New Books In Latino Studies

Tijuana is the largest of Mexico’s northern border cities, and although it has struggled during the United States’ dramatic escalation of border enforcement, it nonetheless remains deeply connected with California by one of the largest, busiest international ports of entry in the world. In Passing: Two Publics in a Mexican Border City (University of Chicago Press, 2017), Rihan Yeh probes the border’s role in shaping Mexican senses of self and collectivity. Drawing on extensive fieldwork, Yeh examines a range of ethnographic evidence: public demonstrations, internet forums, popular music, dinner table discussions, police encounters, workplace banter, intensely personal interviews, and more. Through these everyday exchanges, she shows how the promise of passage and the threat of prohibition shape Tijuana’s communal sense of “we” and throw into relief long-standing divisions of class and citizenship in Mexico. Out of the nitty-gritty of quotidian talk and interaction in Tijuana, Yeh captures the dynamics of des

Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences. Brown Trans Figurations: Rethinking Race, Gender, and Sexuality in Chicanx/Latinx Studies (University of Texas Press, 2021) presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana fe

Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world. But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape

In Radical Imagination, Radical Humanity: Puerto Rican Political Activism in New York (SUNY, 2017), Rose Muzio analyzes how structural and historical factors--including colonialism, economic marginalization, racial discrimination, and the Black and Brown Power movements of the 1960s--influenced young Puerto Ricans to reject mainstream ideas about political incorporation and join others in struggles against perceived injustices. This analysis provides the first in-depth account of the origins, evolution, achievements, and failures of El Comité-Movimiento de Izquierda Nacional Puertorriqueño, one of the main organizations of the Puerto Rican Left in the 1970s in New York City. El Comité fought for bilingual education programs in public schools, for access to quality jobs and higher education, and against health care budget cuts. The organization mobilized support nationally and internationally to end the US Navy's occupation of Vieques, denounced colonial rule in Puerto Rico, and opposed US aid to authoritarian

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can

What meaning does a daily soccer game in a public Los Angeles park have for a group of Latino men and the ethnographer who studied them? In today’s episode, we talk with Dr. David Trouille, Assistant Professor of Sociology at James Madison University, about the ten years of fieldwork behind his new book Fútbol in the Park from the University of Chicago press.  In a thoughtful self-reflexive conversation, David tells us how a neighborhood campaign against the players initially drew him to the community of Latino soccer players that are the subject of his book. He describes how he built relationships with the men over time on and off the field, and how the social space of the games created social ties that were essential to their ability to find work. While surrounding well-to-do mostly white communities accepted the men as workers in their homes, they simultaneously resisted their visible presence in the park. David tells us how this stigmatization, combined with national discourses constructing Latino men as

The Spiritual Evolution of Margarito Bautista: Mexican Mormon Evangelizer, Polygamist Dissident, and Utopian Founder, 1878-1961 (Oxford University Press, 2020) provides the first full-length biography of a celebrated Latino Mormon leader in the U.S. and Mexico in the early twentieth century. Surprisingly little is known about Bautista's remarkable life, the scope of his work, or the development of his vision. Elisa Eastwood Pulido draws on his letters, books, pamphlets, and unpublished diaries to provide a lens through which to view the convergence of the evangelization efforts of the Church of Jesus Christ of Latter-day Saints, Mexican nationalism, and religious improvisation in the U.S. Mexico borderlands. A successful proselytizer of Mexicans for years, from 1922 onward Bautista came to view the paternalism of the Euro-American leadership of the Church as a barrier to ecclesiastical self-governance by indigenous Latter-day Saints. In 1924, he began his journey away from mainstream Mormonism. By 1946, he ha

