New Books In Literary Studies

Steven Shaviro’s book Discognition (Repeater Books, 2016) opens with a series of questions: What is consciousness? How does subjective experience occur? Which entities are conscious? What is it like to be a bat, or a dog, a robot, a tree, a human being, a rock, a star, a neutrino? Discognition looks at a series of fascinating science fiction narratives – in some cases reading philosophical or scientific literature as speculative fiction – to raise important questions about consciousness and sentience and to help readers understand the significance of those questions for how we live with ourselves and each other. In addition to opening up some wonderfully thoughtful and provocative works of science fiction, the book also models a transdisciplinary mode of scholarship that is as inspiring as it is effective. Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.Learn more about your ad choices. Visit megaphone.fm/a

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality

How does one show empathy towards someone across racial lines?  In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America.  Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.Learn more about your ad choices. Visit megaphone.fm/adchoices

The success of a translator may seem to lie in going unnoticed: the translator ducks out of the spotlight so that the original author may shine. Mark Polizzotti challenges that idea in a provocative treatise on his craft, Sympathy for the Traitor: A Translation Manifesto (MIT Press, 2018). “A good translation, created by a thoughtful and talented translator,” Polizzotti writes, “aims not to betray the original but to honor it by offering something of equal–possibly even greater–beauty in its name. Polizzotti has translated over 50 books and authored or co-authored four of his own. He is the Publisher and Editor-in-Chief at the Metropolitan Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arabic script is astounding!  Not only because it represents one of the most commonly spoken languages today –that is, the Arabic language– but because it has represented dozens of other languages over the course of human history from the Middle East to Asia, to Europe, and to the tip of South Africa. Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design (Harvard University Press, 2017) is a recent example of the scholarship on the aesthetics of Arabic script and what it communicates. Author J.R. Osborn writes, not quite a standard history, not quite a work of communication studies, not quite a linguistic study, but a combination of all three that tells the story of Arabic script over ten centuries: from the formation of the calligraphic tradition to the rise of Unicode. J.R. Osborn is an Assistant Professor at Georgetown University in the Communication, Culture, and Technology Program.  His work explores media history, design, semiotics, communication technologies, and aesthetics with a r

Russian Science Fiction Literature and Cinema: A Critical Reader (Academic Studies Press, 2018) offers a compelling investigation of the genre whose development was significantly reshaped in the second half of the 20th century. In her introduction to this volume, Anindita Banerjee outlines the specificity of Russian science fiction literature and cinema and emphasizes transformative effects produced and trigged by the launch of Sputnik in 1957: “Sputnik’s impact—crossing the boundaries of private life and public culture, domestic enthusiasm and international curiosity, technological spectacle and participatory entertainment, contemporary aspirations and historical visions, and, last but not least, the diverse media of print, film, radio, and television—played an instrumental role in transforming science fiction from Russia into a serious object of study” (xii). Russian Science Fiction Literature and Cinema presents science fiction not only in terms of aesthetic inspirations and experimentations, but also in t

Sometimes, a couch is a only a couch, but not in Dr. Nathan Kravis’s new book, On the Couch: A Repressed History of the Analytic Couch from Plato to Freud (MIT Press, 2017). In a live interview conducted in connection with the Manhattan Institute for Psychoanalysis, we discuss how the couch has become the leading symbol for psychoanalysis in positive and maligned ways. Dr. Kravis discusses how the couch came to signify reclining, rest, introspection and healing and how important decor was for Freud as he was developing the analytic method. We spoke about the role of the couch in the last hundred years and what the future holds for it. We even speak about our own couches and how patients use them! There is a brief question-and-answer period as well. This book is beautifully illustrated: Doctor Kravis describes many of the pictures in the book during this interview – you can see a link to  some of the photos discussed here. Christopher Bandini tweets @cebandini.Learn more about your ad choices. Visit meg

Dr. Philip Lutgendorf is Retired Professor of Hindi and Modern Indian Studies at the University of Iowa. He is currently working on a seven-volume translation of the Hindi devotional text, the Rāmcaritmānas written by the sixteenth-century North Indian poet, Tulsīdās. The first four volumes of the translation, entitled The Epic of Ram (Harvard University Press, 2016-), are currently available as part of the Murty Classical Library of India Series published by Harvard University Press and distributed in India by Penguin Books. Shandip Saha is associate professor of Religious Studies at Athabasca University, the world leader in the realm of distance education and open learning. His research interests focus on religion and politics in pre-modern North India and on the changing performance practices in devotional music in India and Pakistan.Learn more about your ad choices. Visit megaphone.fm/adchoices

The vast chasm between classical economics and the humanities is widely known and accepted. They are profoundly different disciplines with little to say to one another. Such is the accepted wisdom. Fortunately, Professors Gary Saul Morson and Morton Schapiro, both of Northwestern University, disagree.  In their new book, Cents and Sensibility: What Economics Can Learn from the Humanities (Princeton University Press, 2017), they argue that the mathematically rigid world of classical economics actually has a lot to learn from the world of great literature. Specifically, they argue that “original passions” (the term is from an overlooked work of Adam Smith) in the form of culture, story telling, and addressing ethical questions are found in great works of literature, but lacking in modern economic theory. Good judgment, they write, “cannot be reduced to any theory or set of rules.” Along the way, they weave together Adam Smith, Lev Tolstoy, Jared Diamond, college admissions practices, the

