New Books In Dance

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Public Performances: Studies in the Carnivalesque and Ritualesque (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight into public performance as an assertion of political power. Dr. Jack Santino is professor of folklore and popular culture and has served as director of the Bowling Green Center for Popular Culture Studies. He was the Alexis de Tocqueville Distinguished Professor at the University of Paris, Sorbonne, 2010–2011. He was a Fulbright Scholar to Northern Ireland and has conducted research in Spain and France. His documentary film on Pullman Porters, Miles of Smiles, Years of Struggle, received four Emmy awards. His research centers on rituals and celebrations, with a particular focus on carnival and political and public r

In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes (University of Arizona Press, 2016) playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes. Fornes was one of the most significant American playwrights of the twentieth century, and her legacy is evident in the dozens of playwrights she mentored over the course of her long career. García-Romero shows how her unique pedagogy and her example as a successful Latina experimental playwright continue to inspire playwrights like Caridad Svich, Cusi Cram, Elaine Romero, Quiara Alegría Hudes, and Karen Zacarías. Anne García-Romero is a playwright and theatre studies scholar. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout

In Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic. Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together is the way they re-appropriate tropes of the gothic that have been used to marginalize queer and gender-variant people throughout history. If mainstream culture depicts queer people as predatory, monstrous, and threatening, the artists analyzed in Gothic Queer Culture find beauty and meaning in gothic tropes: in the crypt-like undergrounds of lesbian bars, the vampiric performance art of Ron Athey, and in the Frankensteinian practice of juxtaposing conflicting genres in the same text. The gothic then becomes a way to process trauma and rewrite the often-conservative genre of the gothic as something proudly queer, unse

The Party Decides is the most (only?) meme'd book in the history of political science. It's the one MTV called the biggest loser after the South Carolina primary in 2016. It is also a book of deep research, scholarship, and collaboration. This episode of the Co-Authored podcast focuses on the team of Marty Cohen, David Karol, Hans Noel, and John Zaller. This group came together to write The Party Decides while at UCLA in the late 1990s and early 2000s. The book and other articles by future collaborators, like Kathleen Baun and Seth Masket, has been dubbed the UCLA School of Political Parties. In the episode you'll hear about how this group came together, how they grappled with being bold and being realistic, and how the Nate Silver-effect has changed the course of their careers. The Co-Authored podcast is supported by the American Political Science Association, the John Jay College, and the New Books Network. This episode was produced by Sam Anderson. Learn more about your ad choices. Visit megaphone.fm/adcho

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain

Over the past ten years, Chantal Bilodeau has made a name for herself a playwright singularly dedicated to writing plays about the issue of climate change. These are not dry docu-dramas, but deeply human depictions of life in the far north, where climate change is a daily reality. Forward (Tanlonbooks 2018) is the latest work in her Artic Cycle, and it follows the story of Norwegian explorer Fridtjof Nansen in two temporalities: a story moving forward through Nansen’s life, and a counter-narrative moving backwards from the present until Nansen’s time. This play both depicts the life of this larger-than-life figure and explores the ripple effects of his story through 120 years of Norwegian history. This play will be of interest to anyone looking for emotional, human-scale approaches to the overwhelming reality of climate change. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts.

Drawing the Surface of Dance: A Biography in Charts (Wesleyan UP, 2019) collects thirty years of “charts” by renowned choreographer and co-founder of Big Dance Theater Annie-B Parson. These charts serve as an archive of the ephemeral work of choreography. They include charts of favorite verbs, charts of props, a “chart of things rectangular, ” and a recreation of deck of cards for composition modeled after Mexican lottery cards. The drawings included in this book are like Parson’s dances themselves: idiosyncratic, funny, loving, vibrant, and detailed. They manifest what Parson calls her “magpie” approach to composition, drawing from paintings, films, gravestones, and classical ballet to create an aesthetic all her own. This is a book that will be of interest to students and practitioners of theatre and dance, but also to people who like beautiful drawings of strange things. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard Un

In Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War (Bloomsbury 2016), Adam Broinowski analyzes the emergence of Ankoku Butoh (dance of darkness) in the context of America’s de jure and then de facto occupation of Japan following the Second World War. Broinowski traces the evolution of Butoh from the work of early practitioners like Hijikata Tatsumi to later groups like Gekidan Kaitaisha (Theatre of Deconstruction), demonstrating the intimate links between 20th century Japanese history and Butoh. His work analyzes themes of trauma, memory, and war in a work that combines scholarly rigor with an artist’s passion for his chosen form. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Com

Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020) follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans;

During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. In Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer (Oxford University Press, 2020), the first full biography of Steiner, author and filmmaker Steven C. Smith interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences, bringing to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art with some of the greatest film scores in cinema history. Stephen C. Smith is a film documentarian, with four Emmy nominations and 16 Telly Awards. Joel Tscherne is an adjunct history professor at Southern New Hampshire University and tweets @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our s

