New Books In Jewish Studies

In their new book, This Burning Land: Lessons from the Front Lines of the Transformed Israeli-Palestinian Conflict (Wiley-Blackwell, 2011), the husband and wife team of Greg Myre and Jennifer Griffin recount their experiences working as reporters in Jerusalem during the eventful last decade. Myre, the editor of NPR’s “Morning Edition,” and his wife Griffin, Pentagon Correspondent at Fox News, tell gripping stories from individuals involved in the conflict, as well as from their own struggles in raising a young family in the midst of bus bombings and terror attacks. In our interview, we talk about Ariel Sharon’s affinity for Pringles, openly bringing automatic weapons into banks, and kidnappers who let their victims hold their weapons. Read all about it, and more, in Myre and Griffin’s engaging new book. Please become a fan of New Books in Public Policy on Facebook if you haven’t already.Learn more about your ad choices. Visit megaphone.fm/adchoices

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The

For us, every “nation” has and has always had a “culture,” meaning a defining set of folkways, customs, and styles that is different from every other. But like the modern understanding of the word “nation,” this idea of “culture” or “a culture” is not very old. According to the OED, the modern meaning gained currency in English only in the nineteenth century. In a way, that’s not surprising: the nineteenth century was the era of high-nationalism and, as we’ve said, every “nation” had to have an essence that distinguished it from all others. That essence came to be called “culture.” This nation-culture equivalency, however, presented some nationalists with a problem, particularly if their “nation” had what looked to be several cultures. Jews are the archetypal example. They were spread all over the place, spoke many languages, and practiced many customs. There was nothing to unite them except JudaismR

I confess I was attracted to this book by the title: Capitalism and the Jews (Princeton, 2010). Capitalism is a touchy subject; Jews are a touchy subject. But capitalism and the Jews, that’s a disaster waiting to happen. I don’t suggest you try this, but just imagine what would happen if you started a water-cooler chat with “Hey, what do you think of capitalism and the Jews?” Not pretty. So, being a bit curious, I wanted to know who would write a book with said title and what they could possibly say that wouldn’t get people calling for their head. Well, here’s what I found out. The book was written by Jerry Muller who, I can tell you with all earnestness, is a very bright fellow, an excellent (and witty) writer, and someone with a load of interesting things to say about capitalism and Jews. Don’t worry, it’s not what you think. Muller’s book is no spittle-encrusted diatribe against greedy, hook-nosed, money-lenders. But neither is it the kind of book that

If you’re like me (and I hope you aren’t), the “Trial of the Century” involved a washed-up football star, a slowly moving white Bronco, an ill-fitting glove, and charges of racism. I watched every bit of it and remember exactly where I was when the verdict was announced. But if you are French (which is a nice thing to be), then there is only one “Trial of the Century” and it involved an honorable though stuffy army captain, a torn up note of no significance, a bungling military establishment, and charges of anti-Semitism. The erstwhile American football player (and actor, don’t forget he was an actor) was guilty, pretty much everyone knew it, but no one really wanted to take the issue on. The aloof French officer was innocent, pretty much everyone knew it too, but in this instance a kind of culture war broke out. France circa 1900 was at a fork in the historical road: on the left, the liberalism of the Revolution; on the right, the conservatism of the post-Napoleonic

I’ve got a name for you: Robert Zimmerman (aka Shabtai Zisel ben Avraham). You’ve heard of him. He was a Jewish kid from Hibbing, Minnesota. But he didn’t (as the stereotype would suggest) become a doctor, lawyer, professor or businessman. Nope, the professions were not for him. He loved the American folk legend Woody Guthrie (of “This Land is Your Land” fame). In fact, he wanted to become the next Woodie Guthrie. So he more or less left his Jewish roots, changed his name to Bob Dylan, and immersed himself in American folk music. Most Americans know this story and others like it. In fact, it seems like a peculiarly American story. But, as you will read in Yohanan Petrovsky-Shtern‘s fascinating The Anti-Imperial Choice: The Making of the Ukrainian Jew (Yale, 2009), it’s not. It can be found in–of all places–Ukraine. The story of the Jews in Ukraine is not exactly a happy one (cf. “pogroms”). The relationship between Jews and Ukrainians has alway

