Magasin Iii

Lyssna på en inspelning av samtalet mellan Gunnel Wåhlstrand och Magnus Bremmer som hölls i relation till Gunnel Wåhlstrand utställning på Magasin III. Inspelat på Magasin III den 8 mars 2017.

Listen to a recording from the talk between artist Tony Oursler and Richard Julin, Deputy Director and Chief Curator at Magasin III, in relation to Tony Oursler's exhibition M*r>0r at Magasin III. Recorded at Magasin III in Stockholm on September 15, 2016.

Vi lever i oroliga tider. Men vad gör oron med oss fysiskt, mentalt och själsligt? Vad händer i hjärnan när vi oroar oss? Hur har människor hanterat oro genom historien? Och hur hanterar den sekuläre svensken sin oro när man avskaffat gud? Inspelning från samtal på Medelhavsmuseet den 8 april 2016. Lisa Clefberg, leg psykolog och forskare i klinisk neurovetenskap, Karolinska Institutet, Hans Ruin, professor i filosofi, Södertörns högskola och Göran Ståhle, religionspsykolog, Södertörns högskola i ett samtal om oro och vad den gör med oss. Moderator: Petra Holmberg, intendent Världskulturmuseerna. Magasin III i samarbete med Medelhavsmuseet

Audioguide for the exhibition The Nature of Particles at Magasin III Museum & Foundation for Contemporary Art in Stockholm. The exhibition features works by Jake & Dinos Chapman alongside works by the 19th century artist Francisco Goya. In the audioguide curator Tessa Praun tells about the background of the exhibition and brothers Jake and Dinos Chapman’s artistic practice. Jake Chapman talks about how he and his brother Dinos began using Goya’s famous series of etchings Los Desastres de la Guerra as a starting point in his oeuvre, as well as about the artworks we see in the exhibition The Nature of Particles at Magasin III. Karin Sidén, Associate Professor and Director General of the museum Prins Eugens Waldemarsudde and former curator at Nationalmuseum in Stockholm has for many years immersed herself in Francisco Goya’s oeuvre, including Nationalmuseum’s exhibition on Goya in 1994 and in the exhibition From El Greco to Dali in 2003. In the audio guide she talks about Goya’s oeuvre, focusing on the graphic

I audioguiden berättar curator Tessa Praun om bakgrunden till utställningen och om bröderna Jake & Dinos Chapmans konstnärskap. Vi hör även Jake Chapman om hur han och brodern Dinos började använda Goyas kända serie etsningar Los Desastres de la Guerra som en utgångspunkt i sitt konstnärskap, samt om verken vi ser i utställningen The Nature of Particles på Magasin III. Karin Sidén, överintendent på Waldemarsudde och tidigare intendent på Nationalmuseum har under många år fördjupat sig i Francisco Goyas konstnärskap, bl.a. i Nationalmuseums utställning om Goya 1994 och i utställningen Från El Greco till Dalì 2003. I audioguiden berättar hon om Goyas konstnärskap med fokus på den grafiska serien Los Desastres de la Guerra. Audioguiden är producerad av Magasin III i samarbete med Rask Musikdesign, Stockholm, februari 2016. Språk: svenska

Curator Tessa Praun in a conversation with Jake Chapman about the exhibition The Nature of Particles at Magasin III, about his and his brother Dino’s artistry and relation to the 19th century artist Francisco Goya. The artist talk was recorded at Studio 4 in Radiohuset in Stockholm on February 25th, 2016. Language: English

How does one build a collection today, that is both in tune with the times and relevant for the future? What are good working models for making the collection an active part of the organization? In March of 2014 Grafikens Hus in Mariefred burned down to the ground. This extreme situation ignited many questions, among them how does one build a new collection today? In collaboration with Riksutställningar (the Swedish Exhibition Agency), Grafikens Hus has organized four talks around these questions to take place during 2015. Among partners in this conversation series are Magasin III, Nationalmuseum, Marabouparken konsthall and Eskilstuna konstmuseum. International guests will be invited to reflect on these issues. Participants: Elvira Dyangani Ose, Goldsmiths University of London, and Gothenburg International Biennial for Contemporary Art. Annie Fletcher, Curator Van Abbemuseum, Eindhoven and Tutor De Appel, Amsterdam. Anders Jansson, Director and Curator Museum Anna Nordlander, Skellefteå. David Neuman, Muse

