In Our Time

Melvyn Bragg and guests discuss blood. For more than 1500 years popular imagination, western science and the Christian Church colluded in a belief that blood was the link between the human and the divine. The Greek physician, Galen, declared that it was blood that contained the force of life and linked the body to the soul, the Christian Church established The Eucharist – the taking of the body and blood of Christ. In our blood was our individuality, it was thought, our essence and our blood lines were special. Transfusion threatened all that and now itself is being questioned.Why is it that blood was used to define both man and messiah? And how has the tradition of blood in religious thought been affected by the progress of medicine?With Miri Rubin, Professor of European History at Queen Mary, University of London; Dr Anne Hardy, Reader in the History of Medicine at the Wellcome Trust Centre for the History of Medicine at University College London; Jonathan Sawday, Professor of English Studies at the Univers

Melvyn Bragg and guests discuss the Holy Grail.Tennyson wrote:“A cracking and a riving of the roofs,And rending, and a blast, and overheadThunder, and in the thunder was a cry.And in the blast there smote along the hallA beam of light seven times more clear than day:And down the long beam stole the Holy Grail”.The sacred allure of the Grail has fascinated writers and ensnared knights for a thousand years. From Malory to Monty Python, it has the richest associations of any artefact in British myth. But where does the story spring from? What does it symbolise and why are its stories so resolutely set in these Isles and so often written by the French?With Dr Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Jonathan Riley-Smith, Dixie Professor of Ecclesiastical History at Cambridge University; Dr Juliette Wood, Associate Lecturer in the Department of Welsh at the University College of Wales in Cardiff.

Melvyn Bragg and guests discusses the Jacobite Rebellion. In the summer of 1745, a young man in a small French frigate landed on the West Coast of Scotland. It was Bonnie Prince Charlie who began his campaign to become king of Scotland and England. He had seven followers amongst his shipmates and took to the Highlands to raise an army from the Scottish clans: “The Highland clans with sword in hand Frae John o Groats tae AirlieHae tae a man declared to standOr fa wi Royal Charlie”.Or so the old Jacobite song goes. But why was the latest scion of the Stuart dynasty such a favourite with the Scottish Highlanders? And did Bonnie Prince Charlie ever have a real chance of gaining the throne of England? With Murray Pittock, Professor of English Literature at the University of Strathclyde; Stana Nenadic, Senior Lecturer in Social History at Edinburgh University; Allan Macinnes, Burnett-Fletcher Professor of History at Aberdeen University.

Melvyn Bragg and guests discuss the Romans in Britain. About 2000 years ago, Tacitus noted that “the climate is wretched”, Herodian said, “the atmosphere in the country is always gloomy”, Dio said “they live in tents unclothed and unshod, and share their women” and the historian Strabo said on no account should the Romans make it part of the Empire because it will never pay its way. But invade they did, and Britain became part of the Roman Empire for almost four hundred years.But what brought Romans to Britain and what made them stay? Did they prove the commentators wrong and make Britain amount to something in the Empire? Did the Romans come and go without much trace, or do those four centuries still colour our national life and character today?With Greg Woolf, Professor of Ancient History at St Andrews University; Mary Beard, Reader in Classics at Cambridge University; Catharine Edwards, Lecturer in Classics and Ancient History at Birkbeck College, London University.

Melvyn Bragg and guests discuss the idea of youth. In 1898 Joseph Conrad wrote, “I remember my youth and the feeling that will never come back any more – the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to perils, to love, to vain effort – to death…”From antiquity to our own time, the concept of youth, with its promise of possibility and adventure, has been greeted with fascination as well as fear. The ancient Greeks saw the period of youth as dangerous and unpredictable, but how did they seek to control it? How did the Renaissance celebrate the ideals and intellect of youth? Why was 19th century British society so preoccupied with the moral well-being of young people? And does a distinct youth culture still exist? With Tim Whitmarsh, Lecturer in Hellenistic Literature at Exeter University; Thomas Healy, Professor of Renaissance Studies at Birkbeck College, London; Deborah Thom, Lecturer in History at Robinson College, Cambridge.

