different strategies of bargaining and signaling. Moreover, Hurst addresses the implications of Xi Jinping's consolidation of power for the economic model of China and the prospects of change in the near future. Finally, Hurst discusses the outlawing of extramarital and same-gender sex in Indonesia and the role of religion in politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Entitled People, Place, Race, and Nation in Xinjiang, China: Territories of Identity (Palgrave MacMillan, 2022), David O’Brien and Melissa Shani Brown’s new book focuses upon the ways in which ethnic difference is writ through the banalities of everyday life: who one trusts, what one eats, where one shops, even what time one's clocks are set to (Xinjiang being perhaps one of the only places where different ethnic groups live by different time-zones). In this episode, Julie Yu-Wen Chen talk to David O’Brien and Melissa Shani Brown who are both working at Ruhr University Bochum in Germany now. The conversation unpacks how discourses of Chinese nationalism romanticise empire and promote racialised ways of thinking about Chineseness, how cultural assimilation ('Sinicisation') is being justified through the rhetoric of 'modernisation', how Islamic sites and Uyghur culture are being secularised and commodified for tourist consumption. Julie Yu-Wen Chen is Professor of Chinese Studies at the Department of Cultures a

Annika Culver’s Japan's Empire of Birds: Aristocrats, Anglo-Americans, and Transwar Ornithology (Bloomsbury Academic 2022) uses a previously unavailable archive of photographs as the jumping off point to follow the careers of Japanese ornithologists in the transwar generation as they navigated the complexities of their swiftly changing political circumstances. Japan’s Empire of Birds brings out the tensions between aristocratic connoisseurship elegance, scientific advancement, and intense personal relationships on the one hand; and imperial and military violence and race-based power hierarchies on the other. Birds themselves embody such paradoxes and tensions: they are symbols of freedom even as we trap, train them as hunters and spies, and even eat them, and they are both nationalist symbols (every country has a national bird) while migratory birds exist as transnational transgressors in a borderless world beyond human politics. These themes underlie Culver’s exploration of networks of Japanese ornithologist

Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live. In Palm Oil: The Grease of Empire (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession. Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past. Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Valu