On The Page

Barbara Stepansky, writer/producer on Outlander and head writer on Woman of the Dead, talks about how the rules of the shows she writes on present creative challenges that make her job even more interesting.

Writer/Director Marie-Emmanuelle Hartness comes from a personal place in her work and asks the same of her students at Emerson College. 

Writer and “good witch,” Glenda L. Richardson describes her process for capturing voices and crafting stories for celebrities such as Kevin Hart, Tiffany Haddish and Taraji P. Henson.

Entertainment attorney and composer Corey Field sees his work as helping writers and creators achieve their dreams. Here he explains the difference between sales, options and work-for-hire and discusses potential gains and traps along the way. 

Writer Delondra Mesa (American Rust, Pretty Little Liars) talks about her approach to discovering story and creating content even as the industry experiences “The Great Contraction.” 

Director Dans Karagannis and Writer Liz Renner discuss their journey meeting in an On the Page class and joining together to make their short film Damned If You Do, currently screening in major festivals. 

Writer Suha AL Khalifa is a senior writer at the Saudi Giant MBC Studios (Rashash, Devil’s Promise) and also wrote the region's first female super-hero film. She talks about how her experience as a psychotherapist and as a "cultural hybrid" (Bahrain, UK, and US) has informed her writing and storytelling.

Joe Gold’s “Shakespeare Inc.” offers sixteen variations of a story. Hear how he wrote it, how “choose your own adventure” storytelling is structured and how this approach can work for video-game and screenwriting.

Emily Harris is not only an award-winning writer-director (Carmilla), she also has an amazing “day job” as the Curator of Film at the Victoria & Albert Museum.  

When writer-director GG Hawkins had access to a unique location for a limited amount of time, she “planted a flag and figured out a way to do it,”  writing, producing and directing an indi-feature called I Really Love My Husband.

Filmmaker/ professor Michele Meek shares her thoughts about changing sexuality in teen films, how rom-coms often rely on a non-consent premise and about her wish that writers put their sex scenes on the page.

From "safety nets” to “act three payoffs," Pilar goes solo to talk about what she’s learning while working with writers Story to Script.

Writer/director Hilari Scarl discusses her latest multi-media work, Not Another Deaf Story, written and performed with deaf actors on stage and on screen.

Writers Chris Lawing and Alex Grossman have independently made the movies they’ve written and prepare to makes more! Here they talk about how they’ve pulled it off and what they’ve learned along the way.

Actor Joel Stoffer (Agents of S.H.I.E.L.D, Stranger Things) stage-reads scene direction submissions from listeners as they showcase their writing skills! Who will win?

Writer/producer Tracy Grant (Lincoln Heights, Lace) tells a personal story filled with highs and lows that led to a number of writing lessons and his confirmation that "you only need one yes."

Did you write a prize-worthy piece of scene direction? Enter it in the On the Page Scene Direction Contest! Pilar explains the rules and gives the deadline.

A catch up with writer/comedian Laura House as she talks about the lean years and the ripe years, including running a British show in the middle of Covid and learning to feel “the right amount of proud” about her accomplishments.

Science through entertainment. Entertainment inspiring science. Filmmakers Tamara Krinsky and Taryn O’Neill co-founded Scirens to explore all of the possibilities.

Writer Jimmy Miller reflects on a script that changed as he changed, ultimately leading to his current Nicholl Fellowship win.