New Books In Dance

In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries li

In The Girl Singer (Fireside Industries, 2021), her latest collection of poems, Marianne Worthington weaves together nature writing, feminism, and country music to form a powerful strand of interlocking poems. In the book's first section, Worthington inhabits famous woman singers like Hazel Dickens and Sara Carter, but also unsung artists who struggled to find a voice or an audience in the patriarchal world of country music. Later sections pivot to more personal themes, but the resonances of the first section remain in lines that recall the lyrics of folksongs, evocations of the singing of birds, and poems that make use of traditional song structure. The collection as a whole is an immensely satisfying volume that should appeal to poetry fans in general, as well as fans of country, folk, and old-time music. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choi

By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, th

Alisa Freedman's book Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples sho

Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford UP, 2021), Sonia Gollance exami

“Made of light and later sound, the film experience cannot be touched, but that does not mean it is immaterial.” So writes Dr. Caetlin Benson-Allott in her third academic monograph, The Stuff of Spectatorship: Material Cultures of Film and Television (University of California Press, April 2021). In The Stuff of Spectatorship, Dr. Benson-Allott turns away from that canonical concept of medium specificity to explore the nature of material specificity. How might the cinematic and televisual apparatus be expanded to incorporate the lost off-the-air recording, the decaying VHS tape, the mediocre branded Cabernet, and the eruption of violence at your local multiplex? It is not just what you watch, but how you watch, that makes meaning. This reframing not only has profound implications for how critics and fans enjoy their preferred media, while laying bare the racist and classist commitments at the heart of our shared material media cultures. In this discussion, Dr. Benson-Allott describes the origin of her latest p

Devotional Hindu Dance: A Return to the Sacred (Palgrave Macmillan, 2021) sheds light on the purpose of Hindu dance as devotional. Dr. Sabrina D. MisirHiralall explains the history of Hindu dance and how colonization caused the dance form to move from sacred to a Westernized system that emphasizes culture. Postcolonialism is a main theme throughout this text, as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Before Billy Wilder became the screenwriter and director of iconic films like Sunset Boulevard and Some Like It Hot, he worked as a freelance reporter, first in Vienna and then in Weimar Berlin. Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna (Princeton UP, 2021) brings together more than fifty articles, translated into English for the first time, that Wilder (then known as Billie) published in magazines and newspapers between September 1925 and November 1930. From a humorous account of Wilder's stint as a hired dancing companion in a posh Berlin hotel and his dispatches from the international film scene, to his astute profiles of writers, performers, and political figures, the collection offers fresh insights into the creative mind of one of Hollywood's most revered writer-directors. Wilder's early writings--a heady mix of cultural essays, interviews, and reviews--contain the same sparkling wit and intelligence as his later Hollywood screenplays, while also casting light into th

The volume, Performing Environmentalisms: Expressive Culture and Ecological Change, edited by John Holmes McDowell, Katherine Borland, Rebecca Dirksen, and Sue Tuohy (University of Illinois Press, 2021), illustrates the power of performing diverse environmentalisms to highlight alternative ways of human beingness to improve the prospects for maintaining life on the planet under threat. In the interview, I spoke with editors John McDowell and Rebecca Dirksen, who detail how poetics and performance represent strategies in managing human and nonhuman entanglements with contemporary, wicked problems (e.g., threats to bicultural diversity and rampant environmental degradation, unresolved colonial histories, and capitalist pressures). Understanding diverse environmentalisms as embodiments of knowing demonstrates “the power of performances and expressive culture to move people to action: resisting, negotiating, and finding solutions to environmental problems. These are not only performances of diverse environmentali

Why do we love the music we love? In Why You Like IT: The Science & Culture of Musical Taste (Flatiron Books, 2019) musicologist Nolan Gasser, architect of Pandora Radio’s Music Genome Project, discusses how psychology, anthropology, history, sociology, and culture combine to define our musical tastes—what he calls “inculturing.” From the Northern California Redwoods to Paris to Africa, from Nashville to New York City, and from medieval music to Phillip Glass to Led Zeppelin to Taylor Swift, Dr. Gasser takes us on a ride through our minds and how they process, understand and, yes, like music. David Hamilton Golland is professor of history and immediate past president of the faculty senate at Governors State University in Chicago's southland. @DHGolland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tracing more than two centuries of history, Shakespeare in Montana: Big Sky Country’s Love Affair with the World’s Most Famous Writer (University of New Mexico Press, 2020) uncovers a vast array of different voices that capture the state’s love affair with the world’s most famous writer. From mountain men, pioneers, and itinerant acting companies in mining camps to women’s clubs at the turn of the twentieth century and the contemporary popularity of Shakespeare in the Parks throughout Montana, the book chronicles the stories of residents across this incredible western state who have been attracted to the words and works of Shakespeare. Gretchen Minton explores this unique relationship found in the Treasure State and provides considerable insight into the myriad places and times in which Shakespeare’s words have been heard and discussed. By revealing what Shakespeare has meant to the people of Montana, Minton offers us a better understanding of the state’s citizens and history while providing a key perspective

