New Books In Popular Culture

“One of the things that was most shocking to me getting into the media business, an MSNBC.com producer tells Josh Braun, was the realization that regular people were making it. Television to me . . . was just like sunlight. You push the button and it just comes off the screen. Today, television just comes off lots of screens. Computers, tablets, phones, city billboards, stadium jumbotrons. The path from the recording pictures to showing them to us their physical distribution is neither simple nor elegantly planned. In This Program is Brought to You By . . . Distributing Television Online (Yale University Press 2015), Joshua Braun, an Assistant Professor of Journalism Studies in the Journalism Department at University of Massachusetts-Amherst, explores changes in the technology platforms for online news at MSNBC between 2007 and 2012. A book of media sociology, Braun uses a series of examples at MSNBC such as a more flexible video player, online community forums, and a blog for the Rachel Maddow Show, to

The Chinese Revolution was a profoundly theatrical event. Brian James DeMare’s new book explores the relationship between drama and political action in China, from the earliest era of communist Red Drama to the establishment of Mao’s cultural army and beyond. Mao’s Cultural Army: Drama Troupes in Chinas Rural Revolution (Cambridge University Press, 2015) looks carefully at the importance of propaganda teams and drama troupes during the Communists resistance of Japanese invasion, victory in the civil war, and efforts at state-building, and consolidation of their regime in the early years of the PRC. DeMare brings readers into the fascinating world of drama in this period, paying special attention to the material culture of dramatic troupes, the often-harrowing lives of their members (including children), the challenges they faced in navigating across rural and urban cultures, and some of the most popular and important works they performed. Its a tremendously engaging and enlightening study of

From the “Ballad of the Green Berets” to “Bad Moon Rising,” the music of the Vietnam War is woven through every vets memories. Vietnam vet Doug Bradley and his fellow University of Wisconsin professor Craig Werner first intended to whittle down a list of the top 20 songs of the war, and soon realized that was an impossible errand. No Vietnam veteran is alike, and hundreds of songs held meaning for those who fought there. It was a varied soundtrack of patriotism and protests, hard rock and soul music, love songs, Dear John songs and more. Bradley and Werner’s book We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War (University of Massachusetts Press, 2015) blends musical and personal histories, explaining the backgrounds of specific songs and artists as well as what they meant to the Vietnam soldiers. In a conversation with Gael Fashingbauer Cooper, they discuss everything from the generational differences between Vietnam soldiers and their World War II-veteran fathe

In Kosher USA: How Coke Became Kosher and Other Tales of Modern Food (Columbia University Press, 2016), Roger Horowitz, director of the Center for the History of Business, Technology, and Society at the Hagley Museum and Library, looks at points of intersection between Jewish law and modern industrial foodways during the 20th century. In revealing the hidden kosher histories of products such as Coke, Jell-O and kosher meat, Horowitz highlights controversies over rabbinic authority and consumption in American Jewish history.Learn more about your ad choices. Visit megaphone.fm/adchoices

Considered by many to be the greatest American film ever made, Citizen Kane was the product of Orson Welles, who made a movie that is still groundbreaking today. In his new book Citizen Kane: A Filmmaker’s Journey (Thomas Dunne Books, 2016), Harlan Lebo presents a wonderful overview of the film on its 75th anniversary. He used previous interviews with some of the people involved in the production, along with archival information not previously used by other writers. He is able to show how the movie deserves its reputation as a masterpiece.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We are said to be in a golden age of TV. The best stories today are told on television screens in serialized forms. The Wire, Lost, Breaking Bad, The Sopranos are a few of the shows that have elevated the cache of television, introducing riskier forms of storytelling in a medium that has been typically formulaic and convention bound. Fans and critics alike celebrate them for innovation and television networks are filled programming with more and more of them. In Complex TV: The Poetics of Contemporary Television (NYU Press 2015), is film and television scholar Jason Mittell of Middlebury College offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Complex television, Mittell says, is not a genre. It is a storytelling mode and set of associated production and reception practices that span a wide range of programs across an array of genres. Through close analyses of key programs, includingThe