While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers

For many of its participants, the All-American Girls Professional Baseball League (AAGPBL) offered them an opportunity to change their lives, yet few were as transformed as that of Isabel “Lefty” Alvarez. As Kat D. Williams details in Isabel “Lefty” Alvarez: The Improbable Life of a Cuban-American Baseball Star (University of Nebraska Press, 2020), playing in the league gave her the chance for a new start in a different country. Williams highlights the role Lefty’s mother María played in encouraging her to take up sports as a way of escaping their family’s slide into poverty. Lefty’s involvement with baseball coincided with a unique period of opportunities for women in the sport, one that she embraced first by playing for an all-Cuban team then by signing a contract with the AAGPBL. Though a knee injury and the demise of the AAGPBL ended her professional career, Lefty remained in the United States after its demise, finding employment and becoming an active participant in the AAGPBL reunions that began in the

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 (University of Massachusetts Press, 2020), Lucas A. Dietrich investigates how ethnic literatures took shape in the U.S. context and how writers of color intervened in the “mainstream” writing. Interestingly, this intervention was framed through specific genres and techniques, including satire and parody towards the mainstream narratives. The book brings our attention to the most prominent ethnic writings of the second half of the nineteenth century while taking into consideration the negotiations in which both the writers and the publishers participated. What is compelling about this research is the dialogical approach that Dietrich undertakes to explore the ways in which the ethnic writers were, in fact, accepted into what could be described as the dominant mainstream writing of white writers. Writing Across the Color Line contains rich materials which demonstrate not only how the writers of color established di

Maria Hinojosa is an award-winning journalist who, for nearly thirty years, has reported on stories and communities in America that often go ignored by the mainstream media—from tales of hope in the South Bronx to the unseen victims of the War on Terror and the first detention camps in the US. Bestselling author Julia Álvarez has called her “one of the most important, respected, and beloved cultural leaders in the Latinx community.” Once I Was You: A Memoir of Love and Hate in a Torn America (Atria Books, 2020), Maria shares her intimate experience growing up Mexican American on the South Side of Chicago. She offers a personal and illuminating account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also sanctioned willful negligence and profiteering at the expense of our country’s most vulnerable populations—charging us with the broken system we have today. An urgent call to fellow Americans to open their eyes to the immigration crisis and understand

Who truly controls immigration law in the United States? Though common sense might suggest the U.S. Congress, legal scholars Adam B. Cox and Cristina M. Rodríguez argue that the president is in fact the immigration policymaker-in-chief. In this interview, we speak with co-author Rodríguez about their new book The President and Immigration Law (Oxford University Press, 2020), which shifts our attention away from court-based immigration regulation and toward the power dynamic between Congress and presidential administrations. The book details the historical construction of the “shadow immigration system” that has enabled the executive branch to fundamentally shape immigration policy through its discretionary enforcement of the law. Rodríguez walks us through the three constitutive elements of this system: a deportation legal regime, state capacity and bureaucracy, and a boom of unauthorized immigration in the latter half of the twentieth century. This interview also delves into the role of local and state polic

A Peculiar Kind of Immigrant’s Son (Cinco Puntos Press, 2020) is a collection of linked short stories, which Luis Alberto Urrea called “a world-class collection.” The book won the Kay Cattarulla Award for Best Short Story and the International Latino book Award for Best Collection of Short Stories. Troncoso fills these 13 linked stories with the struggles and triumphs of Mexican/American immigrants or their children who’ve settled in the United States. In a nod to philosophical perspectivism, the view that perception changes according o the viewer’s interpretation, Troncoso presents characters who return again and again, in different situations, from different perspectives. Sergio Troncoso is an American author of short stories, essays, and novels. He often writes about the United States-Mexico border, immigration, philosophy in literature, families, fatherhood, and crossing cultural, religious, and psychological borders. Currently president of the Texas Institute of Letters, Tronosco is a Fulbright scholar a