Through a feminist perspective, Carnival Is Woman: Feminism and Performance in Caribbean Mas (University Press of Mississippi, 2019) examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which they participate in the festivities. Exploring different themes, the authors in this volume explain the power of women in the evolution of Carnival mas’ in Trinidad and the Caribbean diaspora. Dr. Dwaine Plaza is a Professor of Sociology in the School of Public Policy. From 2016-2018 he served in the College of Liberal Arts as an Associate Dean with a portfolio of student success and engagement. He has been at Oregon State University for twenty-three years and teaches a wide slate of classes both at the undergraduate and graduate levels. He has written extensively on the topics of Caribbean migration within the international diaspora, gender, racism, social justice and inequality. Dr. Frances Henry, Professor Emerita, is considered to be one of

In 2012, Lisa D'Amour and Katie Pearl--known collectively as PearlDamour--began visiting five small American towns named Milton. From these visits emerged Milton: A Performance & Community Engagement Experiment (53rd State Press). This is a book that will be of interest to anyone interested in theatre as a tool for community engagement. The project moves from tiny details about the residents of each town to wide-lens reflections on what it means to be a citizen of a changing America. Milton is as interested in process as it in in product. It includes essayistic reflections on what it was like to visit and work in each Milton, as well as the full script of the Milton, North Carolina performance, the first in the cycle. This book is sure to find a receptive readership among educators and practitioners of community-based theatre, providing both practical advice and inspiration. OBIE-award winning performance-making team PearlDamour has a 13-year history of creating work for theaters and alternative sites. Their

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been prod

Florida A&M University professor and former Miss FAMU Kimberly Brown Pellum, Ph.D., recently released her book, Black Beauties: African American Pageant Queens in the Segregated South (History Press, 2020). The book explores the glamorous history of African American beauty queens by using the stories of former contestants to address colorism and racism still prevalent in the industry. “My mother and grandmother took me to parades to see Miss Alabama State and Miss Tuskegee University…I loved the glamour,” Pellum said. “I wrote the book to capture that experience and address the politics of beauty within our own culture.” Kimberly Brown Pellum served as the model for the new Rosa Parks monument in Montgomery, Alabama. The allure of pageants, Pellum said, often masked the social and political challenges experienced by contestants. She said their personal stories not only illustrated their unique definitions of beauty, but also served to explain the political identities contestants created for themselves in the

In 1933, the Chicago Symphony performed the Symphony in E Minor by Florence B. Price. It was the first time a major American orchestra played a composition by an African American woman. Despite her success, Price sank into obscurity after her death in 1953. Dr. Rae Linda Brown spent much of her career researching and writing about Price’s life and music, as well as advocating for African American representation in academia and in the concert hall. Three years after her death, University of Illinois Press published the manuscript she left largely complete at her passing: Heart of a Woman: The Life and Music of Florence B. Price (University of Illinois Press, 2020). Two guests join this podcast to talk about the biography—Dr. Carlene Brown, Rae Linda’s sister, and Dr. Guthrie Ramsey, who edited the book and prepared it for publication. Heart of a Woman places Price’s life and music within the context of genteel middle-class African American culture and the active black classical music scene in Chicago in the 19

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers. The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Red-Baiting to Blacklisting: The Labor Plays of Manny Fried (SIU Press 2020) collects three plays by Manny Fried alongside a thorough explanation of his work and life by theatre scholar Barry Witham. Witham traces Fried’s long career as a labor organizer and Communist Party militant, as well as the obsessive lengths the FBI went to in order to suppress his activism. Fried is unique among American playwrights in his intimate knowledge of the inner workings of the labor movement, and this knowledge is fully evident in the plays. Issues of red-baiting, deindustrialization, and religious bigotry take center stage in his work, which carries the radical tradition of Clifford Odets and the Federal Theatre Project into the long decline of labor beginning in the 1960s and continuing to this day. From Red-Baiting to Blacklisting is a must-read for anyone interested in the intersection of theatre and the labor movement. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA p

In New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920 (LSU Press, 2017), Dr. Jennifer Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders. The oldest Carnival organizations emerged in the mid-nineteenth century and ruled Mardi Gras from the Civil War until World War I. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing. They used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans. Jennifer Atkins is graduate program director at Florida State University’s School of Dance. Emily Ruth Allen (@emmyru91) is a P

Mitchell and Trask’s Hedwig and the Angry Inch (Routledge, 2019) is Caridad Svich’s love letter to the 1998 musical that introduced the world to its favorite East German ex-pat genderqueer rock star, Hedwig. A tribute both to the New York that spawned the musical and the glam rock that inspired it, this book contextualizes the show in a way that allows the reader to appreciate both its “ahead of its time” daring and its retro cool. This is a book for long-term “Hedheads” and new converts alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His