What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Review of Books, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set! Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrep

While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry.Learn more about your ad choices. Visit megaphone.fm/adchoices

The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today. Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their

Adam Kucharski, who won the 2012 Wellcome Trust Science Writing Prize, has delivered another winner in an area rife with both winners and losers. The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling (Basic Books, 2016) is a brilliant, fascinating, and sometimes slightly terrifying look at how math and science are not just conquering gambling, the algorithms that math has devised and the computerized means of implementing them are paradoxically simultaneously removing risk and creating a lot more of it. Jim Stein is an emeritus professor of mathematics at California State University, Long Beach. As has been noted, the word ’emeritus’ comes from the Latin ‘ex’ — meaning ‘out’ — and ‘meritus’ — meaning ‘ought to be’. Despite that, Jim still teaches a course a semester, either at CSULB or El Camino Community College. He is the author of L.A. Math: Romance, Crime and Mathematics in the City of Angels, Cosmic Numbers

Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? Phillip Penix-Tadsen, assistant professor of Spanish at the University of Delaware and author of the new book Cultural Code: Video Games and Latin America (MIT Press, 2016), offers insight in to how culture is signified in video games, with a particular emphasis on Latin America. In Cultural Code, Penix-Tadsen examines how Latin America is represented in some of the most popular of games, as well as how Latin American developers, themselves, represent their various countries. In so doing, Penix-Tadsen investigates the emergence of video games as cultural currency, and advances a vocabulary for describing how culture is integrated in to all aspects of gaming.Learn more about your ad choices. Visit megaphone.fm/adchoices

Looking for a cheery, encouraging guide to improving your life? A reminder that nothing is really all that bad, and you can still pick yourself up and make a big success of yourself? Look elsewhere! In their new book You Blew It! (Penguin, 2015), writers Josh Gondelman and Joe Berkowitz dash those dreams against the rocks of reality, and instead point out that you’ve seriously blown it already, in every aspect of life from love and sex to roommates and career choice. And don’t forget family. Oh, how we sometimes wish we could forget family. We’re kidding. Kind of. Gondelman and Berkowitz have hardly ruined their own lives – Gondelman is a stand-up comedian and Emmy-nominated writer for “Last Week Tonight with John Oliver,” and Berkowitz is a writer and editor for Fast Company. Their book is a fast and funny guide to the many pitfalls of everything from parties to Facebook. They list out friendships to avoid (the “Never Carries Cash Friend” and “Suddenly Go

In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain in the first half of the twentieth century. This exploration reveals the transformations of working-class communities, and of the changing notions of femininity, masculinity and leisure that occur in this period. To do so, Nott navigates us skillfully between the perspectives of the dance hall owners, dance teachers and innovators. He them leads us to consider the point of view of enthusiastic jiving individuals. Finally, we take our place on the sidelines with the onlookers and killjoys alarmed by this ‘craze.’ This kaleidoscope of voices and images illuminates the role of the dance hall as a social space. It is argued that the dance hall brought together men and women in search of fun, but also provided them with a safe space to try out identities and behav

What do Tony Soprano and Archie Bunker have in common? Alan Sepinwall, longtime TV writer and critic, knows that the 1970s comedic bigot and 2000s Jersey mob boss are not as different as we may think. Both broke new ground in TV and made viewers sit up and take notice, although in very different ways. In his newly revised book, The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost and Other Groundbreaking Dramas Changed TV Forever (Touchstone, revised edition December, 2015), Sepinwall takes readers on a spin through 12 television shows that changed the medium forever. The book takes readers behind-the-scenes of 12 groundbreaking TV dramas, including “Oz,” “Deadwood,” “The Wire,” “The Shield,” and of course “Breaking Bad.” Sepinwall isn’t in it to merely recap the plots – he speaks to the writers, actors and directors who made the shows happen, and puts their information together with his own insights to show how thi

The concept sounds simple: Maris Kreizman‘s Slaughterhouse 90210: Where Great Books Meet Pop Culture (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature. But the blend of high and low culture makes for a delightful and insightful read. Here is where Kurt Vonnegut meets Brenda Walsh, summing up life in the 90210 zip code via one of his most iconic “Slaughterhouse-Five” lines. Where a Joan Didion essay written decades before Taylor Swift was ever born sings out new insight into the pop star’s famously personal lyrics. And where a Joseph Heller quote from “Catch-22” sums up Donald Trump quite nicely, political ambitions and all. Kreizman, a former book editor and current publishing-outreach lead at Kickstarter, joins fellow pop-culture junkie Gael Fashingbauer Cooper for a gleeful troop through the book, discussing favorite quote-photo pairings and why they work so well. Kreizman also shares

In the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation. With the establishment of the State of Israel in 1948, the Zionist movement realized its political goal. It then sought to acculturate the multitude of Jewish immigrant groups in the new state into a unified national culture. Yael Raviv highlights the role of food and cuisine in the construction of the Israeli nation. Raviv’s book, Falafel Nation: Cuisine and the Making of National Identity in Israel (University of Nebraska Press, 2015) examines how national ideology impacted cuisine, and vice versa, during different periods of Jewish settlement in Palestine and Israel. Early settlers, inspired by socialist ideology and dedicated to agricultural work, viewed food as a necessity and treated culinary pleasure as a feature of bourgeois culture to be shunned. Working the land, and later buying

From Ronald Reagan through Gilberto Gil to Donald Trump, our media channels are filled with celebrities vying for the highest political posts. In A Genre Approach to Celebrity Studies (Palgrave Macmillan, 2015), cultural historian Nahuel Ribke explores the historical trajectory that led to the current mass movement of celebrities into electoral politics. The book is a comparative project made up of short case studies. The range is impressive; it begins with the transition of Israeli models into the Israeli parliament, the meteoric rise of a charismatic journalist to the head of the treasury in Israel, goes on to Gilberto Gil’s tenure as minister of culture in Brazil and explores the contrasting political paths of the previously successful salsa partnership of the musicians Ruben Blades and Willie Colon. The book then moves on to North America to explore the American pattern of celebrity politics. The book ends with a return to Brazil and Argentina to look at two fascinating stories of ‘ordinary

John McMillian‘s Beatles vs. Stones (Simon and Schuster, 2013) presents a compelling composite biography of the two seminal bands of the 1960s, examining both the myth-making and reality behind the great pop rivalry. More than just a history of the bands, Beatles vs. Stones explores the complex role both groups played in popular culture during the tumultuous decade of the 1960s. Although the “feud” was initially fodder for fan magazines and publicity stunts, as the bands and their audiences matured musically and politically, the divide came to reflect many of the key cultural divisions of the age. McMillian charts the makeover of the leather-clad Beatles from their early days in Germany to the “four loveable lads” who became an international sensation, and then that of the Rolling Stones, initially styled similarly to the Beatles, but quickly rebranded as their bad-boy antithesis. Beatles vs. Stones takes a critical look at both the actual artists and the image they portrayed, de

For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems. In her new book Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (MIT Press, 2014), Christina Dunbar-Hester, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory polit

Anyone who’s been paying attention to the flurry around the French economist Thomas Piketty’s 2013 Capitalism in the Twenty-first Century (Le Capital au XXIe siecle) knows how a la mode the economy is at the moment. Contemporary ideas and debates about capital, debt, and austerity are only part of what makes Clare Crowston‘s Credit, Fashion, Sex: Economies of Regard in Old Regime France (Duke University Press, 2013) such an interesting read in 2014. In this detailed study of the varied economic, political, social, and cultural meanings and practices of “credit” from the seventeenth through the eighteenth century, Crowston draws our attention to mutually constitutive worlds and systems of circulation. At once a genealogy of credit; an economic, social, and cultural history of fashion; and an examination of the roles of gender and desire in Old Regime France, Credit, Fashion, Sex makes an important contribution to our understanding of the origins of the French Revolution while res