Pushing Back: Women of Color–Led Grassroots Activism in New York City (U Georgia Press, 2020) explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism. Centered in New York City, Pushing Back brings an intersectional perspective to communities of color as it addresses injustices tied to domestic work, housing, and environmental policies and practices. Ariella Rotramel shows how activists respond to injustice and marginalization, documenting the ways people of color and the working class in the United States recognize identity as key to the roots of and solutions to injustices such as environmental racism and gentrification. Rotramel further provides an in-depth analysis of the issues that organizations representing transnational communities of color identify as fundamental to their communities and how they frame them. Introducing the theoretical concept of “queer motherwork,” Rotramel explores the forms of advocacy these activists employ and shows how t

Silviana Wood is a legend of Chicano theatre. Through her involvement with Teatro Libertad, Teatro Chicano, and El Teatro Nacional de Atzlán she has created plays where working class Chicanos are center stage. Despite her insistence that she is “a storyteller, not an activist,” her plays reflect her deep connection to the Movimiento Chicano. They are also funny, imaginative, and heartbreaking, sometimes all in the same scene. Her book Barrio Dreams (University of Arizona Press 2016) collects five of her plays. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U

A quinceañera is a traditional fifteenth birthday celebration for young women (though in contemporary times, it can also be for young men) in many Latinx communities. While the celebration has roots in religiosity, it has also become a space for imagining and performing class, identity, and Americanity. With fieldwork conducted in California, Texas, Indiana, and Mexico City, Dr. Rachel Gonzàlez provides a richly nuanced study in her recent book Quinceañera Style: Social Belonging and Latinx Consumer Identities (University of Texas Press, 2019) that examines the quinceañera as a site of possibility where young woman and their families can take ownership of their identity through consumerist actions and challenge narratives of Latinx class status that emphasize poverty and unstable migratory status by presenting an image of middle-class Latinx families In this podcast, we talk about how Dr. Gonzàlez’s move from studying neurology to studying folklore and why it was so important to study quinceañera with the len

Today we are joined by Jorge Iber, Professor of History and Associate Dean of the College of Arts and Science at Texas Tech, and Mario Longoria, a long-time author and educator who received his PhD in English in 2014. The two are the authors of Latinos in American Football: Pathbreakers on the Gridiron, 1927 to the Present (McFarland and Co Publishers, 2020). In our conversation we discussed the origins of Latino American football, the role of World War II and the Civil Rights movement in expanding opportunities for Latino sportsmen, and the ongoing obstacles to Latino participation in the game that many love. In Latinos in American Football, Iber and Longoria recover the history of Latino participation in American football at the high school, college, and professional level. Although each chapter includes a series of case studies of Latino players, often undergirded by interviews conducted by the two scholars over thirty years, their work does more than recount histories on the field. They instead contextual

In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes (University of Arizona Press, 2016) playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes. Fornes was one of the most significant American playwrights of the twentieth century, and her legacy is evident in the dozens of playwrights she mentored over the course of her long career. García-Romero shows how her unique pedagogy and her example as a successful Latina experimental playwright continue to inspire playwrights like Caridad Svich, Cusi Cram, Elaine Romero, Quiara Alegría Hudes, and Karen Zacarías. Anne García-Romero is a playwright and theatre studies scholar. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout

There are two key elements of today’s professional baseball that are informed by Lou Hernandez’s wonderful book Bobby Maduro and the Cuban Sugar Kings (McFarland, 2019): the increased presence of Latinos both on the field and off in MLB, and the interest of MLB to promote its game internationally, particularly in places such as Latin America. The life and career of Bobby Maduro sheds light on both of these topics. First, Maduro was greatly responsible for the Cuban League’s recognition by professional baseball (in the US). Within this framework, many Americanos played baseball in Cuba, and were exposed to the level of talent not only from that nation, but from elsewhere in the Spanish-speaking baseball world. This helped open the door to even more Latinos to make it into the higher levels of the minors, as well as eventually into the Majors. Second, Maduro was responsible for bringing AAA-level competition to Cuba. With the positive response of the fans (even in the midst of revolutionary turmoil), it did see