Melvyn Bragg and guests discuss the life and work Marcel Proust whose novel À La Recherche du Temps Perdu, or In Search of Lost Time, has been called the definitive modern novel. His stylistic innovation, sensory exploration and fascination with memory were to influence a whole body of thinkers, from the German intellectuals of the 1930s to the Bloomsbury set, chief among them Virginia Woolf, and innumerable critics and novelists since. But how did he succeed in creating a 3000 page novel with such an artistic coherence? To what extent did John Ruskin influence Proust? Is his fascination with memory and recall simply a nostalgia for the past? And what impact did he have on the 20th century novel? With Jacqueline Rose, Professor of English Literature at Queen Mary, University of London and author of Albertine; Malcolm Bowie, Master of Christ’s College, Cambridge and author of Proust among the Stars; Dr Robert Fraser, Senior Research Fellow in the Literature Department at the Open University and author of Prou

Melvyn Bragg and guests discuss the Spanish Civil War which was a defining war of the twentieth century. It was a brutal conflict that polarised Spain, pitting the Left against the Right, the anti-clericals against the Church, the unions against the landed classes and the Republicans against the Monarchists. It was a bloody war which saw, in the space of just three years, the murder and execution of 350,000 people. It was also a conflict which soon became internationalised, becoming a battleground for the forces of Fascism and Communism as Europe itself geared up for war.But what were the roots of the Spanish Civil War? To what extent did Franco prosecute the war as a religious crusade? How did Franco institutionalise his victory after the war? And has Spain fully come to terms with its past?With Paul Preston, Principe de Asturias Professor of Contemporary Spanish History at the London School of Economics; Helen Graham, Professor of Spanish History at Royal Holloway, University of London; Dr Mary Vincent, Sen

Melvyn Bragg and guests discuss the life cycle of stars. In his poem Bright Star John Keats wrote, "Bright Star, would I were steadfast as thou art". For Keats the stars were symbols of eternity- they were beautiful and ordered and unchanging - but modern astronomy tells a very different story. Stars, like everything else in the universe, are subject to change. They are born among vast swirls of gas and dust and they die in the stunning explosions we call supernovae. They create black holes and neutron stars and, in the very beginning of the universe, they forged the elements from which all life is made. But how do stars keep burning for millions of years, why do they self-destruct with such ferocity and what will happen to the universe when they all go out?With Paul Murdin, Senior Fellow at the Institute of Astronomy, Cambridge; Janna Levin, Advanced Fellow in Theoretical Physics in the Department of Applied Mathematics & Theoretical Physics at the University of Cambridge; Phil Charles, Professor of Astr

Melvyn Bragg and guests explore the creative force of originality. How far is it to do with origins, how far with the combination of the discoveries of others, which were themselves based on the thoughts of others, into an ever-receding and replicating past? Is invention original? Is original important? Is tradition more interesting and the reworking of what is traditional of greater value than the search for idiosyncrasy? And did our notion of the original genius come as much out of a commercial imperative for individual copyright in the eighteenth century, as a romantic view of human nature which came in, perhaps not co-incidentally, at the same time? In 1800, in his preface to Lyrical Ballads, Wordsworth wrote "Every great and original writer, in proportion as he is great and original, must himself create the taste by which he is to be relished". But did the notion of originality begin with the Romantics in the 18th century, or has society always valued originality? Should we consider Shakespeare an in

Melvyn Bragg and guests discuss redemption. In St Paul's letter to the Galatians, he wrote: "Christ has set us free; stand fast therefore, and do not submit again to a yoke of slavery". This conception of Redemption as freedom from bondage is crucial for Judeo-Christian thought. In Christianity, the liberation is from original sin, a transformation from the Fall to salvation - not just for mankind but for individual human beings. The content of that journey is moral, gaining redemption by becoming better.So why is the idea of transformation so appealing to human beings? To what extent were Christian views of Redemption borrowed from Judaism? How did philosophers such as Marx reinterpret the concept of Redemption and can redemption retain its value in a world without God? Does its continuing power signify a deep psychological need in humankind?With Richard Harries, Bishop of Oxford; Janet Soskice, Reader in Modern Theology and Philosophical Theology at Cambridge University; Stephen Mulhall, Fellow and Tutor in