Museum director David Neuman has invited two of Sweden’s experts on Ernst Josephson, Ulf Abel and Peter Cornell, to discuss one of the artist’s drawings, which has recently become part of our collection. It is one in a series of over 100 drawings called “andeprotokoll,” which Josephson created during a time of mental illness. They are a sort of record of spiritual visitations, all of which follow a fixed format. Moderator: David Neuman, Museum Director, Magasin III and Affiliated Professor, Stockholm University. Participants: Ulf Abel holds a doctorate in art history. He has worked for many years at Nationalmuseum, where he was responsible for the icon collection. Among Abel’s areas of research are Byzantine and Russian art, as well as early 20th century Swedish art. His publications include Ikonen – bilden av det heliga, Nationalmuseum Icons, Ikonen – den besjälade bilden and Ernst Josephson. Peter Cornell is an art critic and former professor of Modern Art Theory and the History of Ideas at Konstfack (Th

Join museum director David Neuman and actor Lena Endre as they walk through the exhibition The Drawing Room and discuss their reactions to the artworks. The audioguide is produced by Tomas Rajnai, Jens Nielsen och Sofia Ekman Neves in collaboration with Magasin III, in February 2014. Language: Swedish

British musician James Leyland Kirby talks about his album An Empty Bliss Beyond This World, released in 2011 under the name of The Caretaker. Made solely from sampled gramophone records of pre-war ballroom music, it reflects the artist’s ongoing interest in what happens when our minds and memories begin to deteriorate. Recent research has shown that for Alzheimer’s sufferers, music can act as a trigger to reawaken lost memories, and this has been a starting point for Kirby’s exploration of the mind and how it operates. The album was played in its entirety as part of Magasin 3’s exhibition On the Tip of My Tongue, on one occassion only. On a Sunday afternoon in October 2013, it could be heard inside the old ice-skating pavillion at Kastellholmen in central Stockholm.

How does art affect us? And what function does art serve in a public space? And what can the humanities do for economics? As part of a collaborative project to bring new perspectives into the academic environment, the Stockholm School of Economics and Magasin 3 Stockholm Konsthall launched a program that presents film-based artworks in the school’s Atrium, in May 2013. Since then there has been a growing debate in the media about the relationship between the humanities and the business sector. A panel of participants from the Stockholm School of Economics, Magasin 3 Stockholm Konsthall and the Stockholm art scene, address the role of art in society. Panel: Kristina Möster, Project leader, Public Art Agency Sweden; Ann-Sofi Sidén, Artist and Professor, The Royal Institute of Arts, Stockholm; Lars Strannegård, Vice President and Professor, Stockholm School of Economics; Nina Øverli, Assistant Curator, Magasin 3, and curator of the film program at the School of Economics. Moderator: David Neuman, Museum Dire

Recorded November 7, 2013 The three professors are back. The three part starts off with reflections on Ai Weiwei¹s participation on the Stockholm Film Festival jury. Is the focus on the artist¹s plight in China or is this a bold marketing move driven by commercial considerations? Next up: Do lists of today¹s most influential artists say more about the art world than the art itself? And finally a look at the greatest art heists in history and the astounding trove found recently in an apartment in Munich. Language: English

A Venture into the Unconscious Canadian artist Tamara Henderson talks with curators Richard Julin and Tessa Praun about the films and sculptures included in the exhibition On the Tip of My Tongue. Henderson allows herself to be led by her unconscious. Her working method transforms dreams, fragments and impulses into real action, as she deliberately sidesteps the control of a self-censoring mind. Her work opens up to another level of experiencing that we instinctively recognize – but that is hard to articulate. In this conversation, the listener is brought closer to the particular state of mind from which these works originate. Tamara Henderson is a recent graduate from the Royal Art Academy in Stockholm. Last year her work was shown at Documenta 13, Kassel and at the Frankfurter Kunstverein, Germany. Earlier this year she had a solo show at Kunstverein Nürnberg. She was nominated for this year’s Canadian Sobey Art Award.

