New Books In Dance

Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (New Star Books, 2021), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018) From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depic

Washington, DC is known as the birthplace of hardcore punk. The raw, innovative, new sound coming out of the nation’s capital in the late 1970s is examined in Shayna Maskell’s Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983 (U Illinois Press, 2021). Maskell examines the DC hardcore scene between 1978 and 1983, focusing on the bands Bad Brains, Minor Threat, State of Alert (S.OA.), Government Issue (G.I.), and Faith. She explores the culturally, historical, and political impact of DC as the site for the emergence of hardcore punk. A brief history of Washington DC situates the scene in a broader cultural narrative that moves beyond just the music’s aesthetics. Focusing on race, class, and gender in the hardcore scene and specifically on the ways in which the scene embodied and embraced white, middle-class masculinity, Maskell presents the complicated and at times contradictory representations of these signifiers that were born out of hardcore. Maskell uses interviews with participants, albums,

In a world that demands faith in progress and growth, Limbo (Fitzcarraldo, 2019) is a companion for the stuck, the isolated, delayed, stranded and those in the dark. Fusing memoir with a meditation on creative block and a cultural history of limbo, Dan Fox considers the role that fallow periods and states of inbetween play in art and life. Limbo is an essay about getting by when you can't get along, employing a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and its opposites. From the Headington Shark to radical behavioural experiments, from life aboard a container ship to Sun Ra's cosmology, Limbo argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal. Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal and use of emptiness and allied conc

Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo (Cambridge UP, 2021) grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese c

Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddis

Horror fans are attracted to movies designed to scare us, but others shudder already at the thought of the sweat-drenched nightmares that terrifying movies often trigger. The fear of sleepless nights and the widespread beliefs that horror movies can have negative psychological effects and display immorality make some of us very, very nervous about them. In A Very Nervous Person's Guide To Horror Movies (Oxford University Press, 2021) horror expert Mathias Clasen examines the psychological science of horror to address myths and correct misunderstandings surrounding the genre. Clasen addresses questions such as What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents? Shouldn't we be concerned about what the current popularity of horror movies says about society and its values? While media psychologists have demonstrated that horror films indeed have the potential to harm us, Clasen re

Two plays about the legal battle to decriminalize homosexuality in India. On September 6, 2018, a decades-long battle to decriminalize queer intimacy in India came to an end. The Supreme Court of India ruled that Section 377, the colonial anti-sodomy law, violated the country’s constitution. “LGBT persons,” the Court said, “deserve to live a life unshackled from the shadow of being ‘unapprehended felons.’” But how definitive was this end? How far does the law’s shadow fall? How clear is the line between the past and the future? What does it mean to live with full sexual citizenship? In Love and Reparation: A Theatrical Response to the Section 377 Litigation in India (Seagull Books, 2021), Danish Sheikh navigates these questions with a deft interweaving of the legal, the personal, and the poetic. The two plays in this volume leap across court transcripts, affidavits (real and imagined), archival research, and personal memoir. Through his re-staging, Sheikh crafts a genre-bending exploration of a litigation bat

Kristian Petersen’s new edited volume Muslims in the Movies: A Global Anthology (Ilex Foundation and Harvard University Press, 2021), introduces the subject of Muslims and film. The volume contains nineteen chapters that engage a range of film industries, including Hollywood and Bollywood, but also movies from the Philippines, Indonesia, Nigeria, Italy, Australia, Saudi Arabia, and much more. This collection challenges its readers to taking seriously the complex ways in Muslims are represented in films throughout the globe, be it through a close analysis of a film, such as Wajda, or films about North American Muslims, such as Malcolm X or Muhammad Ali. In other instances, authors guide the readers through accessible analysis of particular Muslims in movies and cinematography, which lead to discussions of islamophobia, diaspora politics, issues of gender and sexuality, identity politics and much more. The overall study then welcomes viewers to rethink the ways in which films can be studied as a critical text a

Hamilton: An American Musical made its record-breaking Broadway debut in 2015—but the musical has reached far beyond typical Broadway audiences to pave a path into political discourse, pop culture, classroom curriculums, and the broader conversation about contemporary American politics. What led to this chain reaction of popularity, and how does it continue to influence these cultural and political dynamics? Jeffery and Sara Mehltretter Drury work to answer these questions using the tools of rhetorical criticism by bringing together a collection of essays in their book, Rhetoric, Politics, and Hamilton: an American Musical (Peter Lang, 2021). This volume is part of the Frontiers in Political Communication series at Peter Lang Publishers—a book series that aims to produce timely scholarship at the very cutting edge of political communication, emphasizing “how citizens, governments, and the media interact is the communication process.” Dr. Sara Mehltretter Drury is an Associate Professor of Rhetoric, and the Di

Paula Richman and Rustom Bharucha's book Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments (Oxford UP, 2021) examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila.  Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more a

Franz Nicolay's Someone Should Pay for Your Pain (Gibson House Press, 2021) is a moving, funny, and sometimes brutal novel about the life of a touring musician. Rudy Pauver is a punk-turned-singer-songwriter now roughly ten years past his peak. He draws a small but steady crowd in bars and venues far from the beaten track, all while enduring the thundering success of his one-time protege Ryan Orland. Nicolay brings his decades of experience as a musician to this novel, which teems with perfect tiny details of the rigors of touring. This is a coming of middle age story for anyone who's ever wondered what goes on in the van during the long stretches between the glamorous heights of a musician's life. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.suppor

From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity.  The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one.

The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? The Texas Chain Saw Massacre written by Tobe Hooper and Kim Henkel premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. In his new book, Leatherface vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire (Headpress, 2021), Martin Harris presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor.  Rebekah Buchanan is an Associate Professor of Engli

Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. In Starring Women: Celebrity, Patriarchy, and American Theater, 1790-1851 (U Illinois Press, 2020), Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals. A revealing foray into a lost time, Starring W

Mary Gauthier was twelve years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song: The Art and Healing Power of Songwriting (St. Martin's Essentials, 2021), Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds o

In The Cultural Impact of RuPaul's Drag Race: Why are we all Gagging? (Intellect, 2021) Cameron Crookston has compiled chapters from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology, and marketing. The collection analyzes the global impact of RuPaul's drag race on local, live cultures, fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness. The collection goes beyond the mere analysis of the show itself and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics, and all points in between. What was once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter, and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career

Maiko Masquerade: Crafting Geisha Girlhood in Japan (University of California Press, 2021) explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Dr. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto’s classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men’s amusement, she serves as catalyst for women’s consumer fun. This change inspires stories of ordinary girls—and even one boy—striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity. Dr. Jan Bardsley is Professor Emerita of Asian Studies at the University of North Carolina, Chapel Hill. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida

In Between Subjects: A Critical Genealogy of Queer Performance (Routledge, 2021) is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. The book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity. Dr. Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art & Design at the University of Southern California. Her recent publications include Seeing Differently: A

Baylor University musicologist and the author of Hearing Beethoven Robin Wallace chats with Howard about the magic of Beethoven, weaving personal sentiments with professional insights to explore his unparalleled musical legacy. Howard Burton is the founder of Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Thomas O. Haakenson's book Grotesque Visions: The Science of Berlin Dada (Bloomsbury, 2021) focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium mem