Melvyn Bragg and guests discuss meteorology. The Book of Genesis resounds with a terrible act of vengeance, carried out by an angry God seeking to punish his people. And the mechanism with which this is carried out - a catastrophic flood which wipes out evil on earth. In fact, many ancient civilisations believed extreme meteorological phenomena like thunder and lightning, hailstones and even meteors were acts of divine intervention. Running parallel with this belief, however, was also a desire to understand and explain the natural world through rational enquiry and observation. This complex relationship – between the natural world and divinity – has fascinated philosophers, artists and scientists alike from antiquity to our own time. Aristotle, for example, coined the phrase meteorology but to what extent did he link meteorological events to the cosmos and the Gods? How did the development of instrumentation during the Renaissance aid the prediction of weather events? Why did 18th century writers such as Keat

Melvyn Bragg and guests discuss the Aztec Empire. According to legend, the origins of it lie on a mythical island called Aztlan - "place of the white herons" - in the north of Mexico. From there this nomadic group of Mesoamericans are said to have undertaken a pilgrimage south to the fertile valleys of Central America. In the space of just 200 years, they formed what has been called the largest, and arguably the most ruthless, pre-Hispanic empire in North America which, at its zenith, was to rule over approximately 500 small states, comprising by the 16th century some 6 million people. Was it military might and intimidation alone that helped the Aztecs extend their power? What part did their complex belief system play in their imperial reach? Their use of human sacrifice has been well documented, but how widespread actually was it? How easily were the Spanish conquistadors able to Christianise this empire? And what legacy did the Aztecs leave behind that lives on in our world today?With Alan Knight, Professor

Melvyn Bragg and guests discuss the Lindisfarne Gospels. In 597 Pope Gregory the Great ordered that a mission of monks be sent from Rome to convert Britain to its own brand of Christianity - lest it be submerged by the pagan beliefs of the Anglo-Saxon overlords. Just over 100 years later, the Lindisfarne Gospels were produced - lavish and ornate manuscripts, central to the story of how Britain came to be unified by the flag of the Roman Church – and they came to embody a set of beliefs and ideas that dominated Britain for a thousand years. Was the Rome mission in the 6th century the only strand of Christianity to sweep through Britain? Why did Northumbria become a key battleground for ideological dispute? How successful were the Lindisfarne Gospels in unifying the different strands of Christianity? To what extent did they serve as a founding statement of Christian identity in Britain?With Dr Michelle Brown, Curator of Illuminated Manuscripts at the British Library and author of A Guide to Western Historical S

Melvyn Bragg and guests discuss the theories of a grand design in the universe. The late evolutionary biologist Stephen Jay Gould argued that if you re-ran the tape of evolutionary history, an entirely different set of creatures would emerge. Man would not exist because the multitude of random changes that resulted in us would never be repeated exactly the same way. Others disagree, arguing that there is a pattern that points to some kind of direction – even, perhaps, a design, a sense that some things are pre-ordained. Who were the original proponents of the idea of a grand design? Were they deliberately setting out to find a scientific theory that could sit alongside religious faith? On the other hand, can the concept of contingency – or the randomness of evolution - be compatible with a belief in God? With Simon Conway Morris, Professor of Evolutionary Palaeobiology at Cambridge University and author of The Crucible of Creation – the Burgess Shale and the Rise of Animals; Sandy Knapp, botanist at the Natur

Melvyn Bragg and guests discuss the history of the epic. In his essay 'Why the novel matters', DH Lawrence argued that the novel contained all aspects of life. Perhaps better placed to make that claim is the epic. From tackling questions of identity, history, warfare, mortality and the ways of the Gods to narrating tales of magic and supernatural creatures, it was the Greek and Roman poems of Homer and Virgil that underpinned and explained the position of men in the world. And it was these narratives of heroic actions and grand deeds that were to form a template from which many future epics would be constructed from Chaucer's Troilus and Cressayde to Milton’s Paradise Lost. But who are the heroes of these epics? To what extent was the classical epic a political project, a means of creating a founding myth for empire? How did the Renaissance revive the form and how successful were writers such as Milton in rendering the Christian story an epic? And what does the novel owe to the epic?With, John Carey, Emeritus