LA based filmmaker, artist and writer Miranda July talks with Canadian writer Sheila Heti about the making of We Think Alone. Speaking from the perspectives both of creator (July) and participant (Heti), the conversation centres around the challenges involved in publicizing personal information, the role of the audience, and on the question of how email can become art. We Think Alone is an artwork by Miranda July commissioned by Magasin 3 for the exhibition On the Tip of My Tongue. It consists of a compendium of 20 emails originating from the sent-items folders of participants Kareem Abdul-Jabbar, Lena Dunham, Kirsten Dunst, Sheila Heti, Etgar Keret, Kate and Laura Mulleavy, Catherine Opie, Lee Smolin and Danh Vo. Sent out once a week between July 1st and November 11th, 2013, it exists only in the inboxes of those who signed up to receive it.

Extracts from a conversation between the French artist Pierre Huyghe (born 1962) and Curators Richard Julin and Tessa Praun. The experience of seeing Pierre Huyghe’s work Untilled at Documenta 13 in 2012, has been the key source of inspiration in the making of the exhibition On the Tip of My Tongue. In this conversation, amongst many things, Pierre Huyghe and the curators talk about cutting out the spectator and reflect on the implications that this idea may have on exhibition making. Pierre Huyghe’s work, which includes film, installation and public interventions, often take the form of constructed systems that are as unscripted as living organisms. Through his work, Huyghe is able to conjure up quite otherworldly realms in which his artworks appear freed from the constraints of accepted reality.

Swedish musician and artist Stina Nordenstam talks with curators Richard Julin and Tessa Praun. Having kept a low profile throughout her career, she is an enigmatic figure, often playing with changes of appearance. In this trialogue (conversation in three) Stina Nordenstam talks about her perception of time, her relationship to music, art and the world in general, as well as how she has been affected by the media attention. Stina Nordenstam has released six full length albums including And She Closed Her Eyes (1994), People Are Strange (1998), and The World Is Saved (2004). She participates in the exhibition On the Tip of My Tongue with the sound installation Tänk dig en människa on view both at the music festival Way Out West in Gothenburg and at Magasin 3 in Stockholm. Language: Swedish (all other chapters are in English)

Recorded June 17, 2013 This time around, the conversation takes aim at the current Venice Biennial. Are national pavilions still relevant in our time? Does the Venice Biennial reflect a hierarchical power structure between nations? Why does the year’s biggest art event focus on outsider art and painted napkins created by prison inmates? All this and much more in our summer episode. Language: English

Recorded May 3, 2013 Our guest in the studio is British star architect David Adjaye, know for his ongoing work on the Smithsonian Institutions’s National Museum of African American History and Culture on the National Wall in Washington D.C. Adjaye speaks about finding inspiration from contemporary artistic practices and gives us some unusual travel recommendations. Language: English

Curator Tessa Praun talks with film director Gabriela Pichler in conjunction with Mika Rottenburg’s exhibition at Magasin 3 in spring 2013. Through art and film they examine the different ways in which ‘work’ is depicted across contemporary art forms. Why is it such a heated subject? How does the concept of ‘work’ differ in artist Mika Rottenberg’s imagery and Gabriela Pichler’s critically acclaimed feature film Eat Sleep Die (2012)? Recorded on May 2, 2013 Magasin 3, Stockholm Language: Swedish

Recorded April 19, 2013 The guest in the studio is publisher, writer, editor, and former documentary filmmaker Hossein Amirsadeghi (London). Amirsadeghi is currently working on a book on the Nordic art scene to be published by Thames & Hudson, one of the most influential international publishers in art, design and architecture. Also discussed in the episode is the New York Times article “Partner Without the Prize” (April 17) which addresses the issue: what happens when one person in a creative duo gains recognition? Language: English