In The Marriage Plot, Or, How Jews Fell In Love With Love, And With Literature (Stanford University Press, 2016), Naomi Seidman, Chancellor Jackman Professor in the Arts at the University of Toronto, considers the evolution of Jewish love and marriage through the literature that provided Jews with a sentimental education. She highlights a persistent ambivalence in the Jewish adoption of European romantic ideologies. The Marriage Plot is a brilliant and provocative work which will be referenced for many years to come. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.Learn more about your ad choices. Visit megaphone.fm/adchoices

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.Learn more about your ad choices. Visit megaphone.fm/adchoices

In literature, evil can appear in a broad spectrum of shapes, images and motifs. For Endō Shūsaku, the problem of evil is central to the reality of human existence, and it has to be accepted as such. In Hermeneutics of Evil in the Works of Endō Shūsaku. Between Reading and Writing (Peter Lang, 2016), Justyna Weronika Kasza starts from the assumption that the notion of evil informs many of Shūsaku’s most renowned novels; on the other hand, she argues that Shūsaku’s body of work should be treated and analyzed as a whole, as his essays and critical texts are in fact complementary to his works of fiction. Kasza’s book is, on the one hand, an attempt to trace Shūsaku’s line of thinking and, on the other hand, to apply certain categories of Ricoeur’s hermeneutics to literary studies in order to better understand his body of work. Kasza concludes that evil as a problem was, for Shūsaku, closely intertwined with the Christian faith and with Western culture, which represented for him an “otherness” that manifested its

Most people have heard of the Masters of Fine Arts–“MFA”–degree, but few know about the grueling process one must undergo to complete one. In Talking Art: The Culture of Practice and the Practice of Culture in MFA Education (University of Chicago Press, 2018), sociologist and ethnographer Dr. Gary Alan Fine asks how MFA students learn to make art and to speak intelligently about their work, how they become “artists” and what what it means to be an “MFA.” Gary Alan Fine is the James E. Johnson Professor of Sociology at Northwestern University. Fine has received fellowships from the Guggenheim Foundation, the Russell Sage Foundation, the Rockefeller Foundation, and the Center for Advancement Study in the Behavioral Sciences, and the Institute for Advanced Study. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University.Learn more about your ad choices. Visit megaphone.fm/adchoices

How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to rea

In The Book Smugglers: Partisans, Poets, and the Race to Save Jewish Treasures from the Nazis (ForeEdge, 2017), David E. Fishman, Professor of Jewish history at the Jewish Theological Seminary in New York, tells the amazing story of the paper brigade of Vilna. The paper brigade were ghetto inmates who rescued thousands of rare books and manuscripts, hiding them first from the Nazis and then from the Soviets. This is a rare work that tells an amazing story in a very readable way, informed by years of expert research. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.auLearn more about your ad choices. Visit megaphone.fm/adchoices

Westerns are having a bit of a moment in the early twenty-first century. Westworld was recently nominated for eight Emmys, the hit show Deadwood is slated for a return to television in the next few years, and in 2015 Quentin Tarantino’s The Hateful Eight grossed over $150 million. Victoria Lamont’s Westerns: A Women’s History (University of Nebraska Press, 2016), looks at the first moment of the Western over a century ago. The Western is traditionally thought of as an overtly masculine genre with male writers telling stories about mostly male protagonists (think The Man in Black, John Wayne, and Gus McCrae). Lamont, an associate professor of English at the University of Waterloo, examines several books from the 1880s to the 1920s and argues that women writers were crucial to the development of the genre’s forms, with some books even predating Owen Wister’s supposedly genre-founding title, The Virginian. Moreover, these women published mostly under their own names and found considerable financial success and c

What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet an

C. S. Lewis remains one of the most popular religious writers, and one of the most widely discussed children’s writers. I had the chance to catch up with Stephanie L. Derrick about her new book, The Fame of C. S. Lewis: A Controversialist’s Reception in Britain and America (Oxford University Press, 2018), and to talk about the many personalities and the changing reputation of her subject. Paying attention to the material circumstances of publication, while thinking about the ways in which reputations are manufactured, contested and renewed, Derrick’s book offers a careful and compelling account of the author of some of the last century’s best-selling works of religious apology and children’s fiction. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).Learn more about your ad choices. Visit megaphone.fm/adcho

To be quite honest, I had no idea there were any Spanish prisoners at Mauthausen. That’s perhaps an unusual way to begin a blog post.  But it reflects a real gap in the literature about the Holocaust, one that Sara J. Brenneis identifies and fills in her new book Spaniards in Mauthausen: Representations of a Nazi Concentration Camp, 1940-2015 (University of Toronto Press, 2018).  Brenneis is interested in the ways Spanish prisoners (most of whom had fled Spain the aftermath of the Republican defeat in the Spanish Civil War) experienced the camp.  She writes movingly about the efforts of the Spaniards to use their position as privileged prisoners to preserve records of their experience, records that give us great insight into their lives. But she’s especially concerned with the way this experience was remembered.  As she points out, that memory reflected the distinctive political and historical context of Spain.  Some accounts by survivors and researchers did appear, particularly in the period imme

I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border. Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case. This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynis