New Books In Popular Culture

The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history. Dr. Christopher

The 1949-50 CCNY Beavers basketball team were one of the unlikeliest of champions in sports history. CCNY was a tuition-free in Harlem, New York, intended to give working class students the best education possible. The school was comprised of minorities, many of whom were the immigrants or children of immigrants. In 1949-50, the CCNY squad, led by legendary coach Nat Holman, shocked the basketball world by becoming the first and only school to win the N.I.T. and N.C.A.A. tournaments in the same scene. At a time when college basketball was much more popular in New York than the fledgling NBA, the CCNY boys became the talk of the town and heroes to millions. The following season, several members of the CCNY team, including the entire starting five, were arrested as part of a massive point shaving scandal that had engulfed the entire collegiate basketball scene in New York City. Overnight, the CCNY boys went from heroes to villains. Their dreams of playing in the NBA were dashed and gambling scandal became a sti

It’s The Pop Culture Professors, and today we react to the first two episodes of Alien: Earth. We break down the themes and ideas in the series, focusing on its central questions of transhumanism, the Peter Pan mythology, and the dream / nightmare imagery. We consider how this series is consistent with and differs from the Alien (1979) and Aliens (1986) movies, particularly on the central political and ideological problematics invoked. We further consider the nature and motivations of Wendy and the Lost Boys, Boy Kavalier, and Yutani. Finally, we ask how the Xenomorph, and the other alien specimens, fit into a show that seems largely focused on its AI characters. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “move

What do the world's loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common? In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building's natural frequency, and this coincidence--harnessing a basic principle of physics--caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood. Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas--from medicine to religion to the environment to the paranormal--through the universality of music and a range of memorable human (and animal) stor

Why are people inclined to believe misinformation? Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It (Columbia UP, 2025) is a wide-ranging and comprehensive book that shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us all susceptible to misinformation. Challenging approaches that focus solely on education and media literacy, Matthew Facciani emphasizes the important role identities and social ties have in the complex interplay of forces that lead people to believe things that are not true. Susceptibility to misinformation is largely shaped by social dynamics. The pressure to affirm one's personal and group identities can leave individuals vulnerable to false beliefs.  Facciani examines both offline and online connections, highlighting how social media, news media, and personal networks can promote and amplify false claims. To bring social-scientific findings to life, he shares the stories of people who fe

Philip Carr-Gomm joins Jana Byars to talk about A Brief History of Nakedness (Reaktion, 2010) on the occasion of its newest paperback edition. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, Carr-Comm writes a survey of the touching, sometimes tragic, and often bizarre story of our relationships with our naked bodies. As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas--it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference betw

Alisha Mughal's It Can’t Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow’s cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can’t Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fan

Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high

If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city plan

Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity. Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of Ame

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch ou

Are zoos an anachronism in the 21st century when we can watch animals in their natural habitat, close-up from our couches without worrying about cruelty? Should they go the way of other bygone era ‘spectacles’ and ‘attractions’ that we now regard as barbaric? There are vocal campaigners and activists who believe so. Heather Browning and Walter Veit disagree, but they acknowledge there is a case to be answered. In What Are Zoos For? (Bristol University Press, 2024) they test the common justifications for zoos (entertainment, education, research, conservation) against the evidence and suggest what the best zoos of the future should look like to ensure that they are primarily for animals and not just for people. Heather Browning is Lecturer in Philosophy at the University of Southampton. Her primary research interests are animal welfare, ethics, and consciousness. Previously, she worked for many years as a zookeeper and zoo animal welfare officer, interested in the practical application of animal welfare measu

Dom Ford joins Jana Byars to talk about Mytholudics: Game and Myth (DeGruyter Brill, 2025). Games create worlds made of many different elements, but also of rules, systems and structures for how we act in them. So how can we make sense of them? Mytholudics: Games and Myth lays out an approach to understanding games using theories from myth and folklore. Myth is taken here not as an object but as a process, a way of expressing meaning. It works to naturalise arbitrary constellations of signs, to connect things in meaning. Behind the phrase ‘just the way it is’ is a process of mythologization that has cemented it.  Mytholudics lays out how this understanding of myth works for the analysis of games. In two sections each analysing five digital games, it then shows how this approach works in practice: one through the lens of heroism and one through monstrosity. These ask questions such as what heroic mythology is constructed in Call of Duty? What do the monsters in The Witcher tell us about the game’s model of th

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as we

The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the cha

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addre

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.

Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choice