Melvyn Bragg and guests discuss the calendar, which shapes the lives of millions of people. It is an invention that gives meaning to the passing of time and orders our daily existence. It links us to the arcane movements of the heavens and the natural rhythms of the earth. It is both deeply practical and profoundly sacred. But where does this strange and complex creation come from? Why does the week last seven days but the year twelve months? Who named these concepts and through them shaped our lives so absolutely? The answers involve Babylonian Astronomers and Hebrew Theologians, Roman Emperors and Catholic Popes. If the calendar is a house built on the shifting sands of time, it has had many architects. With Robert Poole, Reader in History at St Martin’s College Lancaster and author of Time’s Alteration, Calendar Reform in Early Modern England; Kristen Lippincott, Deputy Director of the National Maritime Museum in Greenwich; Peter Watson, Research Associate at the McDonald Institute for Archaeological Resea

Melvyn Bragg and guests discuss man and disease. The Book of Exodus makes clear that when God wants to strike humankind, he does so with plague and disease. For millennia epidemics were understood exactly that way - as acts of divine retribution, a force of nature that could devastate empires and annihilate great swathes of population at a stroke. From the bubonic plague to measles, from cholera to smallpox, epidemics have constantly reshaped our world, leaving destruction and huge social upheaval in their wake. Before advanced science, what defences did humankind have? How much did the ancient Greeks understand of the root causes of disease - or did they simply explain it as an imbalance of the four humours that governed the body? What were the social and political consequences of The Black Death of 14th century Europe which wiped out a third of the population? How did the scientific breakthroughs of the 19th century - and the discovery of germ theory - alter people's perception of disease? And is it possibl

Melvyn Bragg and guests discuss the Scottish Enlightenment of the 18th century. In 1696 the Edinburgh student, Thomas Aitkenhead, claimed theology was "a rhapsody of feigned and ill invented nonsense". He was hanged for his trouble - just one victim of a repressive religious society called the Scottish Kirk. Yet within 60 years Scotland was transformed by the ideas sweeping the continent in what we call the Enlightenment. This Scottish Enlightenment emerged on a broad front. From philosophy to farming it championed empiricism, questioned religion and debated reason. It was crowned by the philosophical brilliance of David Hume and by Adam Smith – the father of modern economics. But what led to this ‘Scottish Miracle’, was it an indigenous phenomenon or did it depend on influence from abroad? It profoundly influenced the American revolutionaries and the British Empire, but what legacy does it have for Scotland today?With Professor Tom Devine, Director of the Research Institute of Irish and Scottish Studies at t

Melvyn Bragg investigates the creatives forces of the imagination. Immanuel Kant said, "Imagination is a blind but indispensable function of the soul without which we should have no knowledge whatever but of which we are scarcely even conscious". Imagination has been the companion of artists, scientists, leaders and visionaries but what exactly is it? When did human beings first develop an imagination and why? How does it relate to creativity and what evolutionary function does creativity have? And is it possible to know whether our brains’ capacity for imagination is still evolving? With Dr Susan Stuart, Lecturer in Philosophy of Mind at the University of Glasgow; Steven Mithen, Professor of Early Prehistory at the University of Reading; Semir Zeki, Professor of Neurobiology at the University of London and author of Inner Vision: An Exploration of Art and the Brain.

Melvyn Bragg and guests discuss Muslim Spain. In 711 a small army of North African Berbers invaded Spain and established an Iberian Islamic culture that would last for over 700 years. Despite periods of infighting and persecution, Muslim Spain was a land where Muslims, Jews and Christians co-existed in relative peace and harmony. Its capital, Cordoba, although not unique amongst Spanish cities, became the centre and focus for generations of revered and respected philosophers, physicians and scholars. By the 10th century Cordoba was one of the largest cities in the world. But what some historians refer to as Cordoba’s Golden Age came to an end in the 11th century, when the society was destabilised by new threats from Africa to the South and Christendom to the North. However, it was not until 1492, when Granada fell to the Catholic monarchs Ferdinand and Isabella, that Islamic Spain was well and truly over.In that same year the Jews were expelled from its shores and Christopher Columbus set sail to lead Spanish