One of the most fundamental–and vexing–questions in all of modern history is whether cultures make governments or governments make cultures. Tocqueville, who was right about almost everything, thought the former: he said that American culture made American government democratic. Neocon theorists, who have been wrong about most things, believe the opposite: that democratic governments can make cultures democratic. Under this theory, we should be able to impose liberal democracy on, say, Iraq or Afghanistan, and thereby make their cultures liberal democratic. The culture-government question is also central to modern German historiography. It usually takes this form: did German culture produce the Nazis or did Nazis produce German (or rather “Nazi”) culture. In his eye-opening book Kristallnacht 1938 (Harvard, 2009), Alan Steinweis succeeds in shedding new light on this subject by carefully studying an old topic–the Nazi pogrom against the Jews in 1938, aka, “Kristallnacht.

By the time the Nazis invaded the Soviet Union on June 22, 1941, the Bolshevik Party had already amassed a considerable amount of expertise in moving masses of people around. Large population transfers (to put it mildly) were part and parcel of building socialism. Certain “elements” needed to be sent for re-education (the Kulaks), others to build new socialist cities (Magnitogorsk), and still others back to where–ethnically speaking–they “belonged” (Baltic Germans). Thus when the Germans attacked, the Bolsheviks were ready to move their “assets” out of the way. Sort of. In To the Tashkent Station. Evacuation and Survival in the Soviet Union at War (Cornell UP, 2009), Rebecca Manley does a fine job of telling the tale of how they evacuated millions of people as the Germans advanced in 1941 and 1942. Though the Party had plans (the Bolsheviks were great planners…), everything did not, as the Russians say, go po planu. As the enemy advance, threatened people

I always assumed that the Jews who emigrated from Eastern Europe to New York and created the massive Jewish American labor movement brought their leftist politics with them from the Old Country. But now I know different thanks to Tony Michels’ terrific Fire in their Hearts. Yiddish Socialists in New York (Harvard University Press, 2005). As Tony explains, most of the Yiddish-speaking immigrants who arrived in New York were apolitical, or rather feared politics having come from a regime that punished open political activity (Tsarist Russia). These immigrants, then, learned socialism on American shores. Their teachers were Jewish members of the Russian intelligentsia who themselves had fled Tsarist oppression in the 1880s. These Russian Jews were radicals, but not necessarily socialists. So, interestingly, they learned socialism–or at least a new brand of socialism–on American shores as well. But who taught the Russian Jews socialism? Tony has the answer: German socialists who had immigrated t

Every Jew knows the story. The evil tsarist authorities ride into the Shtetl. They demand a levy of young men for the army. Mothers’ weep. Fathers’ sigh. The community mourns the loss of its young. It’s a good story, and some of it’s even true. The reality, of course, was much more complex as we learn in Yohanan Petrovsky-Shtern‘s excellent Jews in the Russian Army, 1827-1917 (Cambridge UP, 2008). The drafting of Jews into the Russian army was not really an act of oppression, but, as Petrovsky-Shtern argues, integration. By calling up Jews, the government was de facto recognizing them as full-fledged subject of the empire, the equals of other imperial minorities and even Russians themselves. Of course they were subject to discrimination. But they were not simply victims: the Jewish soldiers changed the culture of the army just as the army changed what it meant to be Jewish within the empire. As Petrovsky-Shtern points out, all this was part and parcel of the process of making bot

Scholars argue about whether the Holocaust was unprecedented. It’s a difficult question. On the one hand, slaughters litter the pages of history. On the other hand, none of them seem quite as calculated, systematic and horribly efficient as the Nazi murder of the Jews and other “Untermenchen.” One thing, however, is certain: the Holocaust is doubtless the best documented instance of mass murder in world history. The perpetrators were meticulous record keepers, and at the conclusion of the war many of their archives fell into Allied hands. The German record, however, is not the only record of the Holocaust. As Samuel Kassow shows in his moving Who Will Write Our History? Emanuel Ringelblum, the Warsaw Ghetto, and the Oyneg Shabes Archive (Indiana UP, 2007), the victims themselves made an concerted effort to document what was being done to them at the hands of the Nazis. Kassow tells the story of a group of Warsaw-based Jewish activists who built a secret organization–Oyneg Shabes–