When faced with some of the complex identity questions which often arise in borderlands, Koreans in China – known as Chosonjok in Korean, Chaoxianzu in Chinese – have long seemed adept at navigating the shifting demands of being both Chinese and Korean. Sunhee Koo’s new book, Sound of the Border: Music and Identity of Korean Minority Nationality in China (U Hawaii Press, 2021), makes a strong case for Chaoxianzu music being a clear index of this, reflecting as it does the layered cultural worlds of this community living in Yanbian prefecture where China, North and South Korea, and the wider world collide. Offering an in-depth account of the shifting styles, genres and themes present in Chaoxianzu musical output across the decades, Koo examines the form and content of Korean folksongs and traditional instrumentation, Chinese- and North Korean-inflected socialist propaganda tunes, and more recent commercialised blends of essentialised ‘ethnic’ music and South Korean pop. Woven into the book’s close musical anal

Daniel Alexander Jones' Love Like Light: Plays and Performance Texts (53rd State Press, 2021) collects seven plays and performance texts from the past twenty-five years. Together, they provide a panoramic view of a remarkable playwright, songwriter, improviser, and performer. In our conversation we discuss Jones' early exposure to theatre as a high school student in Springfield, MA, his discovery of Ntozake Shange's work, his emergence in the Radical Alternative Theater scenes in Austin and the Twin Cities, and his more recent work at New York venues including Soho Rep and Joe's Pub. Love Like Light should be of interest to anyone interested in queer performance, Afromysticism, and abstract structures of performance writing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! htt

Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (University of Texas Press, 2021), highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. In the books, Kate Fortmueller, Assistant Professor at the University of Georgia, proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood. Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape profess

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Commun

In Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (U Toronto Press, 2021), Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik unpacks the contradiction at the heart of artistic production, and shines a light on how the economic reality of creative work has often been obscured by the mystification of artistic endeavour. Drawing on Marxist-feminist analysis, the book demonstrates the value of recognising that artistic labour is ultimately a category of work. In this way, Praznik offers a strategic framework for enhancing our understanding of the struggle for equity in the world of institutionalised art production. Katja Praznik is Associate Professor within the Arts Management Program at the University at Buffalo. Iva Gl

Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents (Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II. With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, gov

Andrea Warner's Buffy Sainte-Marie: The Authorized Biography (Graystone Books, 2018) tells the story, often in Buffy's own words, of the life of the remarkable artist and activist. Buffy Sainte-Marie's musical career is as varied and fascinating as those of her Canadian contemporaries Neil Young, Joni Mitchell, and Leonard Cohen, but he work has not always achieved the recognition it deserves. Warner's book is in part an attempt to rectify that by presenting Buffy's complete story to a new generation of readers and listeners. We encounter Buffy as a coffee shop folkie, an electronic music pioneer, and indigenous activist, a Sesame Street cast member, and finally as an elder stateswoman of Canadian music. This is a book for longtime fans or for new initiates who have never heard songs like Power in the Blood, Now That the Buffalo's Gone, The Universal Soldier, or The War Racket. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, a

Our sense of smell is a uniquely visceral—and personal—form of experience. As Hsuan L. Hsu points out, smell has long been spurned by Western aesthetics as a lesser sense for its qualities of subjectivity, volatility, and materiality. But it is these very qualities that make olfaction a vital tool for sensing and staging environmental risk and inequality. Unlike the other senses, smell extends across space and reaches into our bodies. Hsu traces how writers, artists, and activists have deployed these embodied, biochemical qualities of smell in their efforts to critique and reshape modernity’s olfactory disparities.  Hsuan L. Hsu's The Smell of Risk: Environmental Disparities and Olfactory Aesthetics (NYU Press, 2020) outlines the many ways that our differentiated atmospheres unevenly distribute environmental risk. Reading everything from nineteenth-century detective fiction and naturalist novels to contemporary performance art and memoir, Hsu takes up modernity’s differentiated atmospheres as a subject worth